10 回答2026-08-04 20:07:01
The battle for the reader's attention between two plotlines. We cut from the intense exam to the slow-burn chart announcement. Horikoshi is betting we'll care about the bureaucratic outcome as much as the fight. It's a narrative gamble that pays off because he's built a world where both types of conflict matter. The volume is the author fighting to expand what shonen battles can be.
9 回答2026-08-04 01:14:43
I wish we got more of the Kirishima/Sato side action. It's glossed over pretty quickly. It would have been nice to see another duo handling a different type of crisis, to further contrast methods. Their battle is more of an afterthought, which is a missed opportunity.
15 回答2026-08-04 10:58:18
Man, reading that volume for the first time was an experience. The battle is pure chaos. One moment the heroes are wrapping up the Nomu fight, the next Shigaraki is up and the world is ending. It's not a structured duel; it's panic.
You see all these powerful pros look genuinely scared. Endeavor's face when he realizes his strongest attack didn't work is haunting. Best Jeanist coming in with that crazy wire net thing is probably the coolest visual in the volume, but even that just buys seconds.
And then, in the middle of the apocalypse, your phone rings with Dabi's broadcast. It's such a brutal narrative one-two punch. The battle isn't just on the street; it's in the public eye. By the end, the heroes are physically broken and socially crucified. It's the lowest point in the series, and the 'battles' are just the mechanisms of that fall.
10 回答2026-08-04 08:05:40
For me, the emotional battle hits harder than the physical ones. Watching Endeavor’s world crumble as Dabi speaks… that’s the real fight in the volume. Mirko’s struggle is physically grueling, but Endeavor’s is a silent, internal collapse. The major ‘battles’ are thus a mix: the battle of the body (Mirko), the battle for the city (street fights), and the battle for the soul (Endeavor’s past). Shigaraki’s awakening is the external force that makes all those battles seem small. It’s a layered approach that gives the volume incredible depth beyond the surface-level action.
9 回答2026-08-04 22:50:34
It’s wild to see how far Deku has come by this point. Remember when he could barely use 5% without breaking? Throwing 100% punches consecutively, even if it destroys him, shows a terrifying level of growth and desperation. The forest battle, conversely, shows how little the class has grown in terms of real-world crisis management. They’re still kids caught off guard. The two battles side-by-side measure individual heroic potential against group tactical inexperience.
13 回答2026-08-04 04:00:03
I'm just sitting here refreshing the page, waiting for someone to post a definitive list with page numbers. My memory's fuzzy on the exact chapter breakdowns.
14 回答2026-08-04 23:37:01
Shigaraki's power-up sequence is like a boss battle cutscene. He's immobile, undergoing a transformation, while the heroes and villains scramble to either stop him or protect him. Re-Destro and the Meta Liberation Army are trying to buy time, while the heroes are desperately trying to reach the capsule. It's a race against time rather than a direct confrontation, which is a unique type of battle tension. The 'fight' is to reach the objective before the timer hits zero.
9 回答2026-08-04 02:26:05
If we're talking sheer spectacle, Endeavor vs. High-End Nomu is the centerpiece. It’s a public battle broadcast to the entire country, so the stakes are narrative and symbolic.
Endeavor isn't just fighting a monster; he's fighting public perception and his own legacy. Hawks' involvement adds layers of espionage and betrayal. The fight choreography is Horikoshi at his best—dynamic, destructive, and emotionally charged. It solidifies Endeavor's brutal, pragmatic style as the new standard for top-tier heroics, for better or worse.
7 回答2026-08-04 09:58:46
I'd argue the 'battles' are almost secondary to the character moments within them. Yes, the physical conflict with Shigaraki is the main event, but the real battle is internal for Deku. He's fighting his own fear, guilt, and the overwhelming pressure of One For All's legacy. Bakugo's moment is a battle against his own perceived weakness and his desire to protect. Even All For One's fight is a battle of ideology against the pros. So when listing major battles, you have to include these psychological duels. The volume brilliantly intertwines the flashy quirk clashes with these quiet, devastating internal struggles. That's what makes it so re-readable; you notice new layers each time, beyond just who punches whom.
15 回答2026-08-04 07:06:32
Okay, but can we appreciate how Horikoshi uses these battles for world-building? The hospital fight shows the upper limits of pro-hero coordination and firepower… and it’s not enough. The villa fight shows the intelligence and black-ops side of hero work. Together, they expose all the machinery of hero society, and how that machinery is breaking down under real pressure. The battles aren’t just plot points; they’re stress tests for the entire societal structure Izuku wants to inherit. And every system fails.