Who Narrates The Twits Audiobook And How Is The Narration Style?

For anyone who's listened to the Roald Dahl classic. The narrator's voice acting really brings Mr. and Mrs. Twit to life—is it delightfully disgusting?
2026-08-20 22:03:00
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6 Answers

RowanWebb
RowanWebb
Simon Callow. His narration is like watching a master cartoonist draw—every line is expressive and full of intent. The style is bold and unsubtle, which fits the broad, grotesque comedy of the Twits. He doesn't try to make the characters relatable; he leans into their monstrous qualities.

This makes the moments of attempted cunning—like the Hugtight glue plot—even funnier, because his voice conveys their transparent nastiness. The narration never becomes chaotic, even during the chaotic finale. It remains crisp and clear, guiding the listener through the mayhem. It's a controlled, energetic performance that never loses its clarity. For such a short book, it leaves a huge impression.
2026-08-21 19:33:10
5
CaraOlson
CaraOlson
My cat absolutely hates the part where the birds start shrieking. She runs out of the room every time. So I guess the narration is very effective for species other than humans too.
2026-08-22 01:01:47
1
CityCafe
CityCafe
Let's talk about the gross factor, because Callow's narration sells it. The style is vividly descriptive. When he talks about the food in Mr. Twit's beard, you can hear the stickiness. It's auditory ASMR for people who like disgusting things (which, let's face it, is most kids).

He doesn't shy away from the nastiness; he revels in it. This creates a shared sense of 'ewww!' with the listener, which is a big part of the book's appeal. The narration style builds a camaraderie against the Twits. We, the listener and the narrator, are in this together, observing these horrible people and awaiting their downfall. It's a very engaging dynamic that a flatter narration would miss completely.
2026-08-22 18:53:25
6
SarahBoyd
SarahBoyd
He's a fantastic narrator for this. The style is very much 'larger than life,' which matches the Twits themselves. They're caricatures, and his voices are caricatures of voices. It's a meta-commentary in a way.

Everything is amplified. The nastiness, the silliness, the justice. It feels like a moral fable told by a very animated storyteller. The style has a timeless, fable-like quality, even though the content is so specific. It doesn't feel dated. His performance taps into the universal joys of disliking horrible people and seeing them get their due. That core emotion is what he captures so well, and he delivers it with panache and a complete lack of subtlety, which is exactly what the material calls for.
2026-08-23 07:42:44
9
GoldQuest
GoldQuest
Okay, but can we just appreciate the sheer commitment in Simon Callow's narration? He doesn't just read about the sticky beards and wormy spaghetti; he embodies the visceral disgust. His narration style is immersive in the grossest, most wonderful way. You feel the grime.

He masters the tone of Dahl's omniscient narrator—that voice that's both telling a story and quietly judging the horrible characters. There's a warmth in the narration towards the animals and a delightful contempt for the Twits. The cadence is spot-on, knowing exactly when to speed up for chaos and when to slow down for a disgusting detail. It's a masterclass in children's audiobook narration because it respects the intelligence and dark humor of its audience.
2026-08-24 01:54:03
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