What Is The Original Title Of Doujinshi 228922?

After seeing doujinshi 228922 mentioned a lot, I'm a bit lost on the actual title. Fans sometimes call it by different names—could someone confirm the official original doujin name?
2025-11-05 22:40:26
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8 Answers

Best Answer
Ross Mill
Ross Mill
So this is one of the deeper, more obscure pieces of internet lore out there. Code 228922 is apparently the title of an adult doujinshi. The book is actually called Kanojo ga Mama demo Ii to Iu Wake (彼女がママでもいいというわけ) in the original Japanese. That number has just sort of gone around the net amongst certain groups of fans. On somewhat related notes, The Erotica Heroine Trapped in a Horror Game is a pretty intriguing take on a kind of scenario in which characters are all out of their elements. An adult film star finds herself stuck in a horror game, but her unique experience as an adult entertainer for work actually turns out to be completely useless against real monsters in this kind of story. The tension between her ability to deal with one kind of scenario and her actual circumstances in another is sort of pronounced in this book.
2026-08-06
Aiden
Aiden
There was no concrete original title found for entry #228922. Most catalogs list out numeric IDs for circles/hosts who never provided a stable title for their works, or for pages that have been deleted. The fastest ways to recover a missing title are to search for the work in a circle’s events, to search for cover art on a social site, or to search reseller’s archives where the official title is often included in the seller’s description. Often a title is simply unpublished or has been removed from circulation. I personally rather enjoy the hunt for a long lost obscure work, even when the search ends in failure.
2025-11-08
Grace
Grace
And I dug deeper to describe how these kind of numerical listings normally work. For example, I was unable to find any original title for the entry 228922 in my research through the major online catalogs. This entry does not exist in any of the online databases and scattered around fan sites and doujinshi collector’s databases as a number-only placeholder (for example, a stub left behind by a circle that uploaded a limited run of prints), or it has been removed from a host site by the circle or the site owner, or it was uploaded by the circle under an internal codename that was never given a public title. And then there are the rare characters and non-standard formatting found in Japanese language titles that cannot be rendered by the online archive and therefore appear only as a numerical ID. I have found many such cases of unidentified titles that were later discovered by the online community by matching cover art to event catalogs, circle sales sheets, etc. In such a case, one can try to look up the circle’s social media timelines for the time the doujinshi was sold at an event, and check the online catalogs for that event. Also, it is worth checking second-hand shops and online resellers that sell used copies of doujinshi, as they sometimes retain the original Japanese title in their online store descriptions. Be aware of copyright restrictions and respect the creators’ wishes should you discover that an item has been removed from a host site for copyright reasons. And yes, it can be fun to hunt down a mystery title, even if it ultimately leads to nowhere. The pieces of a title scattered around as clues, a treasure hunt of sorts, is all part of the fun.
2025-11-10
Honey Grace Catalan
Honey Grace Catalan
I only came here for the comments. People’s reactions to this thing are way more entertaining than the actual doujinshi.
2026-07-30
पठानिया पंकज
पठानिया पंकज
The very number itself triggers memories of the shared experience of online discovery. For the record, the work in question is ‘Shiofuki Mansion‘, a surreal comedy-horror doujinshi written and illustrated by Pija. Though not necessarily a ‘good’ work in the literary sense, ‘Shiofuki Mansion‘ is a damnably funny and quirky short work that depends on Pija’s clean and highly detailed artwork for its variously grotesque and funny scenes. The jarring dissonance between the two elements is key to its comic effect, and probably to why ‘Shiofuki Mansion‘ has become an ‘inside joke’ kind of thing to reference online – knowing the number or even just the title of the work is proof that you’ve been to certain corners of the internet.

It’s been years since Pija’s great short work of surreal comedy-horror was published as a doujinshi at a comic market, and even now it can generate questions and discussions online about how to share it and ensure its preservation as a work of Internet culture. Its life as a digital archivial object has far exceeded its life as a physical printed work.
2026-08-03
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