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Middle England

Evelyn’s ancestors made a deal with demons to save their land in the human realm. But to pay off the debt Evelyn is forced into slavery in another realm where vampires, faeries, witches, and werewolves are very real. She was supposed to be starting her career, not falling in love with vampires and dark magic. And not only has she given up her life, against her will, as an IOU to a clan of vampires but she also finds out that not everything in her life is what it seemed to be...

8.7

43 Chapters

Caught In The Middle

Cory and Reece were childhood friends and playfully called themselves “Curry and Rice” until the different values of their families pulled them in different directions. Until Quinn Malley turns up at the business faculty of their college and a twisted bet unites them once again in a common goal – Quinn. Quinn has been in love with her step-brother, Antonio, from a young age and he has taught her everything she knows about love, relationships and sex. Being a notorious Italian Mafioso he is controlling, demanding, possessive and abusive, grooming Quinn from her teen years to be obedient to his needs. It takes Quinn meeting the two young charismatic men still known playfully around campus as Curry and Rice and their scandalous bet to be the first to bed her to make Quinn realize that Antonio never had any intention to love her only to destroy her in revenge for her real father’s murder of Antonio’s mother. As Cory and Reese fall for the enigmatic Quinn and find out the full story of her abuse they will band together to gain her freedom regardless of what Cory’s Police Commissioner father and Reese’s Irish Mob father have to say about it and plan to steal her away from the young Mafia Don – Antonio Ferrante – together. Quinn finds herself caught between; Mafia and Mob Criminals and the Law And most importantly sandwiched between Curry and Rice in this Double ML Romance.

104 Chapters

Marked in the Middle

Nora Ainsley didn’t sign up to play hero. As a rogue-born tracker for hire, she works solo, stays broke, and minds her business. But when a missing pendant leads her into the heart of a conspiracy tied to the murder of the Silver Ash Pack’s Luna, she gets dragged into something way bigger than she ever wanted. Now she’s a suspect, a target, and holding a magical artifact every side wants to kill for. Worse, the only person offering help is Roman Vale—a masked stranger who’s got his own twisted ties to the very pack that wants Nora dead. She didn’t ask for this war, but if she doesn’t fight back, she won’t survive it.

Not enough ratings

160 Chapters

Lost In The Middle of Nowhere

In every love story, there's always a vengeful and venomous ex who was engaged to the wealthy and handsome CEO that fell for the poor, but gentle and innocent female lead. In the CEO's greed for the new female lead's affection, he broke her heart and drove her to the brink of insanity, all in the name of love and consideration for his new partner. No one ever cared about how the ex felt. Ariana Montmorency, a British Heiress, was prepped her entire life to marry one man, but suddenly, his heart was captured by another and everything went wrong. She was scorned, destroyed and disowned by everyone she knew after all the sacrifices she made for the man she loved. It took 365 days and a harsh awakening for her to finally understand her past mistakes and now it was time for her to be the female lead of her own story. ••••••• Elliot Navarro and Ariana Montmorency. The King of the Business Empire and the Fallen Heiress. Incredibly wealthy and powerful, yet ruthlessly cold and unforgiving, not a single soul dared to offend Elliot Navarro. Many have tried, but none had succeeded in gaining his attention. That is, until his path unexpectedly collides with the British Heiress. He turned her world upside down from painful to painless and she changes his world from unstable to stable. While they seem like a match made in heaven, what is a love story without disturbance? Challenges will arise, chaos will commence, and drama will ensue and it's a test of whether two halves can make a whole and remain whole.

14 Chapters

Stuck in the middle of two billonaires

Pamela Riles' business is failing. A day before her birthday and their public introduction, she finds out that her fiance Liam, is married. Pamela attempts suicide, but is saved by one of her new recruits, Royal. Royal Markinson is the Markinson empire's first heir. He proposes a business to Pamela's failing company in his father's name, and then disguises himself as a commoner and gets a job at Pamela's firm. Liam tries to disgrace Pamela by showing up to her birthday with his wife, but Royal intervenes and publicly claims her, revealing his true identity to her. Royal agrees to partner with her company and save her face through an arranged marriage on the condition that she act as a spy for his main competitor. Pamela is forced to sign the contract because she has no other option. What happens when Pamela discovers Royal's competitor is her high school ex, with whom she is still deeply in love? Will she stick to the contract or give in to the fist of love?.

117 Chapters

A Secretary's Vendetta

Michael Angelo, the man Aurora loved with all her heart was also her worst bully and her short tempered boss. It wasn't her fault she was fat, but he sang how fat she was to her ear everyday at the slightest provocation. She withstood the insult just to be close to the man she loves. When her boss accidentally heard heart felt confession of love, he rejected and humiliated her in the most embarrassing way possible. She tongue lashed him in retaliation and quitted her job with a broken heart to save her face from further embarrassment...... ¤¤¤¤¤¤ Months after making her fat ugly secretary quit job, Michael Angelo met someone who look just like her, but hotter and sexier enough to make him drool. One goal was fixated in his mind; he must have her. But Aurora was a woman on a mission.

Not enough ratings

133 Chapters

Who Wrote Divorced In Middle Age: The Queen'S Rise Novel?

4 Answers2025-10-20 09:56:11

Bright morning vibes here — I dug into this because the title 'Divorced In Middle Age: The Queen's Rise' hooked me instantly. The novel is credited to the pen name Yunxiang. From what I found, Yunxiang serialized the story on Chinese web novel platforms before sections of it circulated in fan translations, which is why some English readers might see slightly different subtitles or chapter counts.

I really like how Yunxiang treats middle-aged perspectives with dignity and a dash of revenge fantasy flair; the pacing feels like a slow-burn domestic drama that blossoms into court intrigue. If you enjoy character-driven stories with emotional growth and a steady reveal of political maneuvering, this one scratches that itch. Personally, I appreciate authors who let mature protagonists reinvent themselves, and Yunxiang does that with quiet charm — makes me want to re-read parts of it on a rainy afternoon.

Which Traits Define Aph England In The Anime And Manga?

3 Answers2025-10-18 14:27:23

Aph England, from the spin-off series 'Hetalia: Axis Powers', is a character that really stands out among the cast. His distinct traits make him truly memorable, and not just for his charmingly awkward demeanor. For starters, he embodies the stereotype of being polite and very reserved, which often lands him in hilariously awkward situations. While he's depicted as extremely proper and a bit of a gentleman, he also has a passionate side that surprises viewers. You can see this when he interacts with the other characters, especially when he talks about his love for tea or his historical ties to various nations. There’s an underlying complexity to him that makes you appreciate his character more as you watch.

Another fun aspect about England is his rivalry with America. This illustrates his competitive nature and how deeply national pride can influence personal dynamics. He often comes off as the older, more mature figure, while America is portrayed as youthful and brash, leading to a fascinating dynamic. This tension often serves as comedic relief in the series, which is fantastic for both characterization and plot development. England’s struggles with the other nations also highlight his insecurities, especially regarding his historical past, which adds layers to his persona that make him relatable despite his quirks.

Additionally, the anime and manga portray his magical side, where he’s involved in various supernatural elements. England’s association with magic and the supernatural is a nod to British folklore and mythology, which adds an intriguing twist to his character. This blend of the ordinary and the extraordinary really elevates him and makes his personality feel rich. Overall, it's England's complex nature wrapped up in charm, rivalry, and a touch of magic that makes him a fascinating character to follow in 'Hetalia'.

What Are The Meanings Behind Liam Payne'S Middle Name?

5 Answers2025-09-29 22:27:53

Liam Payne, known for his incredible journey in the music industry, has a middle name that sparks curiosity: James. It’s interesting how names can carry meanings, especially in a culture where names can reflect heritage, family, or even personal history. For Liam, 'James' is deeply rooted in tradition. This name has seen a lot of history, originating from the Hebrew name 'Ya'aqov' meaning 'to follow' or 'to supplant.' It’s like Liam is following in the footsteps of strong figures in music and beyond.

On another level, 'James' is a name that resonates with diverse personalities, from kings to characters in literature, embodying strength and leadership. It makes you wonder if there’s this underlying expectation he carries. Isn’t it fascinating how a name can add layers to someone's identity? Reflecting on his journey, it seems that 'Liam James Payne' rings with a sense of legacy, creativity, and the desire to not just be a follower but a leader in his own right.

Contrastingly, with fans often debating the nuances of celebrity names, thinking of Liam's middle name can also draw in discussions of celebrity culture where names are more than just labels but symbols of fame and artistry. People have a tendency to place their own interpretations onto these names, adding a layer of mythology to an already captivating persona.

Which Selkie Books Are Suitable For Middle Grade Readers?

2 Answers2025-09-03 20:06:28

If you're hunting for gentle, sea-scented selkie tales for middle graders, one of my go-to recs is the quietly magical 'The Secret of Ron Mor Skerry' by Rosalie K. Fry. It sits in that cozy middle-grade sweet spot: the pacing is patient, the family-and-memory themes land in ways that kids 9–12 can feel without being overwhelmed, and the selkie folklore is handled with warmth rather than horror. The book inspired the film 'Song of the Sea', so if a child enjoys the novel you can extend the experience with that movie as a companion (watch together and talk about what changed in the adaptation).

Beyond that single title, I like to think about selkie reading in three tiers for middle graders: picture-book retellings for younger MG readers or those who like illustrated pages; classic folktale collections that include seal-wife/selkie variants for curious listeners; and gentle MG novels that take selkie lore as a motif rather than the whole plot. Picture books and illustrated retellings often focus on the emotional core—longing, belonging, and loss—so they’re lovely for readers around 7–10. Folktale anthologies (look for collections of Scottish and Irish folk stories) are perfect for read-aloud sessions and for kids who want to compare variations of the same tale.

A couple of practical notes for parents and teachers: selkie stories often explore separation, the idea of someone taken by the sea, and choices between two worlds. That can bring up feelings for sensitive readers, so I usually suggest previewing the book or reading it together and following up with prompts like, 'What would you have done?' or 'What does home mean to each character?' Also, pair the book with creative activities—map the coastline, make a selkie mask, or try a short writing prompt where the reader imagines sending a letter to the sea. Those little projects make the folktale elements stick in a kid-friendly way.

If you want a quick search plan at the library or bookstore: use search terms such as 'selkie', 'seal wife', 'seal folk', 'Scottish folktales', and 'Irish folktales', and check the recommended age range. Librarians love this sort of quest and can often point to picture books and MG retellings I haven't even found yet. Happy reading—there's nothing like a selkie story to leave a salt-sweet echo in your imagination.

Which Must Read Romance Novels Are Set In Victorian England?

3 Answers2025-09-04 20:52:18

Okay, if you want romance soaked in foggy moors, stiff collars, and the constant hum of social expectation, here's a starter pack I gush about to anyone who’ll listen.

Begin with 'Jane Eyre' — it’s the emotional blueprint. There’s the brooding estate, the thorny secret, and that painful-but-delicious moral backbone that makes Rochester feel human and impossible at once. Then move to 'Wuthering Heights' if you like your love with teeth: not a cosy romance but a volcanic, destructive passion that still rattles me. For something more grounded in social change, 'North and South' is pure slow-burn industrial romance — the class tension between Margaret and Thornton is everything.

If you want darker, sensation-y Victorian vibes, read 'The Woman in White' and 'Lady Audley’s Secret' for their secrets and unreliable narrators. For modern takes that play with the era, I adore 'The French Lieutenant’s Woman' — metafictional and sly — and 'The Crimson Petal and the White' if you prefer gritty, sensual London life. Watch the BBC 'North and South' (2004) and the 2011 'Jane Eyre' after you’ve read them — adaptations make me notice new layers. Honestly, curl up with 'Jane Eyre' first and see where it takes you.

Which Spotlight Books Work Best For Middle School Readers?

3 Answers2025-09-04 04:57:31

When I go digging through new releases and old favorites for middle school readers, I look for books that grab attention fast and give kids something to talk about in the school hallway the next day. For me, spotlight picks are stories that blend a strong voice with themes kids are starting to wrestle with: identity, belonging, fairness, and growing up. That’s why I often reach for books like 'Wonder' by R.J. Palacio for empathy work, 'Holes' by Louis Sachar for clever plotting and humor, and 'The Lightning Thief' by Rick Riordan when I want to hook reluctant readers with action and mythology.

I also make room for a mix of formats—graphic novels like 'Smile' by Raina Telgemeier and 'Nimona' by ND Stevenson are lifesavers for readers who shy away from big blocks of text, while verse novels like 'Brown Girl Dreaming' by Jacqueline Woodson open a different emotional door. For heavier topics, 'The Giver' by Lois Lowry or 'Bridge to Terabithia' can be gateways to deeper classroom conversations; for contemporary resonance, 'Front Desk' by Kelly Yang and 'Ghost' by Jason Reynolds feel immediate and authentic.

Practical tip: spotlighting means more than putting a book on a table. Pair a read with a short creative task—fan art, a postcard from a character, or a 5-minute audio clip from the audiobook—so kids can engage on their terms. If a title gets everyone excited, follow it with a related short film, a companion book, or a graphic novel adaptation to keep the momentum going.

Who Were Leading Poets Of The Romantic Era Years In England?

1 Answers2025-09-06 13:25:50

Whenever I dip into English Romantic poetry I get that giddy feeling of finding an old map with fresh routes — the period is roughly the 1790s through the 1830s and it’s packed with personalities and experiments that still grab me on a rainy afternoon walk. The central figures people usually point to are William Wordsworth, Samuel Taylor Coleridge, Lord Byron (George Gordon Byron), Percy Bysshe Shelley, John Keats, and William Blake. Wordsworth and Coleridge famously shook things up with 'Lyrical Ballads' (1798), which pushed toward everyday language and deep attention to nature; their trio with Robert Southey gets labeled the 'Lake Poets' because of their ties to the Lake District. Blake is a bit different — more mythic and visionary, his 'Songs of Innocence and of Experience' reads like the fever-dream of a painter-poet and often feels like a secret invitation into a strange, moral world.

Each of those names brings a distinct flavor. Wordsworth is the meditator of natural life — 'The Prelude' and his catalog of meditative pastoral images have shaped how people think about the mind and landscape for two centuries. Coleridge swings between the philosophic and the uncanny; 'Kubla Khan' and 'The Rime of the Ancient Mariner' still feel like unlocked doors into supernatural imagination. Byron is uniquely theatrical and savage-funny: flamboyant life, scandal, travelogue style in 'Childe Harold’s Pilgrimage' and the biting satire of 'Don Juan' make him a celebrity poet in the modern sense. Shelley is the radical dreamer — political and idealistic — with lines in 'Ozymandias' and the lofty rebellion of 'Prometheus Unbound' that hit you like cold wind. Keats, with his lush sensory odes like 'Ode to a Nightingale' and 'Ode on a Grecian Urn', is the one who makes beauty ache; his poems feel intimate and mortal in a way that’s almost painful. Beyond these six, female poets such as Charlotte Smith and Felicia Hemans had huge influence — Smith’s 'Elegiac Sonnets' helped make the sonnet a Romantic staple, and Hemans’ patriotic, domestic works like 'The Homes of England' and emotionally direct poems often appeared in parlors and classrooms.

Why does it all matter? For me it’s that the Romantics re-centered poetry on the individual, on feeling and imagination, and on the wildness of nature against mechanizing modern life — partly a reaction to the French Revolution and the early Industrial Revolution. If you want a place to start, I usually hand friends a short sampler: a few selections from 'Lyrical Ballads' to see the shock of the everyday rendered as epic, a Coleridge weird piece, a Byron passage for drama, Shelley’s 'Ozymandias' for bite-sized brilliance, and a Keats ode to feel the texture of language. I love reading them aloud while wandering through a park or sitting in a cafe; those moments make the images stick. If you’re curious about a specific poet or want a reading list tailored to breezy afternoons versus deep dives, I’d happily throw together a little roadmap based on what you like.

Are The Wings Of Fire Novels Appropriate For Middle School Readers?

4 Answers2025-09-05 08:31:53

Honestly, I think 'Wings of Fire' works really well for middle school readers, with a few caveats. The pacing and language fit nicely with ages around 10–14: sentences aren’t dense, the dialogue snaps, and the world-building is vivid without being overly complex. The books lean into adventure, moral dilemmas, and character growth, which are things middle graders often devour. The dragon tribes and politics give readers lots to chew on, and kids who liked 'Percy Jackson' or 'Warriors' will likely enjoy these too.

That said, the series doesn’t shy away from darker themes. There are deaths, betrayals, scenes of violence, and emotional trauma that can hit harder than a typical picture-book adventure. I’ve seen younger middle schoolers handle it fine, but some kids will need a heads-up or a chat with a parent. If you want a gentle entry, start with the first arc — 'The Dragonet Prophecy' — and be ready to pause for conversations about tough moments.

In short, middle school is a great fit for most readers, especially if an adult is available to discuss the heavier parts. I love watching kids get hooked on the dragons, but I also like keeping an ear open for their questions.

What Does Silmarillion Reveal About The Creation Of Middle-Earth?

3 Answers2025-08-27 06:21:35

Whenever I open 'The Silmarillion' I get this giddy, slightly overwhelmed feeling — like peeking through a keyhole into the building of an entire cosmos. Tolkien doesn't just tell how Middle-earth came to be; he shows creation as a cosmic song, the Ainulindalë, where the Ainur — angelic spirits — sing themes given by Eru Ilúvatar and the world takes shape from their music. That image stays with me: creation as art, full of harmonies and dissonances. Melkor's discordant notes aren't just plot devices; they're metaphors for pride, corruption, and the way beauty can be twisted into ruin.
Reading the book slowly revealed layers I hadn't expected. There are practical mechanics — Eru as the ultimate source, the Ainur (later the Valar and Maiar) shaping Eä and Arda, the physical forming of mountains, seas, and forests. But there are also philosophical beats: the origin of evil as a perversion rather than an independent force, the gift of the Children (Elves and Men) whose coming introduces time and mortality, and the motif of light (the Two Trees, the Silmarils) that becomes a recurring engine of longing and tragedy. It ties directly into the later tone of 'The Lord of the Rings': you can trace why Elves fade, why Men rise, and why certain artifacts (like the rings) carry cosmic weight.
On a quieter note, I love how reading it feels like overhearing an ancestor telling you how the world was sung into being — full of grandeur but intimate in its sorrow. If you're approaching it from 'The Hobbit' or 'The Lord of the Rings', know that 'The Silmarillion' expands the stakes: it explains where the mythic darkness and light originally came from, and why so much of Tolkien's world is tinged with both beauty and unavoidable loss.

When Did Edmund Ironside Reign As King Of England?

3 Answers2025-08-25 12:38:06

There's a strange thrill for me in those small, intense reigns in English history — Edmund Ironside's was one of them. He became king on 23 April 1016, right after the death of his father Æthelred, and his rule lasted only until 30 November 1016. In that short span he was almost constantly on the move, fighting Danish invaders led by Cnut (Canute). The big drama of his reign includes the Battle of Ashingdon (sometimes called Assandun) on 18 October 1016, which ended badly for Edmund and forced him into negotiations with Cnut.

After Assandun they reached an agreement to divide England: Cnut would control the lands north of the Thames while Edmund kept Wessex in the south. That arrangement was fragile and only lasted a few weeks, because Edmund died on 30 November 1016. Historians still debate whether his death was natural or suspicious, but the upshot was that Cnut became the sole ruler of England. I love picturing this period with its constant campaigning, royal councils, and quick shifts of fortune — it's the kind of story that makes me reach for 'The Last Kingdom' or similar fiction to fill in the textures.

If you want the headline: Edmund II 'Ironside' reigned from 23 April 1016 to 30 November 1016, fought Cnut fiercely, briefly split the kingdom after Assandun in October, and died within months — leaving Cnut to unite England. It feels like a truncated epic, and I still wonder what might have happened if Edmund had lived longer.