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Play Gods

Ryder is a nineteen year old dragon / lycan hybrid. He is the first and only of his kind. His power is a result of the moon goddess and the dragon God directly interfering with a past war. Excluding the moon Goddess, Selene and the dragon God, Typhon, the other Gods fear that Ryder could grow to surpass even their power. Selene and Typhon order Demi, who is a keres to watch over Ryder. The two of them fall in love. The Gods are pushing for Ryder's execution. Circumstances will force Zeus to bind Ryder's power eventually leading to his death. Ryder is reborn and angrier than ever, especially when he finds out that Demi is dealing with problems of her own in Olympus. The book ends with Ryder and the Gods battling. Ryder proves that he is Good and is no threat to any Gods who have pure intentions, but he will do what he must to ensure that no God abuses their power. Ryder ends up becoming a God himself.

9.6

87 Chapters

Raised By Gods

Aria wakes up one morning to her parents fighting about her, again. Little does she know that this fight will change the course of her life forever. In a world where most the Myths are real, Aria will find love, heartbreak, adventure, and the power of a new goddess.

9.9

57 Chapters

Role Play (English)

Sofia Lorie Andres is a 22-year-old former volleyball player who left behind everything because of her unrequited love. She turned her back on everyone to forget the pain and embarrassment she felt because of a woman she loved so much even though she was only considered a best friend. None other than Kristine Aragon, a 23-year-old famous volleyball player in the Philippines. Her best friend caused her heart to beat but was later destroyed. All Sofia Lorie knew Kristine was the only one who caused it all. She is the root cause of why there is a rift between the two of them. Sofia thought about everything they talked about can easily be handled by her, but failed. Because everything she thought was wrong. After two years of her healing process, she also thought of returning to the Philippines and facing everything she left behind. She was ready for what would happen to her when she returned, but the truth wasn’t. Especially when she found out that the woman she once loved was involved in an accident that caused her memories to be erased. The effect was huge, but she tried not to show others how she felt after knowing everything about it. Until she got to the point where she would do the cause of her previous heartache, Role Play. Since she and Rad were determined, they did Role Play, but destiny was too playful for her. She was confused about what was happening, but only one thing came to her mind at those times. She will never do it again because, in the end, she will still be the loser. She is tired of the Role Play game, which she has lost several times. Will the day come when she will feel real love without the slightest pretense?

34 Chapters

PLAY WITH ME

"You look like this is the last place you want to be just because I'm here. Am I really that vile?" Timothy said nothing. Instead he gritted his teeth and shoved his hands into his pocket. Even in her anger, Chloe noticed him... Every inch of him... And his smell. She could pick out his unique scent. Rough. Masculine and mouthwateringly . It made no sense to her, but she was attuned to his every nuance. The man she had called her best friend until a dizzying series of events dissolved the title like sugar in hot water stared at her dispassionately. It was a good thing they were outside and she hoped that he couldn't see the hurt and disappointment on her face. The look wasn't just in his eyes. It seeped through every shrug, every curl of lips she had once thought were the most perfectly created set of lips on earth. She looked deeper, pathetically desperate to find something else. Something more. A reminder of those times when they would talk to each other for hours, and resume conversations the moment they saw one another again. But clearly the Tim she knew had been replaced by a harder, edgier version of a Timothy Kavell - Packard. He was hard and edgy and cynical to start off with. If she had known that he hated her this much, she wouldn't have agreed to his parents' offer to have dinner with them. She had agreed because a part of her had hoped that somehow, they would fix things and be friends again... And she was just beginning to see how wrong she had been....

Not enough ratings

81 Chapters

The DESIRE Play

" So you like him huh?" He said out of blue . I gave him a confused look not understanding what he was talking about . " Sorry Mr.Jason . I'm not quite sure what you are talking about " I said, taking a few steps backwards. "Acting innocent , aren't we?" He said fiercely. "I- I--uhhh" I hesitated taking steps backwards as he was walking towards me . "You what Amy?" His eyes got dark and wide . Raising his eyebrows he leaned against me . Instantly started kissing me roughly and lustful. I tried to push him away . But he grabbed my wrist so hard . I let out a little scream with pain and panic. "Please..please stop" until now my eyes filled with warm and fearful tears . *************************** Amelia Harper, a 18 years old girl . In her senior year of high school , she got into trouble with her new substitute teacher . What will she do now ? Will she fall for him? If she did, would he love her back? Can a teacher and student be a thing ??

66 Chapters

Play My Heart

Andre Simmons is a smoking hot billionaire Casanova with a flair for heartbreaking. Love has never been an option for Cleo. After having her heart broken one too many times, she closed herself off to the idea of 'love' and instead chose to have her fun by playing with men's feelings, like a playboy would women. Beautiful and a billionaire in her own right, finding a target was never an issue. When Cleo crossed paths with Andre, he only seemed to prove her point that men were nothing more than lying scums who deserved to be wiped off the face of the earth. So when both of them made a bet that they could make the other fall for them, Cleo was sure of only one thing; she wasn't going to lose. What happens though when Andre turns out to be different? What caused Cleo to hate men so much anyway? Who do you think wins the bet in the end? What happens when two players fall in love?

28 Chapters

Who Are The Main Gods In 'The Games Gods Play'?

4 Answers2025-06-25 10:09:44

In 'The Games Gods Play', the pantheon is a dazzling tapestry of deities, each embodying cosmic forces and human flaws. At the center stands Arthan, the God of War and Strategy, whose chessboard is the battlefield—his moves dictate empires' rise and fall. Opposite him is Lira, Goddess of Whimsy, spinning fate from laughter and chaos, her pranks rewriting destinies on a whim. Veyra, the Silent Judge, weighs souls without a word, her scales tipped by unseen truths.

Then there's Kaelos, the Forgefather, whose hammer shapes not just metal but the very laws of physics. His rival, Sylphine, Mistress of Waves, drowns kingdoms in her tides when scorned. The twins, Orin and Nara, split light and shadow—Orin’s hymns heal, while Nara’s whispers drive men mad. Lesser gods orbit them: Thalric, patron of thieves, and Mira, who kindles revolutions with a spark. Their conflicts aren’t just divine squabbles; they’re the engine of the novel’s world, blurring the line between worship and survival.

How Do Authors Justify Heroes Who Play Gods?

3 Answers2025-08-26 23:02:04

Sometimes I catch myself arguing with a book until my tea goes cold — that's how invested I get when an author hands a protagonist the keys to creation. Authors justify heroes playing god in a handful of clever ways that feel true to the story: necessity, perspective, and consequence. Necessity means the world itself demands it — whether to avert apocalypse, fix an irreparable wrong, or push evolution forward. Perspective is about point of view: if we see the story through the hero’s eyes, their choices can seem inevitable, compassionate, or tragically flawed. Consequence makes sure godlike actions carry cost; power without stakes is just spectacle.

I love when writers don't hand-wave moral issues. In 'Watchmen' and 'Death Note' the moral calculus is debated, not glossed over. Some authors present god-play as an unbearable burden — the hero gains power but loses normal human connection, sleep, or faith in simple answers. Others turn it into a mirror for hubris: power exposes character, and the fallout tests relationships, institutions, and the hero's own mind.

As a reader I gravitate to stories where the author treats godlike acts as experiments in ethics rather than shortcuts for plot. When consequences ripple realistically through politics, culture, and daily lives — when ordinary people react, resist, and adapt — the justification feels earned. I’ll forgive a lot if the writing makes me feel the weight of those choices, even if I’m furious at the character afterward.

Is 'The Games Gods Play' Inspired By Any Mythology?

5 Answers2025-06-23 19:48:16

'The Games Gods Play' absolutely draws from mythology, but it's not just a retelling—it remixes ancient lore with razor-sharp modernity. The core premise echoes Olympian feuds, where deities manipulate mortals like chess pieces, but the execution feels fresh. You'll spot shades of Norse god Loki’s trickster gambits, Hindu asuras battling devas for cosmic supremacy, and even Aztec ballgames where losers faced sacrifice. The novel’s brilliance lies in weaving these threads into something unrecognizable yet eerily familiar.

The protagonist’s trials mirror Hercules’ labors but subvert expectations—instead of slaying monsters, they outwit them using loopholes in divine contracts. The pantheon’s hierarchy reflects Egyptian mythology’s obsession with balance (ma’at), while the betting system among gods parallels Polynesian legends where ancestors wager on human fates. What dazzles me is how it avoids clichés: no thunderbolts or tridents, just psychological warfare and metaphysical puzzles that make you question who’s truly pulling the strings.

Which Manga Centers On Teens Who Play Gods?

3 Answers2025-08-26 17:32:57

If you mean a manga where teenagers literally get pushed into godlike roles and deadly games, the one that jumps out is 'As the Gods Will'. It's a brutal, wildly imaginative ride where high school students suddenly find themselves forced to play twisted versions of children's games — except failure means death. The premise flips the cute-innocent games we all remember into surreal, violent challenges decided by strange, supernatural forces. I read a chunk of it on a sleepless overnight train and kept whispering plot twists to my friend; it's the kind of story that makes you look around and wonder if the vending machine could turn into a killer daruma next.

What I love about it (beyond the shock-factor) is how it interrogates control and helplessness: teens are treated like pawns by gods or godlike beings, and their reactions range from ingenuity and leadership to panic and moral collapse. If you like the core idea but want different flavors, try pairing it with 'Death Note' for that solo-teen-plays-god vibe, or 'Platinum End' for a more theological competition where candidates are literally chosen to become God. There's also a live-action adaptation of 'As the Gods Will' if you want to see the madness in motion, and other survival-teen stories like 'Gantz' and 'Battle Royale' scratch similar itch in darker, grittier ways. Personally, I recommend starting with the manga and keeping tissues nearby — it's messy, fast, and unapologetically intense.

How Do Fanfics Handle Couples Who Play Gods?

3 Answers2025-08-26 21:07:44

There’s something addictive about reading couples who basically play gods — it’s like watching two people who can rewrite reality bicker over whose coffee cup is celestial. I love how many writers lean into contrasts: the cosmic scale of their powers versus tiny, human habits. One scene might be a world-ending ritual described in baroque language, and the next is them arguing about the proper way to hang a towel. Those tiny domestic anchors are what keep the relationship believable, otherwise omnipotence makes any conflict feel weightless.

A lot of fanfics handle the power gap by inventing rules. Some authors introduce explicit limitations — bargains, ritual fatigue, pantheon politics — so that the emotional stakes aren’t trampled by deus ex machina. Others depower one or both lovers into a ‘mortality AU’ where they navigate normal life; that’s my guilty pleasure because it forces genuine conversations and consent. Then there are stories that treat divine intimacy as metaphor: power becomes a language for control, vulnerability, and trust, rather than literal omnipotence.

Personally I enjoy fics that show the aftermath of divine actions. Memory wipes, cosmic bureaucracy, and reputational fallout make the romance messy in a satisfying way. If you want to write one, I’d suggest anchoring big moments with sensory details — a cold stone altar, an ash-scented robe, a laugh that sounds like thunder — and don’t be afraid to explore moral consequences. It keeps the relationship grounded and oddly human, even when the characters are rewriting stars, and it makes me want to reread that scene aloud while sipping something too hot.

Which Novels Feature Characters Who Play Gods?

3 Answers2025-08-26 18:03:07

Every time a character starts behaving like a deity in a book, I get this giddy, slightly worried feeling — like watching someone pick up a costume that’s way too big for them. I love novels that explore that slippery slope between belief and performative power. For straight-up tech-as-religion, Roger Zelazny’s 'Lord of Light' is my go-to: colonists literally take on the roles of the Hindu pantheon and maintain those roles through advanced technology, so the playing-at-god is both theatrical and brutally political. On a different note, Frank Herbert’s 'Dune' (and especially 'God Emperor of Dune') shows humans who become messiahs, leaders, and literal gods to entire populations — it’s a study in how religion can be forged and weaponized.

If you want a modern, myth-rich ride, Neil Gaiman’s 'American Gods' features ancient deities doing menial jobs and hustling for worship in America; Mr. Wednesday (Odin) is a wonderful example of someone who plays the role of a god to survive. Brandon Sanderson flips the script in 'Mistborn' (especially by the end of 'Hero of Ages') where a very human character ascends into godhood, taking on responsibility and all its moral weight. Terry Pratchett’s 'Small Gods' is deliciously different: the god in question is reduced to a tortoise until he can reclaim followers, and the book brilliantly plays with what it means to be a god when the trappings are gone.

If you’re hunting for recommendations, pick 'Lord of Light' if you like philosophical/sci-fi mashups, 'Dune' for epic political-religious theater, and 'Mistborn' for a heartfelt, character-driven take on ascension. I keep returning to these whenever I want to see how fiction treats the cost of playing deity — and it’s oddly comforting and unsettling at the same time.

What Movies Explore Scientists Who Play Gods?

3 Answers2025-08-26 01:26:03

I get a little thrill whenever a film treats a scientist like a would-be deity — it's one of those cinematic obsessions that ties together horror, philosophy, and big-budget spectacle. If you want classics, start with 'Frankenstein' (and the more faithful 'Mary Shelley\'s Frankenstein') where Victor literally stitches life together and the film asks what right anyone has to create a soul. For a silent-era proto-God-complex, 'Metropolis' is gorgeous and creepy: the inventor Rotwang builds a false Maria and the movie drips with Promethean imagery.

If you prefer modern cautionary tales, 'Jurassic Park' is the poster child for hubris — brilliant scientists bring dinosaurs back and chaos theory (and bad corporate optimism) do the rest. 'Ex Machina' flips the script: a tech titan engineers consciousness and the film slowly becomes a claustrophobic interrogation of power, consent, and mimicry. 'Splice' scratches a raw, biological itch — two geneticists play with chimeras and the consequences are bodily and moral in ways that feel uncomfortably intimate.

I also keep coming back to the 'Alien' prequels: 'Prometheus' and especially 'Alien: Covenant' show a synthetic being who out-creates his makers — David turns creator and torturer in scenes that riff on Frankenstein and on what happens when creation lacks empathy. Sprinkle in 'Blade Runner' for the creator/created dilemma with Tyrell and his replicants, and 'A.I. Artificial Intelligence' for a wistful, almost parental take on manufactured life. Depending on whether you like gothic horror, sleek techno-thrillers, or gut-level bio-horror, there\'s a version of the scientist-as-god story that will snag you — I usually start people on 'Ex Machina' and then circle back to 'Frankenstein' to see how the conversation began.

Why Do Villains Often Attempt To Play Gods?

3 Answers2025-08-26 02:30:47

Sometimes I catch myself thinking about the stories I loved as a kid — the ones where someone tried to build a perfect world and ended up burning cities or rewriting souls. There's something deliciously human about that urge to 'play god': it's equal parts fear, desire, and a moral puzzle. When a character decides they can control life, death, or destiny, it usually comes from a mix of trauma and hubris. They want to fix pain they experienced, or they crave recognition, or they’re simply intoxicated by the idea of absolute power. That mix makes for compelling drama because it mirrors real temptations people talk about over drinks or late-night threads.

I always notice how creators justify those moves. Sometimes it's framed as mercy — think of scenarios reminiscent of 'Frankenstein' where someone tries to conquer death out of grief. Other times it’s ideological: a character truly believes their vision is better than the messy reality everyone else tolerates, like an Ozymandias-type who calculates billions of lives against a supposed greater good. And then there are the purely narcissistic cases where the act is about being worshipped, about adding one more notch to a list of conquests.

Beyond psychology, there's also narrative efficiency. A god-complex gives an antagonist a clear, sweeping stake: control of reality itself raises the dramatic stakes immediately. It lets writers explore ethics, fate, and free will in bold strokes, and it forces protagonists to contend with consequences that feel cosmic rather than petty. I enjoy these stories most when the creator remembers the human pieces — the grief, the fear, the lonely conviction — because that’s what keeps the 'god' believable rather than just a cardboard tyrant.

What Are The Key Rules In 'The Games Gods Play' Universe?

5 Answers2025-06-23 02:35:57

In 'The Games Gods Play', the universe operates on a blend of divine intervention and mortal agency, creating a dynamic where rules are both rigid and fluid. The gods set the stage, but mortals must navigate these challenges with wit and strength. One key rule is the prohibition of direct divine interference—gods can offer boons or curses, but they cannot outright alter outcomes without cosmic consequences. This keeps the playing field balanced yet unpredictable.

Another critical aspect is the 'Rule of Equivalent Exchange'. Every action, whether a favor from a god or a mortal’s sacrifice, demands a proportional cost. Want a god’s blessing? Prepare to endure trials or lose something of equal value. The universe also enforces 'Fate’s Thread', where destinies are interwoven but not unbreakable. Mortals can defy prophecies, but doing so often triggers chain reactions—sometimes catastrophic, sometimes liberating. The interplay of these rules makes every choice weighty and every victory hard-won.

What Moral Themes Arise When Characters Play Gods?

3 Answers2025-08-26 15:48:07

Sometimes when I'm watching a show or flipping through a comic I catch myself glaring at the character who decides to 'fix' the world with absolute power. It always spirals into the same moral tangles: hubris, responsibility, and the tiny, stubborn thing called other people's lives. When someone takes on the role of a god, the story nudges us into questions about consent — who agreed to be judged or reshaped? — and whether good intentions excuse trampling autonomy. I’ll admit I once shouted at my screen during 'Death Note' because the protagonist seemed convinced that moral clarity justifies unilateral sentencing. That felt like a lesson in arrogance more than justice.

Beyond consent there’s the practical theme of unintended consequences. The best scenes are when the supposed omnipotent character overlooks messy human factors: cultural context, grief, unintended incentives. You can see this in older works like 'Frankenstein' too — creation without foresight leads to ruin. I often think of real-life parallels, like tech features rolled out without thinking about misuse, and how creators wrestle with accountability afterward.

Finally, there’s a quieter moral strain: humility. Stories where would-be gods learn limits or where power reveals moral complexity are the ones that stick with me. They prompt empathy — not just for victims, but for the person who mistakenly thought they could bear that weight. For me, these narratives end up as reminders: power needs companions like listening, restraint, and a willingness to be wrong. That sits with me longer than any flashy display of control.