The very last scene is him on the phone saying he's going, then her, waiting. Does she sit there all night? I think she decides, but I think it's the same choice she's always made: to go where he isn't, to let him be free, because that's how she can prove a kind of love. The real unresolved thread for me is whether that pattern ever breaks. They've done this dance for years. Connell leaves for New York, Marianne stays. He can build a life there, she has her money and her Dublin flat, they'll write, maybe visit. But can you sustain a love that only exists in the space between your separate lives? The book gives no guarantee. It just leaves them in that suspended, quiet ache.
What happens to Marianne's family? Her brother is still out there, her mother is still cold. She's broken the cycle of seeking abuse, but she hasn't confronted them. Is that closure? Or is it just another form of running, like Connell runs from his own grief? I'm not sure she needs a dramatic showdown. Maybe the quiet, ordinary safety she's finally found is victory enough, and leaving those old ghosts untouched is part of her peace.
I keep thinking about the therapy. Connell starts going at the very end. That's the biggest question mark. Will it help him untangle the anxiety and self-doubt that made him push her away repeatedly? If he heals that, could they ever meet as truly equal partners, not as two broken pieces fitting a jagged pattern? The ending denies us that answer, and it's brutal, but it feels honest. Some things in your twenties just don't get resolved; they just become part of you.