How Do New York Times Best Books 2017 Compare To 2016 Picks?

Reading through the 2016 bestsellers before hitting 2017's list. Wondering about the shift in genres or themes year-over-year for anyone else tracking these picks.
2026-08-05 00:21:31
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8 الإجابات

IanRoss
IanRoss
Twist Chaser Data Analyst
The treatment of grief is a throughline, but it morphs. 2016 grief in 'The Bright Hour' or 'When Breath Becomes Air' was philosophical, reflective. 2017 grief in 'Lincoln in the Bardo' or 'The Bright Hour' (published in 2017) was chaotic, loud, and communal. The portrayal evolved from a private, dignified journey to a messy, shared haunting. It's a subtle literary shift that reflects how we collectively began to process loss in more public, fractured ways.
2026-08-07 19:31:14
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BookPen
BookPen
Plot Detective Pharmacist
I'm just here for the comments. My 'to be read' pile is already a fire hazard, and this thread is not helping.
2026-08-08 04:58:58
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FaithBell
FaithBell
Careful Explainer Sales
Environmental themes got a boost in 2017. 'The Overstory' wasn't on the list until 2018, but you saw seeds of it in the heightened awareness of place and ecology in 2017 picks versus 2016. It's a subtle undercurrent. 2016's concerns were more human-history focused; 2017's started to widen the lens to include the non-human world as a central character. The definition of what mattered in a story began to expand.
2026-08-09 02:46:36
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Kevin
Kevin
Book Scout Doctor
The YA/Middle Grade crossover was less pronounced in 2017's mainstream 'best of' lists. 2016 had 'The Sun Is Also a Star' getting serious adult attention. 2017's big YA phenomenon, 'The Hate U Give,' was monumental, but it often occupied its own category in media coverage.

This is a fuzzy observation, but it felt like the adult literary world and the YA world, which had been in exciting conversation, retrenched a bit into their own lanes in the 'best books' discourse. The adult list got more traditionally 'literary,' and the groundbreaking YA social novels built their own parallel canon. A separation, not a hierarchy.
2026-08-09 08:24:00
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AveryJay
AveryJay
Honest Reviewer Librarian
Young adult crossover is interesting. 'The Hate U Give' exploded from the YA shelf onto the adult list in 2017, which was rarer in 2016. That book alone changes the comparison, because it brought a massive young audience into a conversation typically dominated by adult literary fiction. The list became more generationally porous. 2016's list felt more firmly adult in its target demographic and concerns. A small but significant breach in the wall happened in 2017.
2026-08-09 22:26:56
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How does the New York Times pick its 100 best books of all time?

13 الإجابات2026-08-05 15:47:11
I appreciate that they revisit it. A static '100 Best' list from 1980 would be embarrassing today. The fact that they redo it means they acknowledge the canon is fluid. The process is iterative. They look at the last list, see what feels dated or what glaring omissions need correcting, and guide the new panel accordingly. It's a form of institutional learning. It shows a humility that I don't always associate with big media institutions—an admission that they might have gotten it wrong last time.

Which New York Times best books of 2016 are still must-reads?

14 الإجابات2026-08-05 00:58:04
I have a soft spot for 'The Nightingale' by Kristin Hannah, which was still riding high on the list in early 2016. Historical fiction can feel oversaturated, but this story of two sisters in Nazi-occupied France has incredible emotional resonance. Vianne's quiet resistance and Isabelle's fearless work with the Resistance created such a compelling duality. It's a page-turner with real heart. I see it constantly recommended in online reading groups, which tells me its appeal has endured well beyond its publication year.

How does the New York Times pick best books of all time?

12 الإجابات2026-08-05 06:38:51
The role of the individual critic's passion is key. One editor's lifelong advocacy for a particular author can sometimes tip the scales. The process isn't purely democratic; it's swayed by charisma, persistence, and the ability to make a compelling case in a room. So in a way, the list is a record of who argued most persuasively on a given day, filtered through layers of institutional history.

How do New York Times best books of 2017 reflect that year’s culture?

13 الإجابات2026-08-05 07:53:30
Can we talk about the essay collections and memoirs? 'Theft by Finding', 'We Were Eight Years in Power'... The personal became profoundly political. The culture was valuing lived experience as a form of testimony and analysis. It wasn't enough to write a think-piece; the most powerful statements came framed through individual perspective and vulnerability. This mirrored the broader social media trend of story-sharing as a tool for connection and change. The memoir's rise on the list signals a collective turning inward to understand outward forces, using the self as a lens to examine the systemic. People wanted truth, but they wanted it with a heartbeat, not just data points.

How have the New York Times 10 best books picks changed over decades?

16 الإجابات2026-08-05 11:04:00
The list has gotten better at capturing the mood of a year. 2020's list, for instance, was filled with books about plagues, racial reckoning, and isolation—it was almost eerily prescient. It's less that they're picking topical books and more that they're sensitive to the underlying anxieties and questions in the air, which the best writers are naturally grappling with. The list acts as a kind of cultural seismograph, and its readings have gotten more nuanced, picking up subtler tremors alongside the big quakes.

How did the New York Times choose its best books of 2017?

11 الإجابات2026-08-05 22:28:28
The process likely involves a ton of reading outside one's comfort zone. A critic who specializes in poetry has to fairly evaluate a massive work of history. That's tough. They must rely heavily on each other's expertise. 'Hey, you're the biography person, is this one as good as they say?' That collaborative checking is part of the quality control. It's not just one person's taste; it's a network of trusted tastes, which theoretically leads to a more robust final product. Unless they all have the same blind spots, which is always the risk.

What trends appear in New York Times best books of the year picks?

12 الإجابات2026-08-05 08:49:24
One subtle trend I've noticed is toward 'hybrid' narratives—novels that incorporate emails, texts, interview transcripts, or documents. Think 'The People in the Trees' or 'The Lost Apothecary.' It gives a feel of authenticity, of piecing together a mystery. It also plays into our modern, fragmented way of consuming information. Another is the rise of the 'global' novel set across multiple countries and timelines, reflecting our interconnected world (and an author's MFA research budget). Environmental anxiety is also a huge undercurrent; climate fiction ('cli-fi') is moving from genre shelves to the literary mainstream, often framed as multi-generational sagies where the land is a central character. The books are becoming archives of our collective anxieties, which makes them fascinating time capsules, if sometimes heavy going.

How did the New York Times best books of 2016 influence reading trends?

8 الإجابات2026-08-05 11:12:38
The focus on 'the sentence' as a unit of art was clear. Whether it was Chabon's lyricism, Beatty's vicious wit, or Whitehead's clean precision, the list celebrated masterful prose craft above all. This influenced a renewed appreciation for writers as stylists, as architects of beautiful sentences. In an era of plot-driven TV, it re-centered the pure, slow pleasure of reading perfectly constructed language for its own sake.

How did the New York Times select its best books of 2017?

16 الإجابات2026-08-05 19:17:47
Meh. Another year, another list. I'm sure they have their methods. I'm more interested in the long-tail recommendations from niche forums or genre-specific awards. The Times process seems designed to create a mainstream literary event, which is fine, but it's not where I discover my favorite reads anymore. The internet has democratized taste-making, and I find the crowd-sourced wisdom of fellow readers more reliable than a closed-door committee.

How do new york times paperback best sellers impact book club picks?

2 الإجابات2026-07-09 01:00:25
I think the NYT list has a weirdly circular effect on book clubs. It signals a book is accessible and popular, which gives clubs a kind of safety in numbers—nobody feels like they're suggesting a total unknown that might bomb. But it also creates this weird pressure where some groups feel they should be picking the 'it' book, even if it doesn't quite fit their vibe. I've seen our group pick something like 'The Silent Patient' purely because it was topping the list forever, and the discussion was... fine? It was all plot mechanics, no real heart. Everyone had read it, but nobody had strong feelings beyond the twist. That's the real impact: it flattens diversity of choice. You get a month where ten clubs in your metro area are all talking about the same Colleen Hoover novel, and the independent bookstore's staff pick gets ignored. It also warps the timeline. Clubs used to discover books a year after release, maybe from a friend's recommendation. Now, if a book hits the list, there's this immediate scramble for copies at the library, a rush to be part of the cultural moment before it passes. It turns reading into something more reactive. Personally, I find more interesting picks come from digging into the backlist of an author who appears on the list, or looking at what was on the list six months ago—the discussions tend to be richer when the hype has died down a little and you can actually see the book's merits clearly, not just its marketing blitz. Our best talk last year was about 'Cloud Cuckoo Land', which we read long after its list moment.
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