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Eyes Turned Skyward

Akira was a regular human girl leaving work late one night when everything changed. She is now on a mission to figure out who she is, what she is and how to navigate her new life but there’s still one thing burning inside her that she can’t let go of: Revenge. Will love win out? Or will it prove not to be enough?

Belum ada penilaian

36 Bab

Turned Rogue

Young teen having genes from the moon goddess made her a unique target, who will save her? She had no one left. But then miraculously her fate changed, was it for better or for worse?

Belum ada penilaian

15 Bab

Tables Turned

I was in a car accident while saving my brothers. However, instead of gratitude, they urged the doctors to amputate my legs. "Carol, we're sorry," they said through tears. "We're useless… but don't worry. Even if we have to sell our blood or our kidneys, we'll make sure you're taken care of." Right after surgery, they abandoned me in a shabby apartment. Blood seeped through the sheets as they looked at me with teary eyes—then left in a hurry, claiming they needed to earn money for my treatment. I did not want to drag them down anymore. Enduring the pain, I crawled to the rooftop of a tall building, planning to end my life. That's when I saw it—inside a luxury hotel, a grand celebration was taking place. My brothers were there doting on another girl. She was eating an extravagant cake I had never even dreamed of, wearing a designer princess gown worth a fortune, sparkling with jewels. Everyone called her the Smith family's one and only princess. They had even hired a world-class symphony orchestra to play Happy Birthday just for her. While I lay bleeding in a dingy apartment, they would not spend a few dollars on bandages for me. I watched as my eldest brother gently fed her cake, his eyes full of tenderness. "Jasmine, only you deserve to be our one and only little sister." The second brother placed a tiara on her head with care. "Even for the smallest birthday, we won't let you suffer a single moment of disappointment." The third knelt to help her into a pair of crystal shoes. "Jasmine, you're our most precious darling." Then, standing on the stage, Jasmine held up the black credit card they had gifted her and smiled sweetly. "Brothers," she said, "Carol lost her legs saving you. Maybe you should go see how she's doing?" My eldest brother let out a mocking laugh. "She's not worth it. Now that she's crippled, she'll never be able to compete with you again. She got what she deserved."

9 Bab

Lustful Eyes

"Accept it! You cannot fucking run away from me. You can NEVER escape from me. It would be better for you if you just accept that your fate is with ME. You are mine!" She shut her eyes and sobbed quietly beneath him. She knew she could never escape from him; she knew he would never let her go. But that didn't stop her from trying. That would never stop her from trying. She swallowed her fear and looked back at him with her tearful big eyes. "I-I'm not yours! I can never be yours, master. I am just a maid who works in your house. Y-you have no right to claim me yours like this." She threw back. It didn't shock Alexander, it amused him. His fiery cat was finally able to open her mouth in front of him. They both stared at each other with an intensity that was hard to explain. "You are mine, Emma. You were mine the moment I laid my eyes on you. You were mine when I saw you for the first time when you opened the door for me. You were mine when I saved you from the guy at the party who almost raped you..." He gritted at the bitter memory. "You were mine since the first time my heart skipped a beat whenever I saw you...You are mine and you will always be mine." She heard the unbuckling sound of his belt and her eyes widen in fear. She pushed him as hard as possible but that didn't stop him. In a blink of an eye, he tore her dress and once again claimed her as his.

9.4

54 Bab

Dreamy Eyes

Hazel eyes are bound to drown in Dreamy Eyes from the moment the door was opened by Navi, our cute yet intelligent character. Easy to fall for but difficult to come out from the depth. Hardeep, the aloof CEO, finds it hard to keep his aloofness. Will he be able to win over his girl easily or are there some jerky surprises in store for him?

48 Bab

Omega Turned Royal

[Book 2 in Vampire's Bride Duology] Vampires have always been in a tussle with Lycans, but both are Goddess Diana’s off-springs. Therefore, it is no surprise when one is bound to the other by a bond that is revered by them. Myra Winters is an omega, who just wanted to spend her life in peace and meet her soulmate someday. But little did she know that not only was her mate a creature that she hated, but their bond was older than they could fathom. [Book 2 in Vampire's Bride Duology]

8.3

91 Bab

How Do Anime Artists Draw Asian Eyes Realistically?

3 Jawaban2025-11-06 13:58:05

Studying real faces taught me the foundations that make stylized eyes feel believable. I like to start with the bone structure: the brow ridge, the orbital rim, and the position of the cheek and nose — these determine how the eyelids fold and cast shadows. When I work from life or a photo, I trace the eyelid as a soft ribbon that wraps around the sphere of the eyeball. That mental image helps me place the crease, the inner corner (where an epicanthic fold might sit), and the way the skin softly bunches at the outer corner. Practically, I sketch the eyeball first, then draw the lids hugging it, and refine the crease and inner corner anatomy so the shape reads as three-dimensional.

For Asian features specifically, I make a point of mixing observations: many people have a lower or subtle supratarsal crease, some have a strong fold, and the epicanthic fold can alter the visible inner corner. Rather than forcing a single “look,” I vary eyelid thickness, crease height, and lash direction. Lashes are often finer and curve gently; heavier lashes can look generic if overdone. Lighting is huge — specular highlights, rim light on the tear duct, and soft shadows under the brow make the eye feel alive. I usually add two highlights (a primary bright dot and a softer fill) and a faint translucency on the lower eyelid to suggest wetness.

On the practical side, I practice with portrait studies, mirror sketches, and photo collections that show ethnic diversity. I avoid caricature by treating each eye as unique instead of defaulting to a single template. The payoff is when a stylized character suddenly reads as a real person—those subtle anatomical choices make the difference, and it always makes me smile when it clicks.

What Are The Best Tips For Drawing Eyes In Manga Style?

2 Jawaban2025-11-04 05:27:58

I geek out over eyes—seriously, they’re the little theater where a character’s whole mood plays out. When I sketch, I start by thinking about the silhouette more than the details: bold almond, round and wide, slit-like for villains, soft droop for tired characters. That silhouette sets the personality. I use a light construction grid—two horizontal guides for the top lid and the bottom of the iris, a vertical center for tilt—then block in the brow ridge and tear duct. That immediately tells me where the highlights will sit and how big the iris should be relative to the white, which is the single biggest factor that reads as age or youth. Big irises and large highlights read cute and innocent (think of the dreamy sparkle in 'Sailor Moon'), while smaller irises with more visible sclera can make characters feel mature or intense. For linework and depth, I treat lashes and lids like curved planes, not just decorative strokes. The top lash line usually carries the heaviest line weight because it casts a tiny shadow; use thicker ink or a heavier brush there. Keep the lower lashes sparse unless you’re drawing a stylized shoujo eye—those often have delicate lower lashes and starry catchlights. For anime-style shading, I blend a gradient across the iris from dark at the top (occluded by the eyelid) to lighter at the bottom and then add one or two catchlights—one crisp white specular and one softer reflected light near the pupil. To sell wetness, add a subtle rim highlight where the sclera meets the lower lid and a faint spec on the tear duct. In black-and-white manga, I’ll suggest screentone or cross-hatching on the upper sclera area to imply shadow; digital artists can use Multiply layers for the same effect. Practice routines I swear by: redraw the same eye shape 20 times with tiny variations—tilt, distance between eyes, eyelid fold depth. Then do perspective drills: tilt the head up, down, three-quarter, extreme foreshortening. Study real eyes too—photos show how eyelid thickness, skin folds, and eye moisture behave. Compare those observations to how stylists cheat in 'Naruto' or 'One Piece' and deliberately simplify. Don’t be afraid to break symmetry slightly; perfect symmetry looks robotic. Finally, emotion comes from tiny changes: a half-closed lid softens, a sharply arched brow angers, inner-corner creases can add sorrow. When I finish, I like to flip the canvas and nudge a line or two—if it still reads well mirrored, it’s doing its job. Drawing eyes never gets old for me; each tweak feels like finding a new expression, and that keeps me excited to draw for hours.

Which Pencils Suit Drawing Eyes With Soft Shading?

2 Jawaban2025-11-04 15:50:53

My go-to pencils for soft, natural eye shading are really all about a small, complementary range rather than a single ‘magic’ stick. I usually start a drawing with a harder pencil—something like 2H or H—very lightly to lay out the eye shape, eyelid folds, and pupil placement. That keeps my construction crisp without smudging. After that I switch to HB or 2B for building the midtones: these are perfect for the subtle gradations in the whites of the eye, the gradual shadow under the brow, and the soft plane changes on the eyelids. For the shadowed areas where you want a lush, velvety feel—a shadowed iris rim, deep crease, or lashes’ roots—I reach for 4B and 6B. Those softer leads give rich, blendable darks that aren’t crunchy, so you can get a soft transition rather than a hard line.

Paper and tools matter as much as pencil grade. A smooth hot-press or Bristol board lets you achieve those delicate gradients without the tooth grabbing too much graphite; slightly toothier papers work too if you want more texture. Blending tools—tortillons, a soft brush, or even a bit of tissue—help turn the 2B–4B layers into silky skin tones, but I try to avoid over-blending so the drawing retains life. A kneaded eraser is indispensable: pull out tiny highlights on the iris and the moist glint at the tear duct, and lift delicate edges near lashes. For razor-sharp details like individual lashes or the darkest pupil edge, I’ll pull out a 0.3mm mechanical pencil or a very hard 4H for tiny, crisp catchlights after shading.

If you want brand suggestions, I gravitate toward Staedtler Mars Lumograph and Faber-Castell 9000 because their grades are consistent and predictable—very helpful when layering. For bolder, creamier blacks, Caran d’Ache Grafwood or softer Derwent pencils work great. Experiment: try a simple set of H, HB, 2B, 4B, 6B and practice building values from light to dark in thin layers, saving the softest pencils for the final mood and shadow accents. Eyes are all about contrast and subtle edges; the right pencil mix plus patient layering will make them read as soft, wet, and alive. I always feel a little thrill when a rough sketch suddenly looks like a living gaze.

Why Do Readers Root For A Squire-Turned-Hero In Novels?

7 Jawaban2025-10-22 00:48:25

Watching a squire climb into the light of heroism hits a lot of notes that just feel honest and earned to me. I love the grit: the mud under their nails, the clumsy training sessions, the awkwardness when they're compared to polished knights. That slow burn—where skill and courage are accumulated the hard way—lets readers experience growth instead of being handed it. It’s why sequences of training, mentor lectures, and small, humiliating failures work so well on the page; they create stakes you can feel. When the squire finally makes a stand, the victory tastes like the long climb it was supposed to.

There’s also a social and emotional payoff. Squires often start in a fixed place—low rank, few resources, little respect—and watching them rise taps into deep wish-fulfillment and fairness instincts. Readers root for them because the narrative promises that hard work, loyalty, and moral choices can upset entrenched power. That’s present in older tales like 'The Once and Future King' where Wart grows under mentorship, and it’s echoed in modern games such as 'Fire Emblem' where you literally level up a nobody into a key player. Beyond plot mechanics, the squire-turned-hero arc offers intimacy: we care about the mentor relationship, the small sacrifices, the friends left behind, and those micro-decisions that reveal character.

On a personal note, I gravitate toward these stories because they let me cheer for persistence. It isn’t just about spectacle—it’s about recognition that greatness can be ordinary at first, and that makes the journey feel warm and worth celebrating.

Can Beginners Learn How To Draw Eyes Realistically?

5 Jawaban2025-11-04 22:54:59

Yes — beginners can absolutely learn to draw eyes realistically, and I still get a kick out of watching that transformation happen on paper.

I broke the process down into tiny, repeatable steps when I was starting: map the basic almond shape, place the iris and pupil, note the eyelid creases, and think of the eyeball as a sphere under the skin. I spent a lot of time studying how light wraps around a sphere and how the cornea creates that bright specular highlight. That one little white dot makes an eye feel alive. I also focused on values more than lines; early attempts loaded up on harsh outlines, but shading gives volume and depth.

If you want a path, I recommend building three habits: daily 10–20 minute quick studies from photos, weekly longer shaded drawings, and regular anatomy checks (look at 'Drawing on the Right Side of the Brain' or anatomy pages). Use a soft pencil for mid-tones and a harder one for fine lashes and lashes' direction, and don’t smudge indiscriminately — smudging can flatten contrast. I still get a small thrill the first time a gazing eye looks believable on the page.

Can Romance Novels About Unrequited Love Be Turned Into Movies?

4 Jawaban2025-08-14 21:48:31

I absolutely believe unrequited love stories can shine on the big screen. Some of the most memorable movies started as books that explored one-sided affection in profound ways. 'Love in the Time of Cholera' by Gabriel García Márquez was adapted into a visually stunning film that captured the decades-long ache of unreturned love. Similarly, 'The Remains of the Day' showcases restrained passion better than most novels I've read.

What makes these adaptations work is how cinema can amplify the silent moments—the lingering glances, the unsaid words. A skilled director can turn pages of internal monologue into a single heart-wrenching shot. While some argue that books delve deeper into psychology, films have the advantage of visual symbolism. The right adaptation can make audiences feel the weight of unrequited love through cinematography alone. For contemporary examples, 'Normal People' proved how effectively streaming platforms can translate complex emotional dynamics.

Can R18 Light Novels Be Turned Into Anime?

3 Jawaban2025-08-19 03:38:02

I've been following light novels and anime adaptations for years, and the topic of R18 content getting animated is always a hot debate. While R18 light novels exist, turning them into mainstream anime is tricky due to censorship laws and broadcast regulations. However, some studios have found ways around this by creating OVAs (Original Video Animations) or releasing uncensored versions on Blu-ray. For example, 'Highschool DxD' started as an ecchi light novel and got an anime adaptation that pushed boundaries but stayed within TV limits. The key is balancing fan service with plot to avoid being labeled as pure R18. Studios often tone down explicit scenes to reach a wider audience, but dedicated fans usually seek out the original novels for the full experience. It's a niche market, but when done right, adaptations can thrive by focusing on storytelling over shock value.

What Made Elizabeth Taylor Eyes So Mesmerizing?

5 Jawaban2025-08-29 06:53:17

Whenever I watch close-ups of her on screen, Elizabeth Taylor's eyes feel like a private conversation you're accidentally invited to. There's the color — that famous violet-blue that photographers and gossip columns loved to tease out — but color alone doesn't explain it. Her eyes had a big, slightly almond shape and the kind of deep-set lashes and brows that framed them like dark velvet. Add the contrast with her porcelain skin and raven hair, and the eyes pop in a way that's almost cinematic on its own.

Beyond anatomy, her acting gave those eyes purpose. She used them as punctuation: a slow look could carry sarcasm, longing, or danger without a single line. Makeup and lighting in films like 'Cleopatra' and 'Who’s Afraid of Virginia Woolf?' amplified the effect — heavy kohl, strategic rim lighting, and tight framing pulled you into the irises. Combine all that with the cultural myth around her (diamonds, drama, iconic style) and you get something more than pretty — an unforgettable presence. Try pausing on a still from her films and you’ll see layers: biology, craft, and persona working together.

Which Jewelry Complemented Elizabeth Taylor Eyes On Camera?

5 Jawaban2025-08-29 22:58:35

There's something about Elizabeth Taylor on film that still catches me every time — not just the legend, but those eyes that seemed to change with the light. When I look at photos from 'Cleopatra' or her red carpet moments, what really made her violet-blue eyes sing were cool, reflective jewels: big white diamonds and platinum settings created a bright, mirror-like sparkle that pulled focus to her gaze. Diamonds framed her eyes by reflecting back the camera lights, so chandelier earrings and solitaire studs did more than decorate — they brightened the whole face.

On the other hand, she also leaned into colored stones that echoed or contrasted with her eye color. Deep sapphires and amethysts echoed the cooler tones in her irises, while rich emeralds offered a lush contrast that made any hint of green pop. Pearls — like the famous 'La Peregrina' she wore sometimes — softened the look and gave a warm, classic glow that made her eye color seem softer on film. Metal tone mattered too: platinum and white gold read as cool and crisp on camera, yellow gold warmed the complexion and could bring out different undertones in her eyes.

If you want that Taylor effect now, think big but balanced: face-framing earrings, a collar or high necklace to lift the face, and gems that either echo or contrast your eye tones under bright light. I still catch myself studying those magazine spreads for tip details every few months.

Did Contact Lenses Impact Elizabeth Taylor Eyes In Films?

5 Jawaban2025-08-29 14:58:15

My take is a mix of film-geek nitpicking and plain admiration. Elizabeth Taylor's eyes were famously striking — people still debate whether they were truly 'violet' or just a magical trick of genetics plus cinema. From everything I've read and seen, the core fact is that her eye color was natural, a deep blue-gray with a rare quality that photographers, makeup artists, and lighting happily exaggerated.

In practical terms, contact lenses that change color weren't mainstream or comfortable in the 1950s and 1960s. Studios relied on kohl, mascara, specially mixed eye shadows, and clever lighting to make her peepers pop in films like 'Cleopatra' and 'Who's Afraid of Virginia Woolf?'. Close-up lenses, soft focus filters, and the film stock itself could all create a jewel-like sheen. So while she may have used corrective lenses off-camera or for sharpness, the cinematic 'effect' most fans notice comes from makeup, cinematography, and natural eye pigment — not a wardrobe of colored contacts. I still get a little giddy every time I watch those classic close-ups; her eyes feel like a small miracle on screen.

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