Is Valerian And The City Of 1000 Planets Based On A Comic?

2026-04-14 07:20:09 88
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3 Answers

Xander
Xander
2026-04-15 05:58:27
Yep, it’s based on a comic—but not just any comic. 'Valérian and Laureline' is this iconic French series that basically shaped European sci-fi. I stumbled onto it years ago in a used bookstore, and the art blew me away. Jean-Claude Mézières’ pages are crammed with bizarre aliens and intricate cityscapes, way ahead of their time. The movie borrows the vibe but simplifies a lot; the comics are dense. Each story is this self-contained adventure, but together they build this crazy universe where Earth’s a backwater and humanity’s just one player among thousands.

What’s neat is how progressive the comics were for the ’60s. Laureline’s the real MVP—she’s smart, sarcastic, and constantly saving Valérian’s butt. The movie kinda downplays that dynamic, which bummed me out. Still, Dane DeHaan and Cara Delevingne grew on me. The comics’ humor is drier, though—lots of satire about bureaucracy and colonialism. If you dig weird sci-fi, try 'The Empire of a Thousand Planets' (volume 4). It’s like 'Guardians of the Galaxy' meets 'The Hitchhiker’s Guide,' but with more existential dread.
Violet
Violet
2026-04-17 05:42:02
Oh, that's a fun one! 'Valerian and the City of a Thousand Planets' is absolutely rooted in comic history—specifically, the French sci-fi comic series 'Valérian and Laureline' by Pierre Christin and Jean-Claude Mézières. The first volume dropped way back in 1967, and it’s wild how influential it’s been. Luc Besson’s 2017 film adaptation borrows heavily from the comics’ aesthetic, especially the sprawling, multicultural Alpha station (though the movie’s plot is its own beast). What’s cool is how the comics predate stuff like 'Star Wars' and still feel fresh—their worldbuilding is nuts, with time travel, alien civilizations, and political intrigue. The movie captures some of that, but the comics dive deeper into Laureline’s brilliance (she’s way more than a sidekick). If you liked the film’s visuals, the original art is even more vibrant—Mézières’ designs are legendary.

Funny thing: I got into the comics after seeing the movie, and it’s like discovering a secret blueprint. The stories are episodic, so you can jump in anywhere. Volume 7, 'Welcome to Alflolol,' directly inspired parts of the film. Honestly, the comics are a rabbit hole—I spent weeks hunting down out-of-print editions. They’re a time capsule of ’70s sci-fi optimism, but with this sharp, satirical edge. The movie’s flaws make more sense once you realize how much lore Besson had to condense. Still, it’s a love letter to the source material—just wish we’d gotten more of Laureline’s snark.
Xander
Xander
2026-04-18 04:41:11
Totally! The film’s based on the 'Valérian and Laureline' comics, which are like the European 'Star Trek'—but with more time paradoxes and existential jokes. I love how the comics blend adventure with philosophy; one arc has them fixing broken timelines while debating free will. The movie’s visuals nail Mézières’ style, especially the chaotic beauty of Alpha. Shame it flopped—those comics deserve more love. Grab 'The Circles of Power' if you want to see where Besson got his ideas.
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