What If Star Wars

Ah, 'Star Wars'! A truly iconic franchise that has spanned multiple decades, encompassing movies, games, comics, and novels. If we're talking about the original movie, 'Star Wars: A New Hope', it was written back in the 1970s. George Lucas, the genius behind this space opera, began writing it in 1973, and the movie itself was released in 1977. But, of course, 'Star Wars' didn't stop there! A plethora of novels, comics, and fanfictions have been penned expanding the universe since the original trilogy was written. Even today, creative minds are crafting delightful new stories set in the 'Star Wars' universe.

In 'Star Wars', 'The Immortal' is a shadowy figure whispered about in underworld cantinas and Jedi archives alike. Unlike typical Sith or bounty hunters, this entity transcends time, appearing across millennia with no clear origin. Some holocrons suggest they’re a Force experiment gone wrong—a being trapped between life and death, wielding both light and dark side powers. Their motives are cryptic: sometimes aiding rebels, other times toppling empires, as if playing a galactic-scale game. Legends describe their appearance shifting—one moment a weathered scholar, the next a armored warrior. The only constant is their eerie, gold-flecked eyes, which supposedly reflect every life they’ve touched. What makes them fascinating isn’t just immortality, but their role as a mirror to the Force’s will. Are they a guardian, a curse, or something beyond? The ambiguity fuels endless debates among fans.

A rotation in 'Star Wars' usually refers to the time it takes a planet to spin once on its axis. For example, in the movies, you'll hear about different planets having different lengths of rotation which can influence day and night cycles. It's a small detail but adds to the richness of the galaxy, making it feel lived in and diverse.

I've been a 'Star Wars' fan since I was a kid, and 'Star Wars: A Rise to Power' feels like a love letter to the entire franchise. It doesn't just exist in isolation—it weaves threads from the original trilogy, the prequels, and even the newer Disney-era films into something that feels both fresh and deeply familiar. The protagonist's journey mirrors Anakin Skywalker's fall in 'Revenge of the Sith', but with a twist: where Anakin was consumed by fear, this character's rise is fueled by a twisted sense of justice. You can spot echoes of Palpatine's political maneuvering in the way they manipulate systems, and their final confrontation has the same tragic weight as Luke facing Vader in 'Return of the Jedi'. The film even sneaks in nods to 'The Mandalorian', with a blink-and-you'll-miss-it cameo from a certain beskar-clad bounty hunter. What really ties it all together is the lore. The Sith artifacts they uncover? Those are straight out of 'The Clone Wars' arc about Moraband. The soundtrack even samples themes from 'Rogue One' during the battle scenes, linking the gritty realism of that film to this one's grand scale. It's not just fan service, though—every callback serves the story. The way it recontextualizes the Rule of Two, for example, adds layers to Darth Bane's philosophy from the old Expanded Universe. Even the new characters feel like they've always belonged; the rebellious pilot could slot right into 'The Force Awakens' without missing a beat. This isn't just another 'Star Wars' story—it's a mosaic made from pieces of everything that came before, and it shines because of that.

'Star Wars Tanya the Evil' is a fascinating blend of two universes, but it doesn't adhere strictly to traditional Star Wars canon. The story reimagines Tanya, originally from 'Saga of Tanya the Evil,' as a force-sensitive strategist in the Star Wars galaxy. While it incorporates iconic elements like lightsabers and the Force, it bends rules—Tanya's ruthless efficiency clashes with Jedi philosophy, and her tactical genius reshapes battles in ways the original lore wouldn't allow. The Empire here feels more like her WWII-inspired homeland, blending Star Wars aesthetics with alternate history. It's a creative fanfiction-style twist, prioritizing an intriguing crossover over canon compliance. That said, fans of either franchise will spot clever nods. The Death Star might appear, but Tanya's interactions with it defy typical Sith or Jedi behavior. The Force reacts unpredictably to her logical, almost atheistic mindset, creating unique power dynamics. It's less about following established rules and more about asking, 'What if?' The result is exhilarating but squarely in alternate-universe territory.

As someone who's mapped out the Star Wars timeline more times than I can count, 'Krypton Reborn: A Star Wars Story' is a fascinating piece of the puzzle. It slots neatly into the chaotic aftermath of the Galactic Empire's fall, roughly around 5-10 years after 'Return of the Jedi'. What makes it stand out is how it bridges the gap between the original trilogy and the sequels, showing the New Republic's struggles against Imperial remnants. The story introduces a hidden Sith faction that's been quietly rebuilding on Krypton, a planet lost to history until now. This ties directly into the First Order's eventual rise, explaining where some of their dark side techniques originated. The timeline placement is perfect for exploring untapped lore. While the New Republic thinks they've won, this story reveals how the Sith were always working in the shadows. We see early versions of Snoke's experiments and get hints about Palpatine's contingency plans. The Jedi survivors Luke is searching for during this period play a crucial role too, making it essential viewing for anyone who wants to understand the full scope of the sequel trilogy's backstory. The way it connects to 'The Mandalorian' era is brilliant, showing different perspectives of the same galactic rebuilding period.

As someone who's deep into 'Star Wars' lore, 'Star Wars Kingdom Building' definitely isn't part of the official canon. Disney reset the continuity in 2014, keeping only the films, 'The Clone Wars', and select new projects. Fan-created content like this falls under Legends or pure fanfiction—no matter how well crafted. The appeal lies in its creative freedom, though. Authors can explore unshackled storytelling, weaving Sith empires or Jedi enclaves without constraints. It's a sandbox for what-ifs, like 'What if Mandalore unified the galaxy?' or 'What if a Sith ruled benevolently?' These narratives thrive precisely because they sidestep canon, offering fresh spins for enthusiasts hungry for alternative galaxy-building.

As someone deeply immersed in Star Wars lore, 'Krypton Reborn: A Star Wars Story' struck me as a fascinating blend of familiar elements and fresh twists. The story cleverly ties into the broader universe by exploring the Sith's ancient experiments with planet-killing technology, which feels like a precursor to the Death Star. It's set during the Old Republic era, filling in gaps about how dark side users manipulated entire civilizations. The protagonist, a rogue Jedi, uncovers relics that hint at Palpatine's later obsession with immortality, creating this eerie sense of continuity. The way it recontextualizes the Rule of Two by showing early Sith schisms is pure genius—it makes the eventual rise of Darth Bane feel inevitable. The inclusion of Rakata Prime tech and mentions of the Infinite Empire give hardcore fans those satisfying 'aha' moments. What really impressed me was how it handled Jedi philosophy—the main character's struggle with attachment mirrors Anakin's fall, but with a different outcome. The story also introduces a lost lightsaber form that explains why some techniques vanished by the Skywalker saga. The world-building extends to minor species too; we see the origins of Mandalorian-Sith conflicts that play out in 'The Clone Wars'. It's not just fan service—it deepens the mythology while standing strong as its own tale.