What Songs Does Lana Del Rey Perform In France Concerts?

From what I’ve caught online, her French concerts are heavy on the classics but with twists. 'Blue Banisters' tracks like 'Arcadia' fit surprisingly well between 'Shades of Cool' and 'Venice Bitch.' She’ll often close with 'Video Games' or 'NFR,' leaving everyone in a daze. Pro tip: check Setlist.fm right after her shows—her setlists vary wildly night to night, which keeps fans obsessively comparing notes.

Lana’s France gigs are where her cinematic flair really shines. She’ll often kick off with something grand like 'Ride'—that monologue intro gives me chills every time—then weave through eras. 'Dark Paradise' gets a moody, reverb-drenched treatment, while 'Mariners Apartment Complex' turns into a gospel-tinged singalong. I’ve noticed she loves teasing unreleased stuff too; once, she sang a snippet of 'Jealous Girl,' a cult favorite, just to watch the crowd lose their minds. Her covers are legendary—her take on 'Chelsea Hotel No. 2' by Leonard Cohen feels like it was written for Parisian cobblestones. And when the first notes of 'Off to the Races' start? Pure euphoria. Her setlists feel like a curated exhibit of her soul—sometimes messy, always breathtaking.

Seeing Lana in France is next-level—she leans into the drama. Last time, her set was a mix of fan favorites and curveballs. 'West Coast' had that sultry, slowed-down outro that melts into the crowd, and 'Brooklyn Baby' felt like a rooftop serenade. She threw in 'The Greatest' too, which hits harder live with its apocalyptic nostalgia. And don’t forget 'Norman Fg Rockwell!'—that title track’s piano chords echo like cathedral bells in those open-air venues. She’s unpredictable, though; one night might heavy on 'Honeymoon' tracks, the next all about 'Did you know that there’s a tunnel under Ocean Blvd.' But every time, 'National Anthem' becomes this glittery, half-sung, half-whispered moment that’s pure magic.

Lana Del Rey’s setlists in France are like a dreamy time capsule—her performances blend classic hits with deep cuts that shimmer under the Parisian lights. At her 2023 show in Paris, she opened with 'Born to Die,' that iconic anthem that feels even more cinematic live, then slid into 'Video Games' with just her and the piano, raw and haunting. The crowd lost it when she teased 'Ultraviolence' with that smoky, slow-burn vibe. Midway, she tossed in 'Chemtrails Over the Country Club,' all airy and wistful, before ramping up with 'Doin’ Time'—her Sublime cover that turns into a full-blown beach party. And of course, 'Summertime Sadness' had everyone singing along under the stars. Her encores often include 'Young and Beautiful,' which hits different in a city that worships beauty and decay. I love how she tailors her vibe to each place—France gets extra romance, extra nostalgia.

What’s wild is how she rearranges tracks live. 'Blue Jeans' might get a stripped-back acoustic treatment, or 'Radio' could morph into a jazzy interlude. She’s not just performing; she’s reimagining her own mythology onstage. If you ever snag tickets, expect surprises—maybe a French verse slipped into 'Old Money' or a rare B-side like 'Flipside' if the mood strikes her. Her concerts aren’t just shows; they’re love letters to the cities she plays in.