Witch / Wizard Sci-Fi Web Novels & Stories

Man dies. His last act in the previous life generates him an absurd amount of karma. He meets a god, and it reborns him in a crossworld of Larry Potter and DxD. He gets a gift, one that can only be fully explored with the knowledge that he learned in his previous profession in the previous world. The keeping of knowledge is also a gift. And with that, his karma is spent. Thrown in the world with a 'good luck' and a slap in the back, he fights to survive until the start of canons. The time until that, 1000 years. Yeah… Now read about some of his adventures in this crossed over world, beginning already in HP canon. English is not my main language, so you will find some strange stuff, like the mix of North American and the Queen’s English. Disclaimer: All characters that you recognize from the franchise of Larry Potter and DxD are propriety of its respective creators and I only wish that they were mine. But they are not. I only own the MC, the OCs, and the ideas that generated the non canon plot.

Ava is an ordinary college student living a perfectly normal life—until the mysterious new guy, Roger, shows up on campus. From the moment he arrives, Ava is haunted by vivid nightmares that feel less like dreams and more like memories. And when their paths finally cross, something inside her shifts. Long-buried truths begin to rise to the surface… including the impossible: Ava is remembering what it feels like to be a werewolf.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.