Where Was Zayn I Don'T Wanna Live Forever Music Video Filmed?

I’ve always been drawn to songs that feel like midnight conversations, and 'I Don’t Wanna Live Forever' hits that spot perfectly. The basic spark behind the lyrics comes from the song being written for the film 'Fifty Shades Darker' — Taylor was asked to contribute to the soundtrack, and she teamed up with Jack Antonoff to write something that reflected the movie’s heated, complicated relationship. So the immediate inspiration is cinematic: two people orbiting each other, full of desire and fear, not sure whether to run away or give in. On a more human level, you can feel Taylor’s signature storytelling — she often writes in fragments of emotion, the small, aching lines that capture insomnia, obsession, and the aftermath of love. Jack’s production gives it a tense, synthy backdrop that makes the lyrics land colder and lonelier, which suited Zayn’s breathy, tormented vocal perfectly. Zayn didn’t just sing someone else’s feelings; he added a texture and phrasing that amplified the song’s desperation. I first heard it on a rainy evening and it read like a short film: lines about emptiness and fearing the future paired with late-night yearning. That film-meets-heartbreak combo is what really inspired the lyric choices, and why it still sounds like a very specific mood to me.

December 9, 2016. That’s when 'I Don't Wanna Live Forever'—the haunting duet between Zayn and Taylor Swift—was released as a single tied to the 'Fifty Shades Darker' soundtrack. I was scrolling through music feeds that week and remember the sudden flood of moody, late-night playlists adding the song; it felt like every radio and streaming mood list wanted that slow-burn vibe. The track landed right in the holiday season of 2016, which probably helped it blow up fast—people were sharing it as winter driving music, in gloomy playlists, or as background to dramatic Instagram stories. The cinematic, breathy production paired with Taylor’s and Zayn’s voices made it feel like a mini soundtrack to breakups and late-night windows. If you want the exact day to tell your friends or date a playlist entry, put down December 9, 2016—then cue the brooding synths and dramatic key changes, and you’re set.

Oh man, 'I Don't Wanna Live Forever' is one of those tracks that never quite leaves my playlist — every time I scroll through Spotify it pops up in my recommended mixes. I can’t pull live numbers here, but based on what I tracked around mid‑2024, the song (credited to Zayn and Taylor Swift) sits in the high hundreds of millions on Spotify — think roughly 700–800 million streams. On YouTube, between the official clips and the lyric videos it’s amassed several hundred million more, and if you add plays from Apple Music, Amazon, and various streaming services the global total comfortably passes the one billion mark. If you want the freshest stat, the quickest route is to open the song on Spotify (it shows play count on the track page), then check the official music video and lyric videos on YouTube/Vevo for view totals. There are also chart trackers like Chartmetric and Kworb that aggregate platform numbers if you like nerding out over exact splits. Personally, I love seeing how a soundtrack single like this keeps drawing listeners years after release — it’s a neat reminder of how a great hook sticks around in playlists and late-night singalongs. If you want, tell me whether you care more about Spotify-only counts or total cross‑platform streams and I’ll walk you through a quick check on the exact pages to open.

I still get a little giddy thinking about the technicolor blast of 'As If It's Your Last' — the music video was shot in South Korea, mostly on studio sets in Seoul under YG Entertainment's production. When I watched the behind-the-scenes clips years ago, it was obvious they built those vivid, candy-colored rooms on purpose: nothing was an on-location landscape, it was all carefully lit stages and backdrops that gave the MV that pop-art, dreamy vibe. As someone who loves poking through making-of extras, I can tell you the look comes from set design and lighting more than any exotic locale. The choreography, the camera moves, and the wardrobe all felt tuned to studio work: tight blocking, multiple takes, and the kind of set changes that are easier to manage inside a big production studio in Seoul. If you’ve ever watched K-pop MVs closely, there’s a certain sheen and controlled aesthetic that screams studio filming — and that's exactly what 'As If It's Your Last' has. Beyond the technical side, I like thinking about how that studio environment helped the group play with contrasting emotions: the bright, playful sets make the urgent lyrics pop. The MV was released by YG in 2017 and was promoted through live stages, dance practices, and a few interviews where the members mentioned long shoot days. For fans curious about exact buildings or studio names, those specifics aren’t always publicized — YG tends to keep production locations under wraps — but you can safely say it was produced and filmed in South Korea, primarily in studio locations around Seoul. If you want an in-the-room feel, hunt down the official making-of or dance practice video; those clips make the whole studio approach feel alive and personal, and I always end up watching them when I need a pick-me-up.

I still get chills when the opening piano hits in 'I Don't Wanna Live Forever' — it sets that moody, late-night vibe right away. Listening closely, the backbone is a sparse, processed piano paired with atmospheric synth pads that fill the air like fog. Underneath, there’s a deep sub-bass and a warm bass guitar (or a synth-bass doing a bass guitar’s job) that gives the low end weight without getting in the way of the vocals. The percussion is mostly modern and electronic: programmed drums, punchy kick, crisp hi-hats, and occasional rimshots or handclap-like sounds that are heavily gated and reverbed to feel cinematic. On top of that foundation you’ll notice string layers — real or sampled orchestral strings — swelling in the chorus to amp up the drama. There are also electric guitar textures (clean, reverb-soaked licks and atmospheric swells), subtle synth leads, and ambient noise/sound-design elements that make the track feel like a soundtrack cue. Vocally, the song uses layered harmonies, doubling, and tasteful reverb/delay to make the voices sit in that shadowy space. If you listen on headphones, you can hear production details like vocal breaths, tiny percussion hits, and stereo pads that make the song feel huge yet intimate.

That duet absolutely blew up when it dropped — I was streaming it on repeat for weeks. Released for the 'Fifty Shades Darker' soundtrack in late 2016, 'I Don't Wanna Live Forever' climbed hard on the major charts: it reached number two on the US Billboard Hot 100 and also peaked at number two on the UK Singles Chart. In Canada it actually hit the top spot on the Canadian Hot 100, and in places like Australia, New Zealand, Ireland and several European countries it comfortably settled inside the top 10 or top 20. The radio play plus streaming numbers made it feel omnipresent for a while. Part of what helped was the pairing itself — Zayn’s moody falsetto with Taylor’s icy tone matched the movie’s vibe perfectly, so it wasn’t just a pop hit, it was a soundtrack moment. The song earned multi-platinum certifications in multiple territories (including multi-platinum by the RIAA in the US) and racked up hundreds of millions of streams and views across platforms. It also had good longevity on airplay charts, which kept it visible beyond the initial surge. For me it’s one of those tracks that marks a moment in late-2010s pop: big names collaborating, soundtrack cross-promotion, and streaming plus radio driving global reach. Even now when it plays, it summons that cinematic, late-night energy — great for playlists or a moody commute.

I went down a rabbit hole about this a while back because the 'Story of My Life' MV has such a cozy, nostalgic vibe. The whole thing was shot in a gorgeous old farmhouse in Franklin, Tennessee—just outside Nashville. The director, Ben Winston, wanted that 'family album' feel, so they filled the place with vintage photos and knickknacks. The boys even brought their actual family pictures for some scenes, which makes it feel extra personal. What’s wild is how the location totally matches the song’s theme. The creaky wooden floors and those dusty photo albums make you think about memories fading over time. Plus, the rural setting contrasts so hard with their usual glitzy pop imagery—it’s like they stripped everything back to basics. I love how the peeling wallpaper and antique frames almost become characters in the video.

Hearing that dramatic chorus blast on the radio during a winter night left me googling the credits like an anxious fangirl — turns out 'I Don't Wanna Live Forever' wasn’t written by Zayn. The song was actually penned by Taylor Swift along with Jack Antonoff and songwriter Sam Dew. Taylor and Jack are the big names you’ll spot immediately if you look at the liner notes, and Sam Dew’s contribution rounds out the trio behind the songwriting. I got hooked because the production and vocal chemistry are so slick: Jack Antonoff’s fingerprints are all over the moody synth-pop textures, which makes sense since he co-wrote the track. Taylor’s knack for melody and lyric hooks is obvious, and Sam Dew—who’s done a lot of behind-the-scenes songwriting for other artists—helps give the track that tense, yearning edge. It was released for the 'Fifty Shades Darker' soundtrack in late 2016, and even if Zayn didn’t help write it, his vocal delivery made the duet feel personal and raw. If you’re diving into who wrote it, check the credits: Swift, Antonoff, and Dew are the names to remember, and they crafted the song that both Zayn and Taylor brought to life on the recording.

Man, this song hits late-night vibes — here's how I play 'I Don't Wanna Live Forever' on guitar when I want that moody, slightly cinematic sound. I usually play a simple progression that fits the vocal melody nicely: Em - C - G - D. Put a capo on the 1st fret if you want to get closer to the recorded pitch; move it to taste if you're singing along. For the verse I keep things sparse: fingerpick the root bass on beat 1 and then roll the higher strings (pattern: bass, then 2-3-4 on the higher strings). That gives the haunting, spacey feel. For the pre-chorus I switch to a soft strum, palm-muted downstrokes to build tension, then open it up in the chorus with fuller strums. Strumming: D D U U D U (down, down, up, up, down, up) works great for the chorus; for verses try D (bass) x x U x U (play bass note, then light mutes, then two gentle ups). If you want the little intro riff, try alternating the Em bass (open low E string) with a higher melody on the B string — pluck E (open) then 3rd fret B string, then 2nd fret on G string; repeat with slight timing delay for that echoey effect. My tip: use reverb/chorus on amp or play near the neck for rounder tone, and practice the dynamic shifts so the chorus hits emotionally without being loud all the time.