How Did Stephen King And Richard Chizmar Collaborate On Gwendy’S Button Box?

Princess Chloe's son, Elliot, finds that his mate is a childhood friend that he has loved since childhood. Elisabeth was abandoned and left for dead by her biological mother as soon as she was born. Queen Winnie raised her to be a white witch, knowing her biological mother is Dahlia, Queen of the dark witch coven. Elisabeth and Elliot are going to have to work together, with the help of The Alliance, to kill Dahlia before she drains Elisabeth's and her siblings' magic to use for her own evil purposes.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Gretel, er, I mean, Gabriella Salazar finds temptation and desperation to be too great and breaks into a wicked witch’s—uh, that is—a pretentious, rich woman’s condo, only to discover she’s not the only one with a B & E fetish. The twist is that the mysterious, handsome Hansel to her Gretel who has also stolen into the same apartment is anything but brotherly, and the two strangers find themselves lip-locked before the evening is over. Now Gabby and her new, aggravating accomplice must get crafty and work together to free themselves and everyone they hold dear from a mad woman’s clutches.But breaking and entering never ends with a happily ever after. Right?

Richard has never been one to spare his enemy and Sarah isn't going to be any different. Yes, she can be unknowingly seductive and unimaginably charming but Richard only feels that she will be prettier in her grave and more useful in hell. To Richard, love is for idle minds. If there's anything he knows how to do best, it's killing. He's e devil hiding under a flawless and mesmerizing body. Sarah only wants one thing from Richard--his life. The only thing they have in common is their desire for each other's life. But will they be able to carry out their missions after that unsolicited encounter? Will Richard be able to resist this seductress and give her the death she's courting?

In the quiet of the forest, the darkest fears are born. The people of Dunballan, harbour a dark secret. A secret more terrible than the Beast that stalks the dense forests of Dunballan. A secret that holds David McCavendish, last in a long line of Lairds, in its unbreakable grip. It’s down to Sally, David’s lover, to free David from the sinister clutches of the Beast. But, with the whole town against her, she must ally herself with an ancient woodland force and trace Dunballan’s secret back to its bitter origins. Those origins lie within the McCavendish family history, and a blasphemous heresy that stretches back to the beginning of time. Some truths are too terrible to face, and the darkest of these lie waiting for Sally, in the Quiet Places. ©️ Crystal Lake Publishing

Have you ever woken one morning with a burning, insatiable desire to go out and kill someone? Sarah Killian, a notoriously foul-mouthed and mean-spirited serial killer for hire, along with her cohort assassin Mary Sue Keller, are back on assignment for the Trusted Hierarchy of Everyday Murderers (T.H.E.M.). After receiving an ominous warning from a mark-gone-wrong, it becomes clear that Nick Jin—Sarah’s former nemesis—is still at large and singling her out. Sarah and Mary Sue are dispatched to Tennessee to discreetly kill off an accused family of KKK organizers, but their true mission is to lure Nick Jin into a trap. But will Nick—always several steps ahead of T.H.E.M.—see their bait for what it is? One thing is guaranteed: blood will be shed. ©️ Crystal Lake Publishing