How Old Is The Lelouch Voice Actor Today?

I got curious about this because Lelouch is such an iconic role, and the voices behind him are worth celebrating. The original Japanese voice of Lelouch, Jun Fukuyama, actually began his professional voice acting career in the late 1990s — around 1998. He trained, picked up small roles and steadily built his presence in anime and games until landing bigger spotlight parts. By the time 'Code Geass' premiered in 2006, he was already an established name and his performance as Lelouch catapulted him into superstar status among seiyuu. On the English dub side, Johnny Yong Bosch — who a lot of western fans recognize from earlier live-action work — transitioned into anime voice work around the turn of the millennium, doing more dubbing gigs in the early 2000s. He took on the English voice of Lelouch when Funimation released the dub, and that performance helped introduce Lelouch to a whole generation of English-speaking viewers. Both actors came from different paths but converged on the same brilliant, scheming prince, and their starts (late '90s for Jun, early 2000s for Johnny) show how steady, incremental work can lead to those breakthrough roles. I still get a kick hearing both versions and picking out the little choices each actor made.

Walking past my old DVD box of 'Code Geass' got me thinking about the man behind Lelouch's voice. Jun Fukuyama, who breathes that cunning, theatrical energy into the character, was born in Fukuyama in Hiroshima Prefecture. That regional origin always feels fitting — there’s a quiet, resilient vibe in a lot of his performances that I like to imagine comes from growing up outside the Tokyo bustle. He didn’t pop fully formed into the industry; he moved into the world of voice work by training in Tokyo. Like many seiyuu, he refined his craft through dedicated voice-acting classes and workshops, picking up acting technique, narration skills, and the breath control you can hear in his whispery turns of phrase. After that foundation, he cut his teeth with auditions and agency support, which is how he landed heavier roles across anime, games, and drama CDs. Honestly, hearing his range from sly Lelouch to more goofy or tragic characters makes me appreciate how much training and stage discipline go into a seiyuu — it’s a craft I love watching evolve, and his work on 'Code Geass' still gives me chills.

Quick heads-up for anyone diving back into 'Code Geass': the Japanese voice of Lelouch vi Britannia (Lelouch Lamperouge) is Jun Fukuyama, while the English dub most people hear is performed by Johnny Yong Bosch. Jun Fukuyama gives Lelouch that razor-sharp, theatrical presence—part cold strategist, part wounded actor—and his pitch and timing sell both the manipulation and the vulnerability. Johnny Yong Bosch, on the other hand, brings a slightly different flavor in the dub: a more direct, emotionally charged delivery that highlights Lelouch's anger and conviction in ways that click for Western viewers. I love comparing specific scenes to see how each performer shapes the moment. For instance, whenever Lelouch slips into his 'Zero' persona, Jun's crisp enunciation and controlled cadence make the mask feel almost aristocratic. Johnny's take tends to make the same lines feel urgent and raw, which works great in battle or confrontation-heavy moments. Jun also shines in quieter, intimate scenes; small inflections carry a ton of subtext. If you’ve watched other shows, Jun's range is obvious—he can flip from sinister to goofy in the span of a breath (you can spot this in roles like the one in 'Assassination Classroom'). At the end of the day, neither performance is strictly better—they just serve different tastes. I usually watch the original Japanese for the full theatricality and then hop into the English dub when I want a fresh perspective. Both actors make Lelouch irresistibly complex, and that’s part of why 'Code Geass' keeps pulling me back in; each voice reveals a new layer. I still get chills during the big monologues, no matter which language I'm watching in.

That voice still gives me chills in entirely different ways — Jun Fukuyama is the Japanese actor who brought Lelouch to life in 'Code Geass', but that's just the tip of the iceberg. Beyond Lelouch’s cool, scheming charisma, Jun is famous for playing Koro-sensei in 'Assassination Classroom', where he flips between goofy cadence and genuinely heartbreaking sincerity. The jump from a regal, manipulative prince to a tentacled teacher who sings and scolds showcases a wild vocal range that kept me glued to my screen. He also voices the protagonist known as 'Joker' (Ren Amamiya/Akira Kurusu) in 'Persona 5', and hearing that controlled, low-key cool in the game and the anime made me appreciate how he can carry an entire atmosphere with subtle shifts. Jun’s performances often have these clever micro-choices — a sigh, a softened consonant — that change a line’s meaning. If you like seiyuu who can be theatrically grand and quietly human within the span of one episode, his catalogue is a goldmine. If you want to binge other shows to hear him, start with 'Assassination Classroom' for comedy and heart, then swing to 'Persona 5' material for restrained swagger. His range made me notice little things about voice acting I used to miss, which is why I still go back and replay scenes just to catch those nuances.

If you're asking about the person behind Lelouch from 'Code Geass', I follow this stuff pretty closely and can give a clear split: Jun Fukuyama (the Japanese voice) and Johnny Yong Bosch (the English voice) both have social media footprints, but they behave very differently online. Jun tends to use Japanese platforms and posts mostly in Japanese—think short updates about radio shows, stage appearances, and newly announced roles. His activity can feel sporadic: bursts around big projects or events, quieter stretches in between. Johnny, on the other hand, is generally more visible to English-speaking fans; he posts photos, convention announcements, and career updates more frequently across mainstream platforms. I love seeing both sides because it shows how seiyuu and VAs engage with fans differently depending on culture and audience, and it makes following their careers feel like collecting little behind-the-scenes moments.

I get a little giddy talking about this because the singing side of the Lelouch actor is one of those things that deepens the whole character vibe for me. Most of the singing tied directly to Lelouch comes from Jun Fukuyama's work in Japan: he performed a handful of character songs and was featured on various 'Code Geass' character single releases and soundtrack albums. Those tracks are usually credited as character songs (so you'll see his name alongside the character 'Lelouch' or 'Zero') and pop up on the official 'Code Geass' soundtrack and character song CDs rather than being framed as mainstream pop singles. Beyond those, Jun has participated in drama CD tracks and special event recordings that fans often collect. If you dig into his broader discography you'll also find collaborations, live-event recordings, and compilation appearances; they're the kinds of gems that show a different, more playful or theatrical vocal approach than a conventional solo pop single. I always enjoy hearing him switch between the imperial, cold tone of Lelouch and his more natural singing voice—it's a neat reminder of the actor’s range and it makes those character songs feel extra special to me.

Loads of folks online have wondered whether the voice of Lelouch lived like royalty after 'Code Geass', but the short version is: nobody publicized an exact per‑episode paycheck. What I can do—based on industry chatter, my own convention hangouts, and reading lots of interviews—is sketch a realistic picture. In Japan, seiyuu pay structures are pretty layered. Early-career performers historically earned relatively modest sums per recording—often structured as session fees rather than neat per-episode salaries. For big-name seiyuu who also sing, do events, and sell character goods, the bulk of their income tends to come from concerts, CD sales, and event appearances rather than a single animation episode. Jun Fukuyama, being a high-profile seiyuu, likely benefited from those extra revenue streams a lot more than from a straightforward per-episode fee. For English dubs, payment is usually session-based as well. Back when 'Code Geass' was first dubbed, many studios paid non-union rates with small session fees; union scale and residuals for anime dubs weren’t common. So whether you’re talking about Jun Fukuyama or Johnny Yong Bosch, the headline is the same: the episodic fee itself was probably modest relative to their total earnings, with the real money coming from concerts, guest spots, and other licensing-related opportunities. Personally, I find the ecosystem fascinating—fame translates into income in indirect ways, and that’s part of why voice actors hustle so much outside the booth.

Here's the scoop: if you're looking for the English-dubbed episodes that feature Lelouch's English voice, you're basically talking about everything that contains Lelouch as a character. The English dub retains the same actor for the character across the main TV run — that means the entire run of 'Code Geass: Lelouch of the Rebellion' (season 1, 25 episodes) and the full run of 'Code Geass: Lelouch of the Rebellion R2' (season 2, 25 episodes). In short, nearly every TV episode where Lelouch appears in those two seasons uses the same English voice performer. Beyond the two TV seasons, that same English performance carries into the official compilation and theatrical releases as well as the later feature film 'Code Geass: Lelouch of the Resurrection' and related OVA material that includes the character. So if you watch the dub on official DVDs/Blu-rays or streaming releases that include the English track, you’ll hear the same voice actor through the big moments — the plotting, the speeches as Zero, the quiet manipulations, and the emotional beats. Personally, I always binge the dub when I want to reconnect with the show’s dramatic delivery — hearing that voice through the climactic episodes and finale scenes is part of the experience for me, and it’s impressive how consistent the performance stays across every major installment.