I keep stumbling back to the same line in my head: the house is almost a character in
Its own right. 'Carcoma' was written by
layla Martínez, a Spanish writer whose debut
novel arrived in 2021 and quickly started
Turning heads in the Spanish-speaking literary world. What I love about knowing who wrote it is discovering how personal the source material is. Layla has said in interviews that much of the novel grew out of her family stories and, crucially, the house where her grandmother lived — the wardrobe, the saints in the kitchen, the strange apparitions — these are rooted in real objects and beliefs from her maternal family and the La Mancha/Alcarria region. The
ghosts in
the book are tied to real historical wounds: men who hid in the hills at the end of the Civil War and whose deaths and disappearances were never properly accounted for, which the novel treats as both supernatural hauntings and unresolved social trauma. Reading that background changes how I experience the book; it feels like a blend of gothic family
Saga and political memory, where personal heirlooms and rural superstitions become metaphors for gendered and class violences across
generations. Knowing the inspiration makes the uncanny elements hit harder for me — they aren’t just spooky set dressing, they’re the living residue of a family and a country.