Outlander Writer

Finlay MacLeod, the leader of Clan MacLeod, is bound by duty to marry Ailsa MacDonnell, a woman from a rival clan, to secure peace in the Highlands. But each night, he is drawn into the arms of Moira MacEacharn, a mysterious and seductive dark priestess who has haunted him since childhood. Fin believes he is in love, unaware that Moira’s power over him is anything but natural. As Fin’s devotion to Moira threatens the fragile truce between the clans, Ailsa—a healer and practitioner of white magic—begins to suspect that he is under a powerful enchantment. Determined to save him and prevent war, she unearths the truth of an ancient curse binding Fin to the priestess. But breaking the curse proves impossible, as magic demands payment, and Moira refuses to relinquish her claim. Caught between two women and two destinies, Fin must decide whether to fight for his freedom or surrender to the dark pull of the priestess, even as his choices risk the lives of everyone he holds dear.

What does being a powerful woman mean? This question is at the core of this book where we see every female protagonist from different circumstances go through various challenges and do their best to navigate them. Our adventure starts with Patina Garcia, an artist who falls into poverty after her grandparents pass away but encounters a surprising new destiny when she discovers a Bothy in Scotland for sale. Then we meet Rose Marley, an elderly widow whose life takes an unexpected yet drastic turn after buying a Bothy. Then there is Clarissa Gould, a woman escaping domestic abuse after a fist fight with her narcissistic ex-boyfriend that leads her to a new home in the mountains. Further on, we meet Kendrick Samuel's, a happily married expectant mother whose life is turned upside down when she finds out that her husband is a hybrid on the run. Next, we have Maria Morgan, a woman on the run after being broken out of a sanitorium that she's spent the last year in after being accused of murder. Finally, we meet Audrey Willow, an unsatisfied housewife who battles a drug, and alcohol addiction before meeting a politician who changes her life forever.

In VOWED (Book #7 of the Vampire Journals), Caitlin and Caleb find themselves in medieval Scotland, in 1350,of the quest for the Holy Grail said to contain the key to true vampire immortality. Landing on the shores of the ancient Isle of Skye, a remote island off the Western coast of Scotland where only the most elite warriors live and train, they are ecstatic to reunite with Sam and Polly, Scarlet and Ruth, a human king and his warriors, and with all of Aiden’s coven. <br><br>Before they can continue their mission for the fourth and final key, the time has come for Caleb and Caitlin to wed.<br><br>Simultaneously, Sam and Polly, to their own surprise, are each falling deeply in love with one another. As their relationship accelerates, Sam surprises Polly with a vow of his own. And Polly surprises him with her own shocking news. <br><br>But all is not well beneath the surface. Blake has appeared again, and his deep love for Caitlin might just threaten her union, on the day before her wedding. Sera has appeared again, too, and vows to break apart what she cannot have. <br><br>Scarlet, too, finds herself in danger, as the source of her deep powers are revealed—along with the revelation of who are her true parents.

--- River Witch Some bloodlines are bound to water. Some debts are never paid in full. When Evelyn Blake returns to the remote riverside village of Elowen after fifteen years away, she expects grief and silence—but not the whispers that rise from the mist-covered water. As bodies resurface and ghostly lights drift through the fog, Evelyn uncovers a buried legacy: a pact made generations ago between her family and a nameless spirit that haunts the river. With the curse's final reckoning approaching, Evelyn must confront the sins of her bloodline, unravel the truth behind her ancestor’s forbidden ritual, and decide whether to escape the fate written for her—or embrace it. In a village where no one speaks of the drowned, the river never forgets. And it always collects what it’s owed.

Not every wolf meets their mate and has a happy ending. What happens to those who don't or get rejected? Annie has lived on her own for years in the human world, when she meets Hugh, a wolf belonging to the fearsome Reiver clan hailing from the highlands of Scotland, his business with an organised crime group have made him some serious enemies in the human underworld and when they come for revenge her world and security is turned up side down.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.