Is Wake Of Vultures Book Part Of A Series?

Exploring the world of 'Wake of Vultures' was such a wild ride—I still think about Nettie Lonesome's journey all the time! The sequel, 'Conspiracy of Ravens,' dives even deeper into her struggles with identity and power, and it's just as gritty and magical as the first book. Lila Bowen (aka Delilah S. Dawson) really knows how to blend weird west aesthetics with raw character growth. Then there's 'Treason of Hawks,' which wraps up the trilogy in this explosive, emotional way I didn't see coming. The way Nettie confronts her destiny while wrestling with her monstrous side? Pure storytelling gold. If you loved the first book's mix of horror and fantasy, you’ll be glued to these sequels.

The protagonist is a person who goes by Nettie Lonesome, though that name itself turns out to be a kind of borrowed skin she's wearing. She starts the book living as a half-starved, mixed-race orphan treated like property on a dead-end ranch, and the story is really about her violently shedding that entire identity. The 'Wake of Vultures' isn't just a title—it's what she leaves behind as she transforms. After a strange creature attacks her and she kills it, she learns she can see the supernatural horrors that walk the world disguised as people, and she grabs the chance to become someone else, literally taking the clothes and name of a dead soldier to reinvent herself as Rhett Hennessy. It's a brutal and brilliant piece of character work. Most heroes discover a secret destiny; Nettie has to carve hers out with a knife and a lot of stubborn anger. She’s not noble or chosen. She’s prickly, prejudiced at times, and driven by a deep, wounded need to belong somewhere, to something. The book uses a weird west fantasy setting to explore that raw feeling of being an outsider in the most literal way possible. Her journey isn't about embracing a great power, at least not at first; it's about survival and the freedom to define your own self, even if that self is a rough-edged monster hunter wearing a dead man's boots. Honestly, the shift from Nettie to Rhett halfway through threw me on first read. I kept waiting for her to reclaim her original name as some empowering moment, but the story is smarter than that. It understands that the self you're given can be a cage, and the one you take for yourself, however messy, is real freedom. So the protagonist is both Nettie and Rhett, a single person in the middle of becoming.

I just finished 'Wake of Vultures' and honestly, it's one of those books that's so hard to pin down because it mashes up genres in a way you rarely see. The main plot follows Nettie Lonesome, a mixed-race girl treated like a slave on a ranch in a fantastical, alternate version of the American West. Her entire life is about survival and being nobody. That changes when a stranger attacks her one night and she discovers, by killing him, that monsters are real. Not just stories—vampires, shapeshifters, the whole lot. That act of defense unlocks something in her and sets her on a path to find out who she really is, which is a journey both literal and deeply personal. It's less a straightforward 'go slay the big bad' plot and more a gritty coming-of-age story wrapped in a monster-hunting mystery. Nettie cuts her hair, binds her chest, and poses as a boy named Nat to join the Rangers, who are basically the frontier's supernatural pest control. The central drive becomes her search for the Cannibal Owl, a creature that's been stealing children, but that mission is really the framework for her grappling with her own identity, her heritage, and where she belongs in a world that's hostile to her on multiple fronts. The setting itself is a character—a harsh, dusty place where legends walk and prejudice is just as dangerous as any vampire. What I found most compelling wasn't the monster fights, though those are visceral and well-done. It was how Nettie's internal struggle mirrored the external chaos. Every discovery about the mythical world forces her to re-evaluate the truths she was raised with. The 'wake of vultures' from the title feels like that trail of questions and revelations she leaves behind, picking at the carcass of the lies she's been fed. The book ends with her far from having all the answers, but firmly on her own path, which makes you instantly want to grab the next one.

I’ve been following 'A Crane Among Wolves' closely, and it’s actually a standalone novel. The author crafted a complete story arc with no sequels or prequels planned. It’s refreshing to see a fantasy work that doesn’t stretch into a series, focusing instead on delivering a tight, impactful narrative. The world-building is dense but self-contained, with all major conflicts resolved by the final chapter. If you’re looking for something similar, 'The Fox’s Kiss' has a comparable vibe—historical fantasy with political intrigue and mythical creatures. Both are perfect for readers who want depth without commitment to a multi-book journey.

'A Murder of Crows' definitely caught my attention. It's actually the seventh book in Anne Bishop's 'The Others' series, which blends dark fantasy with political intrigue in such a unique way. The whole series revolves around shapeshifters and supernatural beings ruling the world, with humans as second-class citizens—a refreshing flip on typical urban fantasy tropes. What I love about this installment is how it deepens the relationship between Meg Corbyn, the blood prophet, and Simon Wolfgard, the werewolf leader. Bishop's world-building keeps expanding with each book, introducing new territories like the Crowgard's complex social structures. If you're into morally gray characters and societies where humans aren't the dominant species, this series just keeps getting better with each sequel.

I found 'Wake of Vultures' surprisingly accessible for a book that's been out a few years. Your best bet is the usual digital storefronts—Kindle, Apple Books, Google Play Books, Kobo—it's on all of them, and they frequently have it on sale. If you want to try before you buy, a bunch of public library systems offer it through apps like Libby or OverDrive; just check your local library's digital catalog. That's how I read it first, actually, and then I ended up buying a copy because I wanted to revisit the world. The author, Lila Bowen, is a pen name for Delilah S. Dawson, and I've noticed her stuff tends to stay in pretty wide circulation, so you shouldn't have to hunt too hard. Avoid any sites offering free PDF downloads, they're almost always sketchy and don't support the author. What hooked me was the premise—a half-Native, half-black girl in a Weird West setting who discovers she can kill monsters and has to figure out her own identity alongside that power. The online reading experience is fine, but the prose has this gritty, atmospheric quality that I think might actually hit harder in physical form or maybe audiobook. I switched to audio partway through because the narrator, Bahni Turpin, absolutely nails Nettie Lonesome's voice and the dusty, desperate feel of the whole thing. If you're curious about the series, it's the first of four books, collectively called The Shadow.

Oh, 'Murder for Crows'? That title immediately makes me think of gritty noir vibes—like a detective novel where the protagonist’s as worn-out as their trench coat. But no, it’s not part of a series, at least not that I’ve stumbled across. It does sound like it could slot right into a universe like 'The Dresden Files' or some other urban fantasy with a penchant for avian-themed mysteries. I’ve spent way too much time digging through Goodreads and forums, and it seems like a standalone gem. Maybe the author left room for more, though? I’d love a sequel where the crows form a detective agency. Honestly, titles like this make me wish for more interconnected stories. Imagine a whole 'Bird Noir' subgenre—crows as witnesses, owls as cryptic informants. Until then, I’ll just reread 'Murder for Crows' and daydream about what could’ve been.

I remember picking up 'Broken Wings' by V.C. Andrews years ago and being completely engrossed in its dark, twisted family drama. At the time, I wasn't sure if it was part of a series, but after some digging, I found out it's actually a standalone novel. It has that classic Andrews flavor—gothic vibes, tragic heroines, and shocking secrets—but doesn't connect to her other series like 'Flowers in the Attic' or 'Casteel'. The story wraps up by the end, though I wouldn't mind a sequel because the characters were so compelling. If you're into forbidden love and family scandals, this one hits all the right notes.

I recently stumbled upon 'The Comfort of Crows' and was curious about whether it's part of a larger series. After digging around, I found no evidence that it's connected to any other books or sequels. It seems to be a standalone work, which is refreshing in an era where everything tends to be part of a franchise. The novel has a self-contained narrative that wraps up neatly without obvious hooks for future installments. That said, the author’s style and themes might make readers wish for more. The way they explore human nature and the supernatural feels ripe for expansion, but as of now, it’s a single, immersive story. If you’re looking for a complete tale without the commitment of a series, this is perfect. The lack of sequels doesn’t diminish its depth—it’s packed with rich character arcs and a satisfying resolution.