Why Does The Protagonist In Birds Of Paradise Leave Home?

That night, it all crashed. Three years. The moment she pulled open that particular bedside drawer in his bedroom and saw those papers, the truth sliced her deeper than any blade. It was never her. Has never been. The divorce he handed her felt like the final betrayal, a signature sealing years of lies. And she left with nothing but her pride vowing never to turn back. But, a year later, fate deals a cruel twist when they clash over the same billion-dollar deal only for the investor to demand, 'Work together or walk away'. Now, bound by a forced partnership, he regrets letting her go while she wonders if this partnership will heal her heart or break it all over again.

While packing Ethan's flight bag, I found a custom solo wings pin. The engraving on the back read: For Lark, to celebrate your first solo. Beneath the box sat the receipt for Skyler's flight school tuition, paid in full by Ethan, along with a photograph. In the photo, she was sitting in the pilot's seat. Ethan's gloved hand rested over hers on the control yoke. Seven years ago, I had sat in that same seat. Back then, I was one step away from my first solo flight, but Ethan talked me out of it again and again, always claiming it was "for my own good." He said flying was dangerous, that someone had to stay home and take care of things. I put down my logbook, pressed the wrinkles out of every one of his captain's uniforms, and spent seven years living by his flight schedule. Only now did I finally understand. It wasn't that he didn't want to take anyone flying. He just didn't want to take me. What made it even more absurd was that the night Skyler first flew through the clouds, I was alone in a hospital, losing our baby. I called him over a dozen times. At three in the morning, he finally called back, his voice flat and indifferent. "I just took Lark through the clouds. Next time something comes up, give me a heads-up." I put the wings pin back exactly where I found it, then pulled the crumpled ultrasound printout from the bottom of the drawer and tucked it inside the logbook that had been gathering dust for seven years. This time, I wasn't going to wait for him to look back. He convinced me to leave the pilot's seat, then turned around and put another woman in the sky. So I would leave him and take back the sky that had always been mine.

After eight years of marriage, I finally get pregnant with Claude Frey's child. It's my sixth round of IVF, and my last chance. The doctor says I can't put my body through it again. I'm overjoyed, ready to share the good news with him. But a week before our anniversary, I received an anonymous photo in the mail. In it, he was bending down to kiss another woman's pregnant belly. That woman is his childhood sweetheart, the one his family watched grow up. She's gentle and well-mannered, and the kind of daughter-in-law every parent dreams of. The funniest part is that his entire family knows about her pregnancy, except me. I'm just the punchline in their joke. It turns out that the marriage I've been holding together despite all my wounds is nothing but a carefully crafted lie. Fine. I don't want Claude anymore, and I'll never let my child be born into a world built on lies. I book my ticket to leave on our eighth anniversary. It's also the very day he's supposed to take me to see the sea of roses. Before we got married, he promised me a sea of flowers all my own. But instead, I find him in front of the rose garden, kissing his pregnant childhood sweetheart. After I leave, he starts searching for me everywhere. "Don't go, please?" he begs. "I was wrong. Don't leave." He finally remembers the promise he'd made to me and plants the most beautiful roses in the world in that garden. But I don't need it anymore.

My husband, Jonah Perry, and my son, Liam Perry, have given me a gift on my birthday. As soon as I open it, I see a silver snake hissing at me before biting me on the hand. Terrified by the ordeal, I end up getting sent to the hospital. Liam walks into my hospital room with his head bowed. I'm about to tell him that I'm fine when he tells me in disappointment, "Suz loves snakes the most. Dad and I plan on keeping a few snakes at home, too. "How's Suz going to visit us in the future if you keep this act up, Mom?" As he speaks, he lifts a snake to my face. "Will your fear disappear if you interact with snakes a lot more from now on?" Jonah chides Liam for his actions softly. But soon, he picks up a call from Suzanne Wright and walks out of the room with a wide smile on his face. I feel my heart sink to the pits of my stomach. My lips soon curl into a mocking smile. Instead of questioning the father-son duo hysterically like I always do, I summon the system, which has been asleep for a very long time. "Remember when you told me that I get to go home as long as I change my mind within two years after my mission's completion? Are you still holding up your end of that bargain?" One month later, I die right in front of Jonah and Liam. But they end up going insane.

As the youngest daughter of the Costellos, I had always lived in my sister’s shadow. That was until five years ago, when she betrayed the family and ran off with a street thug. I took her place and completed the wedding with Elio Ross. Over the years, he loved and indulged me, but we never got a marriage license. He always said family matters kept him busy, and that, with or without it, I was his wife in his and the family’s eyes. I believed him. Until today… I watched as Elio walked out of the church with my sister Alyssa, who had been missing for five years, both of them wearing the family rings that symbolized their union. At the church entrance, three black SUVs opened their doors simultaneously, and my three brothers stepped out in tailored suits. “The ceremony’s done? We’ve already booked Antonio’s to celebrate Alyssa’s return.” They climbed into the cars, expressing their joy, while no one noticed my pale, shattered face across the street. Later that night, under the guise of apology, my sister let a venomous spider bite me. “A substitute is always a substitute. Now that I’m back, it’s time for you to die.” I screamed for help. However, my husband and my three brothers only rushed to hold my sister, who had pretended she had fallen, without a glance at me, writhing from the poison. They called in every specialist from the hospital, only to tend to my sister’s scraped knee. That was the moment my heart truly broke. After being dragged back from death’s door by the doctors, I made my decision. I picked up the phone and called the International Private Island Exchange. “That isolated, uninhabited island… I’ll take it.”

On the day we move into the new apartment, my mother, Elizabeth Carter, sends a floor plan to the family group chat. It's a three-bedroom apartment, and a name is marked beside each bedroom. The master bedroom is for my parents, and the second bedroom is for my brother, Benjamin Sullivan. The room with the best sunlight is labeled "Savannah's Room". Savannah Keller's father, Liam Keller, drowned years ago while saving Benjamin, who had fallen into the water. After she becomes an orphan, my parents take her in and raise her as their own for ten years. I zoom in and out of the picture, scrolling through it twice. Still, I can't find my name anywhere. I ask Mom about it. She pauses, as if just remembering this detail. "You said you wanted to apply to a graduate school out of town, right? Once you get in, you'll move away. Leaving the room empty would be such a waste. Savannah's situation is different. "Her dad died for Benjamin. She has no other family in this world, so she must be given that big bedroom." Benjamin is already helping Savannah choose the curtains. They are pink floral ones, which she likes. Meanwhile, my boyfriend of three years, Wyatt Whitfield, carries the newly assembled bookshelf into Savannah's room. He quietly asks her if she wants an extra shelf for her figurines. I sit on a cardboard box in the living room, watching everyone bustle around. It dawns on me then—it's not that they have forgotten about me. Rather, deep down, they subconsciously believe that to repay that debt of gratitude, I should naturally give up everything that belongs to me. Even Wyatt has become an accessory to compensate Savannah. Since there's no place for me in this home, I decided to give it all up to them. I lower my head and tap on my phone. Then, I sign the confidentiality agreement to work at a base in the Northwest for five years, with no chance of coming home. This time, I'm really leaving, and I'm never coming back.