11 Answers2025-08-14
There are so many books which have a ‘cinematic’ feel to them and yet for some reason they never get made into films. One hopes that this might happen at some point. The opening scene on the riverboat is so strong – one can imagine the shot of the river slowly drifting by with the children in worn clothing staring with fear in their eyes. But translating a novel into a film isn’t just about transferring some good scenes to the screen. It’s about capturing the soul of the book. And this one moves between 1939 and the present day. On the page it works but it could easily be muddled on the screen and would need a very good screenwriter to weave the two timelines together. Casting the younger Foss children would also be a challenge – one would need to find child actors who could play with the trauma of their situation without it feeling exploitative in any way. One hopes it will happen but it will have to be very good.
10 Answers2025-08-06
Honestly, I have no idea. I read ‘West with Giraffes’ by Lydia Millet for a book club I’m a part of about two years ago and it was wonderful. We all loved it and I seem to remember someone asking about a movie adaptation, but our facilitator said she hadn’t heard of anything. Of course, two years is a long time in Hollywood and perhaps someone picked up the book on holiday last month and is currently brainstorming the big screen version.
This is the kind of movie that would do well in awards season, or as a holiday release. It’s a true story set in the Depression, but it’s a hopeful journey that ends well. It would make a great cozy Christmas movie. So while I have no evidence that there is a West with Giraffes movie in the works, I do have evidence that the book is fantastic and that it is moving in that direction. Perhaps we should all start tweeting #WestWithGiraffesMovie to get the attention of the right people.
11 Answers2025-07-10
The book is an extremely claustrophobic single location work – a house. The film is essentially the same story, but much more varied and it focuses on the police and the hostage negotiators, who were not in the book at all. They are on the outside, trying to negotiate with the main character in the book. So the film is really a cross-cutting action movie, whereas the book is a single location, psychological suspense novel. So in terms of what I would prefer, I would prefer the book. As a casual viewer of films, I can see why the filmmakers would want to go in this other direction, because they have different goals for different mediums. But the book is a very, very focused novel, and I like that about it.
9 Answers2026-07-29
Don't know of any movies, but El Shaddai is a videogame based on it. Great cell-shaded visuals. The combat is decent, but nothing on the level of Ninja Gaiden or Devil May Cry. It's pretty interesting as games go. It's on 360 and PS3. You'll probably find it pretty cheap. As always with videogames, check out gameplay footage to see if it's something worth your money.
4 Answers2025-07-12
The books of Egan Library have been well adapted to the big screen in a few cases. While The Goldfinch screen adaptation left many book fans dissatisfied, Where’d You Go, Bernadette is a beautiful film that combines humor and heart just as the novel did. A film adaptation of Jennifer Egan’s novel A Visit from the Goon Squad is being made as a series, and could be fantastic. There has been talk of a Secret History film for years and it would make Tartt fans incredibly happy. These novels have the depth to be great screen stories.
2 Answers2026-05-29
I am interested in reading more of Zane’s books. As for the possibility of the stories being made into movies, there are none yet but I think she has screen potential. Her ‘Nervous’ series or ‘Skyscraper’ would make a great steamy and suspenseful drama. I would be first in line to watch it on television and then subsequent seasons on DVD to binge watch them.
7 Answers2025-05-19
I wonder if the anthro dragon design is a problem for the film. They’re not standard Western dragons or Eastern dragons. They’re bipedal with quite expressive faces and their wings function as additional arms at times. I think this look would be difficult to animate in a believable animal-like manner and achieve sufficient ferocity whilst still being expressive. It may be that test footage did not look quite right and therefore needed reworking and thus extra time.
There are countless other behind-the-scenes decisions that go into deciding whether or not to make a movie, and it’s all mostly a series of intricately interconnected choices regarding a movie’s design, tone, and technology. Perhaps one of the largest decisions made was that the core visual style for the film just wasn’t working, and therefore the entire production of the film stalled. This concept art could give a lot of insight into why the film has yet to be released.
3 Answers2025-05-29
I love film and many of the literary works adapted into films. The ‘Anne’ series by Montgomery has been adapted many times for film and television. My favorite Anne on screen is Megan Follows in the 1985 miniseries which is considered the best adaptation of ‘Anne of Green Gables’. The new Netflix series ‘Anne with an E’ took some risks to comment on the current social climate which did resonate with many young people but unfortunately lost some of the original fans of the books. The show was cancelled after three seasons.
Animation fans might appreciate the earnest 70s anime ‘Akage no Anne’ which stays remarkably true to the original novel in its 50 episodes or so. More recently a 2017 TV movie titled ‘L.M. Montgomery’s Anne of Green Gables’ was made in a quieter, more old-fashioned style, but has failed to gain as much recognition as the two adaptations mentioned above. It’s a shame that the 1919 silent film version of ‘Anne of Green Gables’ has been lost to the sands of time.
10 Answers2025-08-15
Adapting long works of fiction to the length of a film is, in many ways, the greatest enemy of the author’s original work. My own work, Southern Man, is a huge doorstop of a book and, if filmed in its entirety, would run to well over several hours of screen time. Even the most liberal of editing would involve the stripping of subplots, the combining of characters, and the simplification of motivations. The very richness of the work comes from those very details. Therefore, adapting the book to film becomes a process of subtraction, of trying to work out what can be cut and still allow the basic story to hold together. Sometimes this will result in clever cuts that add to the overall narrative, on other occasions it will strip out nuance and result in a cardboard cut-out of the original plot. Most filmmakers would shy a mile from such a task, but I believe that if there is a filmmaker out there who ‘gets’ the heart and the message of this book, then they should attempt to create a new story, of roughly equal length, that captures the essence of the work, even if it doesn’t include all of the original scenes and plot twists. That’s not an easy task and it’s not one that many people would be up to.
10 Answers2026-06-16
I watched the film before I had the chance to read the novel and absolutely adored the film. Once I did read the novel however, I felt that the film had only touched the surface of the actual story. The novel was so much more than I had initially anticipated and the movie is akin to a beautiful sketch whilst the novel is the full, complete painting with so many more layers, a far richer and deeper story and characters. For people who have only had the chance to watch the film – do yourself a favor and read the novel – it is a far more challenging but in the end a far more rewarding read. The characters are multi-layered and their spiritual journey far more in depth and 'real' as well as being more 'historical' and gritty.
Actually, reading the movie as a first gateway to the book was perfect. The movie sketched out the broad strokes and the emotional arc of the story. Then the book filled out the rest of the details in a breathtaking and impressive depth. The movie was a great starting point for me, and I am now happily referring to the book as one of my all-time favorites. That should be the ideal for all adaptations – serve as a gateway to the full and detailed source material.