Margaret Atwood Best Novels

Nicole Evans never asked to be followed. She never asked for eyes in the dark, for a man like Vane to orbit her life with silence and devotion sharp enough to wound. But obsession doesn’t ask permission. It waits. It watches. It becomes inevitable. What began with missing men and shadows on rooftops soon unraveled into something far more intimate—an assassin who couldn’t let go, and a woman who, piece by piece, stopped trying to make him. As friends vanished and her world narrowed, Nicole found herself drawn toward the very thing she feared most—not out of love, but recognition. In his violence, there was something terrifyingly tender. In his silence, something that listened more closely than anyone else ever had. Theirs is not a love story in any ordinary sense. It’s a descent—a long, slow collapse into dependency, into surrender. A story told in bruises and shared tea, in blood and in stillness. A quiet unraveling that doesn’t end in escape, but in a house by the sea, where memory lingers and echoes never fade. Some stories don’t ask to be understood. Only remembered.

Ava Lancaster gave up her identity as a billionaire heiress to marry for love, choosing anonymity over inheritance and devotion over power. But her husband, Liam Hayes, repays her sacrifice with betrayal—repeated affairs, emotional neglect, and the quiet erosion of her worth. When Ava finally walks away, she does so with nothing but her name, refusing alimony and erasing herself from the life she helped build. What Liam never knows is that Ava secretly returns to the empire she once abandoned, reclaiming her family legacy and rising as the unseen CEO of a global conglomerate. Years later, when Liam’s failing company seeks a partnership to survive, fate brings them face-to-face again—this time with Ava holding all the power and Liam unaware that the woman he discarded now controls his future. As business turns into a battlefield, Ava orchestrates her revenge not with cruelty, but with dominance, strategy, and restraint. Torn between the ghosts of her past and the possibility of new love with a steadfast rival CEO, Ava must confront the cost of power, the weight of forgiveness, and the question of whether love can exist without surrender. Empire of Her Own is a long-burn, emotionally rich modern romance about betrayal, reinvention, and a woman choosing herself—fully, unapologetically, and on her own terms.

When American engineer Evan Hart arrives in Rome, he expects worn stones, ancient architecture, and a chance to quietly rethink his failing marriage. He doesn’t expect Livia Moretti—the enigmatic archivist whose fragile intensity pulls him into a slow-burning, dangerous affair he never meant to start. Livia is brilliant, secretive, and a little broken… and Evan can’t stay away. But when he finally tells his wife Leah he wants a separation, she collapses, claiming she’s been diagnosed with a devastating neurological disease. Overnight, Evan’s guilt becomes a trap. Then Livia disappears without a trace. Anonymous photographs of him and Livia arrive in the mail. A stranger begins watching his apartment. And Leah—sweet, steady Leah—starts behaving in ways he can’t explain. When Evan finds hidden documents and photographs connecting the two women in his life, he follows a clue to a remote coastal village, where he learns Livia once lived under a different name… and may have been running from something far darker than heartbreak. As Evan digs deeper, he uncovers the edge of a conspiracy built on identity, memory, and manipulation—one determined to keep its secrets buried. Someone is pulling strings. Someone is rewriting the truth. And someone wants Evan to stop asking questions. Caught between a wife he no longer understands and a lover who may not be who she claimed to be, Evan is forced to confront the one question he never thought to ask: If the women in his life are wearing borrowed identities… then who has been shaping his? In a story of seduction, deception, and emotional obsession, All the Names She Wore explores the dangerous terrain between love and control—and what happens when the truth becomes the most terrifying lie of all.

For a thousand years, the two most powerful families in the world of witchcraft have been at war. In a bid to end the violence once and for all, they arrange a union between their children, Tessa and Rafik. At a dinner party meant to finalize the marriage negotiations, the ancient feud comes to a bloody end. Young Tessa Mason barely escapes Savannah with her life and is forced into hiding with her twin brother and immortal Viking guardian for ten years until all her enemies are eliminated. At her 23rd birthday celebration, she receives an invitation to study with the best potion maker in the world. When she arrives in England ready to get on with her life, she is confronted by the man who deceived her all those years ago. Sparks fly between these star crossed lovers as Rafik tries his best to make amends to Tessa. Unfortunately, she isn't the only one who wants him to pay for the sins of his past. The most miserable part about betrayal is that it never comes from your enemies, but they’re all about to discover what a wicked witch Tessa can be. Queen of Ruin is the first book in the Queen of Ruin Series. In this Dark Paranormal Romance and Fantasy series of stories, you’ll meet a cast of broken, but loveable creatures trying their best to save the world. Get Queen of Ruin today and run away with Tessa on her fiery journey through the depths of darkness.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

My grandmother is, as far as the law is concerned, a dead woman. She faked her own death so she could go off with the boy she'd grown up beside, and she left evidence behind that made my grandfather her killer. He went away for twenty years. She sold his house and ran to Port Halcyon with the other man. One of them became a famous attorney who talks about justice in courtrooms. The other became a philanthropist who talks about compassion under television lights. My grandfather carried the word wife-killer for the rest of his life. My father grew up on whatever the neighbors could spare. He never spent a day in school, and he wore his hands raw laying brick until he'd put me through college. Two generations, two pairs of ruined hands, lifting me one step at a time out of Pinebarrow. Fifty years after my grandmother's fake death. I sit on the felony bench of the Dunstone Superior Court. In front of me are five young women charged in a murder. The case against the first four is airtight. Against the fifth, there's half a fingerprint at the scene and a witness who accounts for her entire night. Even the police call her the least likely of them. The murder charge won't hold. I go through her file. Under family, there's a name. Evelyn Harrow. My grandmother. I look at how much the two of them resemble each other. And when her lawyer moves to have her released from this courtroom a free woman, I bring the gavel down lightly. "This court denies the defense motion for dismissal. This court further recommends that the district attorney formally charge the defendant with murder."