History Manga

L'histoire se déroule entre Doussou Balde une fille moderne adoptée comme une sœur par Zeynab Diallo fille d'un milliardaire très connue dans la ville. L'amour et l'amitié régnant entre ces deux filles prit d'un coup quand Zeynab découvre quelques années après que celle qu'elle a toujours estimée n'est rien d'autre qu'une manipulatrice. Que se passera t-il après la découverte choquante de Zeynab et jusqu'à où la jalousie de Doussou envers cette dernière pouvait la mener. Je vous invite à la lecture de ce livre pour en savoir plus. Vous ne serez pas déçu.

Moussa un homme polygame était heureux avec ses trois femme jusqu'au jour il décida d'épouser une 4ème. Je vous invite à lire ce roman pour en savoir plus sur sa vie avec cette nouvelle femme.

Naniniwala si Pelipe na muli niyang makakapiling ang kaniyang minamahal, ang kaniyang nobya na si Maria pagkatapos nitong mamatay. Ngunit paano kung sa kanilang muling pagkikita ay hinde na sila magka-kilala at ang babaeng minahal niya sa nakaraan ay nag-iba na sa kasalukuyan. Sa nakaraan kung saan ang ala-ala ni Pelipe at ang mundo nila na nasa kasalukuyan. Paano nga ba nila haharapin ang katotohanan? muli nga ba nilang pagbibigyan ang pagmamahalan na naiwan sa nakaraan, o iiwasan nila na maulit ang masakit na kapalaran? Tunghayan ang kwento ng dalawang tao na pinaghiwalay ng nakaraan at muling pinagtagpo ng kasalukuyan.

Les femmes de ma vie Prologue Né d’un homme sans aucune dignité, sans aucun scrupule, nous avons dû nous enfuir aux aurores d’un beau jour. Je m’en souviens encore. Je n’étais qu’un gamin à cette époque. Avoir de quoi manger pour ma mère était ma seule finalité. voir son sourire était pour moi une bénédiction. Entre vaguer à diverses occupations, je me suis un jour trouver devant cette femme. Cette jeune fille aux yeux luisant, à la peau d’ébène, au sourire envoûteur. Derrière le visage d’ange de ma bien aimé, derrière cette vie de luxe qu’elle vivait, était cachée une jeune femme qui souffrait le martyre. Vendu aux hommes riches et puissant, vendu aux plus offrant, je l’ai rencontré lorsqu’elle n’avait plus espoir. Ibrahim est mon prénom. Je n’ai connu que trois femmes depuis ma naissance. Ces femmes pour lesquelles j’ai dû me battre à en risquer ma vie. Je n’avais connu que la misère depuis ma naissance, cette misère contre laquelle j’ai dû me battre à en risquer ma vie. A tout ceux qui se disent que c’est la fin, sachez qu’on ne peut voir la lumière qu’en persévérant jusqu’au bout du tunnel.

Ano kayang reaksyon ng ninuno natin kung mapunta sila sa 2020?Taong 1895.Isa ako sa mga batang namulat sa digmaan ng mga Pilipino at Amerikano. Nang lumaki ako, ipinagkasundo ako sa lalaking kalauna'y inibig ko rin, si Isagani. Ngunit sa hindi inaasahan, nagkasala s'ya sa batas at ipinapatay. Dalawang taon din ang lumipas, akala ko ay tuluyan na akong ikakasal sa lahing Amerikano...Ngunit nagkamali ako, dahil isang araw namulat ako sa ibang panahon at nalaman kong ikinasal na ako. Ikinasal sa lalaking nagmula sa taong 2020.

History repeats itself in many ways. Maybe for the family, the love, or even for yourself. Would you be willing to go back to the past to be able to change the history? Sacrifice yourself and change the fate of those who are in the present and in the future. Like Lia, living in a modern world, who is very contented in her life despite being adopted and having a risky relationship in the meantime that can end her in many ways. And that is why, some things, some pasts are better kept hidden and not known. Would she go back to where history started and change it for the better? Then Lia stays in the past, stuck on her own fate. Will it be the further destruction, or the salvation of her history?

Elizabeth struggled to find her place in the world. After her father and mother’s separation, she found it hard to let anyone into her life and it got worse when her mother suddenly fixed her marriage 2 Years after her divorce. Uncomfortable with the decision, Elizabeth is forced to move with her mother to New Jersey to start a new life with her newly found family that she was totally unaware of. Moving in, Elizabeth is met with Shakar. The egocentric and manners less heir of the Manga(Her stepfather) who already harbored so much hate in him for Elizabeth before he even met her. In a whole new world, Elizabeth Is faced with challenges with a wounded heart of pain that was constantly being tortured by her new brother Shakar. What happens when hatred slowly turns to a beautiful dawn of hope? Will Elizabeth be able to turn hell into her beautiful habitat? Or will she lose herself trying to fix what isn’t broken?

“Are you still a virgin?” Iyan ang unang tanong na lumabas sa bibig niya nang unang beses kaming magtagpo. Caleb Valderama. Bastos, magaspang ang ugali’t bibig, at higit sa lahat, nasobrahan sa pagkababaero. Siya ang zilyonaryo na nakatakdang pakasalan ng kambal ko, at siya rin ang lalaking magiging mitsa ng kalbaryo ko. Sabi nila, ‘Opposites do attract.’ Pero bakit sa amin, hindi naging applicable iyon? Ako si Lana Monteclaro, kilala bilang ‘shadow twin’ ni Liana Monteclaro. Simple lang ang gusto ko sa buhay, ang makapag-aral ng kolehiyo sa Japan para makamit ko ang pagiging Manga artist. Ngunit para sa pangarap kong iyon, kinailangan kong pumayag sa hininging pabor ng kakambal ko: I pretended as my twin sister to be Caleb’s fiancé for two months.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Reading and studying history was Aimi Allecxiannie’s primary source of excitement in her mundane life. One day, the unexpected happens— she is transported into the body of Avery Allecxiannie Lopez, a general’s daughter who happens to be engaged to a man she despises. It’s 1942, and the Japanese forces have just begun to conquer the Philippines. Will Aimi be ready to look Death in the eye or will she give up? Will she find love in the midst of a war? Will she forever be stuck in Avery Allecxiannie’s body? What happens when a 21st-century history major gets transported to the body of a 1940’s woman in the dawn of the Second World War?