What Time Period Does 'Call Your Daughter Home' Take Place In?

For five years, Talia Stewart has poured everything into her marriage without a single complaint or regret. She raises their child, devotedly serves her in-laws, and gives her husband, Christian Lane, all the personal space he wants. But her selfless dedication is rewarded with betrayal when Christian starts keeping a mistress. He buys Nancy York cars, gives her an apartment, gets her a job, kisses and embraces her, and even carries her on his back. To win back her straying husband's heart, Talia decides to try for a second child—a boy this time. Initially, she thinks that if Christian is willing to have a second child with her, it means that he still recognizes her as his wife. But the truth is, Christian only wants Talia to bear his children because he fears Nancy might face risks from childbirth. Talia thinks that even if she loses Christian, she'll still have her daughter for company. But the daughter she raises with such care becomes someone else's precious little girl instead. Finally, Talia's heart breaks completely. She terminates the pregnancy and resolves to get a divorce. She wants nothing more to do with either her husband or her daughter. But during the mandatory waiting period before their divorce can be finalized, Christian, who refuses to come home, suddenly corners her in the living room. "Didn't we agree to have a second child?"

Vittoria Guerra was raised to rule. Born into the Cosa Nostra, she was groomed as an heir, not a daughter. Trained to read people with deadly precision, Vittoria sees what others miss—lies, weakness, intention. Power is the only certainty she trusts. When an unexpected betrayal pulls her into the hands of the ’Ndrangheta, Vittoria finds herself trapped inside enemy territory where alliances are currency and survival demands sacrifice. What begins as a strategic arrangement quickly becomes something far more dangerous. In a world ruled by blood and ambition, trust is a risk and emotion is a liability. The Don’s Daughter is a dark mafia romance about legacy, control, and a woman who was raised as a weapon in a game where every move has a cost.

Ten years after my wealthy family took me back, I died in the rental house my billionaire parents had dumped me in. My son was three. Just to mess with me, the kidnapper gave me three chances to call for help. If even one person was willing to come see me, he'd spare my child. The first call was to my father, the man who'd spent fifteen years searching for me. He was busy directing the staff as they set up my adoptive sister's birthday party. When he picked up, he barked, "Estelle Emerson, seriously? Can you go one week without causing a scene? It's your sister's birthday. I'm busy. Don't kill the vibe." The second call was to my mother, the woman who brought me home and changed my name from Dixie to Estelle. But Vera snatched the phone and laughed so hard she could barely get the words out. "Estelle, seriously? If you're gonna make something up, at least make it believable. You look so broke you probably don't even have fifty bucks. What kidnapper would pick you?" The third time, I called Luca's father, my legal husband. He said he was in a meeting and didn't have time to play games with me. He also said that if I behaved myself, he'd agree to take me home for dinner next week. After the final call ended, I looked at the grinning kidnapper in despair and sent the last two messages of my life. A photo of myself covered in blood. And a short message, every word sincere. [I'm really going to die. In my next life, don't bring me home.]

That night was supposed to belong to Mia. She had spent a month practicing for her first piano recital. I had cooked all afternoon, set the table, and helped her into the pale blue dress Luca loved. She stood beside the piano, cheeks flushed, fingers trembling with excitement. Then Luca's phone rang. Vivienne was spiraling again. After Luca's older brother died, his widow never really came back from it. On her worst nights, she forgot the difference between the dead husband she had lost and the brother-in-law who kept showing up to save her. And Luca always showed up. Every time Vivienne broke, he left us behind. Every time he came home, he brought apologies, pretty gifts, and promises for next time. And every time, I believed him. Until that night. Before he could make another excuse, I placed the divorce papers in front of him. He signed without reading them, then touched my shoulder like he was the one being generous. "When this is over, I'll make it up to you," he said. "You, me, and Mia. The Maldives. No calls. No interruptions." Then he kissed our daughter's hair and walked out before she played a single note. What Luca didn't know was that Mia's passport was already packed. So was the little suitcase under her bed. I was done waiting for a man who only loved us when no one else needed him. This time, he could come home to an empty house.

The buzzing of my phone in the middle of the night jolted me awake. On the other end of the line came a voice I could never forget. It was my daughter! However, she died three years ago!

The classified project I was working on wrapped up ahead of schedule, so I made sure to get back on my daughter's birthday. When I walked in, a girl I had never seen before was wearing my daughter's princess dress, a crown perched on her head. She sat in front of a cake as tall as she was, eyes closed, making a wish. I frowned and stepped closer. "Who are you? Why are you wearing my daughter's dress? Where's Heidi?" Before she could answer, two housemaids rushed out and started yelling at me. "Where the hell did you come from? How dare you talk to our boss's daughter like that? If you know what's good for you, get out! When the boss gets back, you won't like what happens." I stood there, confused. Boss? The boss's daughter? In this house, wasn't it just me and my daughter, Heidi Foster? I barely had time to speak before they shoved me toward the front door. In the middle of the pushing, something caught my eye. Off to the side, chained to a pillar, was Heidi. The girl I used to hold like she was the most precious thing in the world was now sprawled on the ground, digging through a dog bowl for food. A thick iron chain was locked around her neck, and her body was covered in bruises. My vision tightened. "Heidi, what happened to you?" The moment our eyes met, her hollow gaze filled with tears. She shrank back, then let out a soft bark at me, like a frightened dog. The maids looked at her with open disgust. One of them sneered, "Our boss said that that little thing was born to live like a dog. You have to keep her chained up if you want her to behave."