Has The Most Sold Book In India Changed Over The Last Decade?

Temptation slips past every boundary and takes what it wants. What looks controlled, familiar, and respectable on the surface is only a mask. Beneath it, hearts are pulled toward desires they should never indulge—Dangerous. Intoxicating. Forbidden. Inside this collection, you will find stories like these: A lonely wife slipping into the arms of the one man she was never meant to touch… her bodyguard. A woman drawn to her husband’s brother, a quiet, brooding presence who has always wanted her too much. A young female employee unraveled by her CEO A student entangled in a consuming attraction with a professor twice her age And many more tales where lines are crossed and dangerous obsessions shimmers Every story is a sin. Beautiful. Addictive, and impossible to forget. Several forbidden passions. One unforgettable collection. Indulge… if you dare.

It was all about a year. Just one simple year. They got married because of his Grandmother's wish. He didn't fall for her in that one year but she did. She didn't expect he would still hold on that contract after being married for a whole year but he did. He terminated the contract after a year and told her that it was over without any regret. He had gifted her divorce papers on their first wedding anniversary. He had expected her to throw a tantrum but too bad cause she didn't. Instead she just packed her bags and left just like he had asked her to. Then all of sudden one year later they met again. But she didn't change like those cliche heroines after divorce. She was the same as she was a year ago. Stupid, clumsy and stubborn. He didn't realise what he lost like those cliche ex husbands when he saw her for the first time after a year. But why did it sting watching her talking to some other men so casually? Why did it sting when she didn't look at him with those puppy lovesick eyes anymore? Why did it sting so much when she treated him like other ordinary people? It shouldn't have right? SLOW UPDATE AND UPDATE 3 DAYS PER WEEK. PLEASE MAKE SURE TO READ THIS AND DON'T COMPLAIN LATER:)

Cami Roux Balmaceda has been attracted to Auden Silverio, the son of a family acquaintance. It was never simple for her to express her feelings for him. Cami Roux Balmaceda is twenty-three years old and a fourth-year psychology student. Cami has a heart problem, but her personality is far from it. She is courageous and living her life to the fullest. The doctor told her that she has a fixed amount of time. As she turned twenty-four, her parents set an arranged marriage to the person she had a deep affection for – Auden. They are well aware of Cami's feelings for Auden. They wanted what's best for their daughter, and they went to great lengths to make it happen. Auden didn't have a choice but to go along with the plan. "It'll only be a few years before she's gone," he reasoned. Over time, he realizes that he is falling in love with her.

Found in the marooned ruins of Chavand was a book ripped and torn. Its yellowed pages eaten up and coiled. Forgotten and unheard about was this book until it came to light. His legends lived on, his tales of valour prevailed. His glory seemed enternal and he was worshiped and adored. But his heart remained shrouded in a cloak of mystery. His emotions, his turmoils went unnoticed in an attempt to make him great. Seen as someone who was invincible and immortal, the Rana changes your perspective from his greatness to his soft heart. Written across the pages during his last moments, he wrote his own life. Where bards would be at a loss and poets were simply lost in his glory and valor, the Rana is said to be the only one who could write about himself.

Is it possible for a cage to offer freedom? A deeply conservative father, a mother resigned to the status quo, and the ghost of a twisted abuse have beat Kriti Tripathi into a numb kind of acceptance. The kind of acceptance that allows her to block out the uncomfortable realities that come with forming meaningful bonds with the people around her. When her mother shoves her into an arranged marriage to a stranger, Kriti is forced to confront secrets that have painted her past black and surrendered her future to the demands of her possessor. But Kriti’s quietly mysterious husband has been whispering things as she struggles to adjust to her new life. Things that make her think she might not be as trapped as she feels, and Kriti begins to suspect that this marriage might mean more than she expected. Kriti isn’t the only one who has been keeping secrets. Even her perfectly responsible, too mature husband has something to hide. Secrets have a way of revealing themselves, though. When the demons of her past show up on her doorstep, the secrets they‘ve been keeping threaten to destroy Kriti and her marriage; unless Kriti can reform herself into her own brand of a savior.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.