Where Can I Read 'I Got Into My Childhood Friend'S Yuri Harem'?

Can't hide my excitement — the wait has a date! The publisher announced that volume 2 of 'Rejecting My Two Childhood Sweethearts' is set to release in Japan on November 12, 2025. For those outside Japan, an English edition is scheduled for release on May 6, 2026, with both print and ebook formats confirmed. Preorders usually open a couple months before release, and special edition bundles (if any) tend to sell out fast, so I’m already keeping an eye on official stores and major retailers. Expect the ebook to show up on the same day as the English paperback from most licensors, and Japanese import copies to hit online shops right around November. I’d also watch social feeds from the series’ official account for cover reveals and bonus illustrations. I’m honestly buzzing about the new chapters — hoping for more of the awkward charm and character beats that made me pick up the series. Can’t wait to compare the translation notes and cover art when they drop.

I get a little giddy talking about 'Rejecting My Two Childhood Sweethearts' because the core of the story rests on two very different girls who both grew up with the protagonist. The main heroines are Himari Kusakabe and Yuzuki Aihara. Himari is the softer, more earnest type—she's the childhood friend who always looked out for the MC, the one with warm, nostalgic vibes and a lot of quiet strength. She’s the heart of the emotional thread: comforting, stubborn in her loyalty, and prone to earnest, low-key romantic gestures. Yuzuki, by contrast, is bolder and more direct. She brings fire to the triangle: confident, sharp-witted, and the kind of person who forces the MC to face feelings instead of hiding. Their chemistry is all about history versus impulse—Himari’s long, steady devotion versus Yuzuki’s immediate, challenging energy. Secondary women and classmates add flavor, but Himari and Yuzuki are the ones who drive the romantic conflict and growth, and I love how each scene with them reveals a different side of the MC. They make the whole series feel alive, honestly.

The lyrics for 'Got a Little Drunk Last Night' were penned by a talented trio of songwriters: Casey Beathard, Tim James, and Kelley Lovelace. It's so interesting how different perspectives can blend together to craft a song that feels so personal and relatable. Each of these writers has their own unique style, and that really flavors the narrative of the song. For instance, Casey Beathard has his roots in country music but has also dabbled in rock, which adds a bit of edge. Meanwhile, Kelley Lovelace is well-known for his sharp storytelling. When they come together, it creates magic! I recall listening to this track on a long drive during a summer road trip. The catchy chorus had me singing along, and it was one of those moments where music just ties everything together. You know, that feeling of freedom on the open road, just singing your heart out. It’s all about living in the moment, which is exactly what the song captures. It’s a reminder that sometimes letting loose is just what the doctor ordered, even if it means facing the consequences the next day! Talk about a relatable anthem for those late-night adventures, right? It’s fascinating how this one song encapsulates that spirit of youth and spontaneity. Plus, the combination of these writers means there’s a nice balance between lightheartedness and depth, making it perfect for any playlist. If you haven't added it yet, seriously consider doing it right away. Songs like this have a way of sticking with you, becoming part of your memories!

Counting the days until the next chapter used to be a hobby and a little bit of a ritual for me, so here’s the schedule I follow for 'Rejecting My Two Childhood Sweethearts'. The official series publishes new chapters twice a month: the original release typically drops on the 1st and the 16th (Japanese time). The English digital translation on the publisher's international site usually goes live two to three days after the original, so I set my alarm for those middle-of-the-week mornings. I keep an eye on the author's social feed and the publisher's update page because the schedule isn’t ironclad — there are occasional breaks around major holidays, conventions, or when the creator takes a short hiatus. Collected volumes come out far less often, generally every four to six months, so if you prefer tankobon releases, expect a longer wait between batches. If you want the smoothest experience, follow the official account and enable notifications on the publisher's site; that’s how I never miss an upload. Honestly, the bi-monthly rhythm is perfect for me — it’s frequent enough to stay hooked but slow enough to savor every chapter.

Reading 'You Got This: A fabulously fearless guide to being YOU' felt like a warm pep talk from a friend who just gets it. The book’s biggest strength is how it normalizes self-doubt while giving practical tools to kick it to the curb. One standout lesson was the idea of 'owning your weird'—the author pushes readers to embrace quirks instead of sanding them down to fit in. There’s a hilarious bit about how her obsession with collecting novelty erasers became a conversation starter rather than a middle-school embarrassment. It made me reflect on how I used to hide my love for niche manga series until I realized those were the exact things that helped me find my tribe. The chapter on 'failure as fertilizer' completely shifted my perspective. Instead of the usual 'learn from mistakes' spiel, it frames setbacks as literal fuel for growth, comparing them to composting (weirdly poetic?). I tried applying this after bombing a presentation last month—instead of spiraling, I journaled about what the experience 'fed' me: thicker skin, better prep strategies, and a killer self-deprecating joke for future networking. The book’s tone is like chatting with your most confident pal—no corporate jargon, just real talk about imposter syndrome and why comparing yourself to others is as useful as a screen door on a submarine.

I've spent way too much time scrolling through Wattpad for Izuku harem fics, and a few authors stand out like crazy. 'JustAnotherRandomWriter' is a legend with their fic 'Izuku’s Infinite Love,' blending humor and action while giving Deku a harem that actually feels organic. 'MidoriyaSimp2023' nails the fluff and drama in 'Green Tea Harem,' making every character’s crush on Izuku believable. Then there’s 'Bakuhoe’sRival,' who writes 'Quirkless but Never Loveless'—super angsty but with the best payoff. These authors get the balance right between wish-fulfillment and storytelling, keeping the fics addictive without feeling like cheap wish-granting. Their works are my go-to when I need a mix of romance and BNHA chaos.

I’ve always found manga to be a powerful medium for tackling tough topics like childhood anxiety, and there are indeed adaptations that handle this with care. One standout is 'My Lesbian Experience With Loneliness' by Kabi Nagata, which, while not strictly about childhood anxiety, explores mental health struggles in a way that resonates with younger readers. Another great pick is 'A Silent Voice' by Yoshitoki Ōima, which delves into bullying, social anxiety, and redemption. The way it portrays the protagonist’s journey through guilt and self-acceptance is incredibly moving and relatable for kids dealing with similar feelings. For a lighter but still insightful read, 'Yotsuba&!' by Kiyohiko Azuma features a cheerful protagonist whose innocence and curiosity can be comforting for anxious kids, even if it’s not directly about anxiety.

I stumbled upon 'Yanderes For The Win (Yuri){Dropped?}' a while back while browsing niche yuri forums. The manga had a cult following for its intense psychological twists, but official translations got axed halfway. Your best bet is scouring aggregator sites like MangaDex or Bato.to—fan scanlations sometimes pop up there. The author's Pixiv might have raw chapters if you read Japanese. Discord servers dedicated to yuri manga often share dropbox links too. Just warning you—the art style shifts dramatically after volume 3 when the original artist left, which explains why it got shelved.