How To Mark A Book By Mortimer Adler History

2025-06-10 15:54:51 204

5 answers

Henry
Henry
2025-06-11 17:15:57
As someone who treasures the physical act of reading and engaging with books, marking up 'How to Read a Book' by Mortimer Adler feels like a dialogue with the author. Adler himself advocates for active reading, and I find that underlining key arguments—like his four levels of reading (elementary, inspectional, analytical, and syntopical)—helps internalize his ideas. I also jot down marginalia when he discusses syntopical reading, where comparing themes across books is essential.

Another technique I use is numbering his sequential steps, like his advice on how to ‘X-ray’ a book by examining its structure before diving deep. Highlighting his critiques of modern education’s neglect of analytical reading feels especially poignant. For historical context, I might note how Adler’s 1940 first edition reflects post-war intellectual shifts, while later editions address newer literacy challenges. My copy is a mosaic of ink, symbols, and sticky tabs—each mark a testament to Adler’s enduring relevance.
Dylan
Dylan
2025-06-13 11:05:53
I approach Adler’s book like a workshop manual—practical and messy. His chapter on inspectional reading (skimming systematically) got circled in red because it’s gold for students drowning in textbooks. I dog-ear pages where he debates classic vs. contemporary texts, a debate I’m obsessed with. For history buffs, Adler’s references to ancient Greek trivium methods (grammar, logic, rhetoric) are worth asterisks; they show how his ideas aren’t new but refined. My notes in the margins often argue back, like when he dismisses speed-reading—I scribbled exceptions for news articles. The book’s evolution from 1940 to the 1972 edition (co-authored with Charles Van Doren) is fascinating; I sticky-note updates like his expanded ‘syntopical’ examples. Adler would approve: my markings turn passive reading into a sparring match.
Daphne
Daphne
2025-06-16 22:11:55
Marking Adler’s book is like mapping a philosopher’s brain. I use colored pens: blue for his rules (e.g., ‘Classify the book by kind and subject’), pink for historical nods (his lament about 20th-century education’s decline), green for personal epiphanies. When he contrasts reading Plato vs. a manual, I drew arrows to my note: ‘Depth ≠ difficulty.’ The margins burst with shorthand like ‘SQ3R connection?’ linking his methods to study techniques. A ripped envelope marks his syntopical reading section—it revolutionized my research. History seeps in where Adler cites Hutchins’ Great Books program; I highlighted that and added ‘1952?’ to contextualize. Each mark is a breadcrumb back to Adler’s wisdom.
Ruby
Ruby
2025-06-14 11:39:45
I treat my copy of Adler’s book like a medieval manuscript—annotated with reverence and rebellion. Bold brackets surround his ‘Three Phases of Analytical Reading’ (structure, interpretation, critique), while exclamation points pepper his rant about passive readers (‘Like a retriever expecting treats’—brutal!). For historical flair, I ink dates next to his references: ‘1947: Adler edits Britannica’s Great Books.’ His dismissal of speed-reading got a furious ‘BUT’ followed by my defense of skimming tweets. The 1972 edition’s added diagrams on syntopical reading are traced with a highlighter—they’re flowcharts for my thesis. Adler’s voice echoes in my underlines; my rebuttals hum in the margins.
Jade
Jade
2025-06-16 17:34:16
My Adler markup is chaotic but purposeful. Stars denote actionable tips (‘Judge only after full understanding’); squiggles underline his dig at ‘book worshippers.’ I timeline his edits: ’72 edition softens his anti-fiction tone—progress?’ The syntopical reading chapter has coffee stains and ALL CAPS notes (‘COMPARE TO BORGES’ LIBRARY’). History peeks through where Adler name-drops Aristotle; I scribbled ‘Nicomachean Ethics parallel?’ Faded pencil marks my first read; fresh ink debates later ones. Adler’s book isn’t just read—it’s lived in.
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