7 Answers2026-05-29
Unknowingly, I had been searching for new study music. Although I had come across some beautiful new ambient pieces, most of the study music I came across was just not suitable for my needs. Instead of getting more relaxed music I kept getting this crazy, high energy, fast paced music with lots of percussion, and in some cases sounds like a dial-up modem frantically dialing. Not helpful at all.
However, it somehow clicked with me and upon further listening I found complexity in the mayhem. It’s not music to move to, it’s music to decipher. Often I compare it to abstract art. Some people might see a deep meaning in it, others will just see a mess of colors. This music is definitely not for the masses, but for people who enjoy solving puzzles, who enjoy discomfort and struggle to understand what’s going on in front of them. After several plays you start to understand it, and you appreciate it for what it is.
3 Answers2026-05-29
In terms of XCXX's top artists, I'd say 'Glitch Maze' puts on an incredible live set that in some strange way is danceable. Also 'Echo Fracture' whose latest album 'Lost Signal' became my winter soundtrack this year. Last but not least a quite unknown artist for the blog 'Faux Hologram'. The quality of XCXX's artists is high enough that every 'top 5' list by a fan of the scene is personal to them and they've spent a lot of time delving into it.
3 Answers2026-06-02
Music video = MV. Until recently, I had always just called those “videos” (e.g. “MTV videos” [from the 80s]) but now MVs include anime openings and most J-rock videos. Weird how language evolves. And I’ve even started spreading it to other areas (e.g. “Check out the new MV!”).
As for what an MV can be, it’s really up to the artist. Usually, we get a straight up performance video. Sometimes there’s even a full story behind it. Ariana Grande recently dropped a brilliant thank u, next MV full of 2000s pop culture references, for example. And then there’s the abstract stuff – everything from a crying polar bear to a futuristic, isolated world where a woman rails against her environment. As a hybrid of musician and director, an MV can be pretty much whatever. My current obsession with music videos currently centers around how artists are incorporating AR (Augmented Reality) into their work, including the amazing MV for aespa’s Next Level, where human avatars coexist with their digital counterparts in actual real life spaces. Music videos are really the future of music – and it looks like it’s here already.
10 Answers2025-03-20
The internet is also a reminder of the worst aspects of language. You can be admiring a cute cat playing the piano on YouTube within minutes, and then spend hours scrolling through the worst of the worst on etymology of intensely sexist Jamaican cursing. Information is power. But the worst part is that once you have learned something, you cannot “unlearn” it. This particular “word” does not serve any positive purpose. Learning it does not make one a more complete or wise individual in any way. It merely provides another term for hatred that can be added to one’s vocabulary.
This word is one of nothing but harm to most people’s lives. It adds nothing good to the lexicon of someone who learns it. All it does is further pollute the vocabulary of the mind of someone who speaks it. Sometimes I wish that things were still the way they were. Such knowledge was kept within the community that had full comprehension of its power and evil. It was not disseminated to everyone on the planet to be further watered down. Not everything needs to be a Wikipedia entry. Some words are best kept local. They should have power and consequences that are understood completely by the speaker of that word or words. Not a trivia question for the rest of the world.
9 Answers2025-11-03
This would not be written as a dated entry in a library or archives setting. It would be described as undated with a note that the inscription reads XXV XXV XIII XIV. It would not be written as a date in a field. In a formal sense, this inscription contains numerals and therefore might be of interest, but the date is unknown.
7 Answers2025-11-05
And then the bridge hits home: 'And if we're speaking honestly, I doubt you'll stay for me.' This song is not about happiness, it's about tentative pleasure. The song is counting moments of perfectness (eating a meal together, talking) and worrying about the future in between. That's the meaning of this song to me. The tension between enjoying what you have and being worried for what might happen is what this song is all about. The title almost is ironic or at least somewhat bittersweet.
9 Answers2025-09-11
The music has an international appeal because of its fusion style. For people from the West, the orchestra is the emotional core of the music, and sounds like a movie score. On top of that, there’s the strange, exotic sound of the shamisen. For the Japanese, the folk elements are grounded by the cinematic, epic orchestra. So for them, the music is also satisfying, because it’s novel yet familiar. I think that’s why the music has an international appeal: it’s a bridge between two worlds of music.
8 Answers2025-10-22
Short take: We’ve got to be precise as to which “One Two Three” we’re talking about. For Soundtrack projects, it typically lists all the different people that contributed to it (composers, performers, arrangers, producers and even orchestras and choirs). You’d typically find the full credits for a soundtrack in the on-screen film credits, in the liner notes of a CD/vinyl, or in the credits section of a streaming service. As for commercial soundtrack albums, the individual track credits for those are typically listed on Discogs and MusicBrainz. For films and TV, the composer and other members of the music department are listed on IMDb and AllMusic.
This kind of research is so much fun for me. Every so often, I’ll stumble upon an obscure guitarist or arranger. Their contribution to the piece totally transforms how I perceive it. So, look up those credits. There’s hours of fun for you in there discovering even more great musicians that you wouldn’t have known about otherwise.
4 Answers2025-09-12
This video uses Downtown LA’s rougher edges to create the video, such as peeling paint and flickering street lights. Although it is shot in a bleak style, the performances of the members come to life especially in G-Dragon’s scenes shot in empty lots. The city seems to be sighing in sync with the chorus.
11 Answers2025-09-10
100% Incheon Airport's tarmac area. The use of the long leading lines of the runway lights and taxiways in the MV shots creates an incredible sense of depth and space. In terms of cinematography, using the whole of the tarmac area to shoot the MV is a far more mature choice than shooting on a fabricated set. The location does most of the work to convey the sense of lonely yearning in the song and the film allows the audience to feel that emotion for themselves without the story being told to them.