Sci Fi Teleporter Novels & Stories

For nearly five centuries, no child has drawn a first breath. The Creator sealed the womb of the world, and humanity learned to live without its future. But in the depths of Triune, another kind of genesis rose. From the Middle comes a child with power and lineage to rival the Creator. Not born, but woven. Not raised, but awakened. Bodies shaped by design. Souls coaxed from silence. Each one a crafted echo of what humanity once was. Those who survive their emergence ascend to the Upper. Those who falter are reclaimed by the dark. On the night meant to mark their passage into adulthood, five friends stumble upon a truth older than scripture and sharper than prophecy: The first humans were not what they were told. The gods were not who they claimed to be. And the Children of Triune were never meant to ask why. Some truths don't set you free, they come for you.

Mae has been hunted, branded, and sold. Every system she touches breaks, every place she hides collapses, and she has no idea why. Until the Fallen Five take her. Ashar the unyielding. Riven the haunted. Kaine the weapon. Lucien the shadow-born. Sethis the hacker-devil with a grin. Each of them is bound to Mae in ways none of them understand, drawn to her by threads of fate tangled long before she was born. Their broken home stirs when she arrives, as if recognizing its missing piece. So do their hearts. The galaxy calls her dangerous. The Fallen call her theirs. Ancient prophecy calls her the Divine Fracture, a living reset bound to all five of them. Mae never asked to save anyone, never asked to love anyone. But the more she falls for each of them, the more her power awakens and the more dangerous the truth becomes.

In the ruins outside the Citadel, survival is a daily gamble. When 18-year-old Tunde finds a rare adrium shard on a dead man, he sees a way out—or at least, a way to save his sick mother. But trading it draws him into a dangerous world of mercenaries, drones, and double-crosses. To reach the walled city where hope still lives, Tunde must outsmart the very system built to keep him out. And in a place where everything is for sale, the real cost may be his soul. "He found the shard. Now the city will find him."

The book is the first-person account of a young biracial Mexican and African American woman, Evelyn Rosalyn Amiss. She repeatedly transports in time between her home in Texas and then Newark, New Jersey to different time periods. She meets and helps some of her ancestors along the way. This is my first journey into a fantasy, time travel novel. I hope you stick around for each riveting, historical and spicy page turner. This is a work of fiction. Names, characters, places and incidents either are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living, or dead, is entirely coincidental.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Th‍e⁠ir marriage was a transaction.⁠ Th‍eir war was p‍e‌rsonal. T⁠hei‌r pas‌sion was unforeseen. Elara Vega is an⁠ artist whose life i‌s p‌ainted in bold⁠, rebellio‌us colors. When a devastating betrayal by he‌r‍ own family threa‍tens to de⁠stroy everything‍ her⁠ father built, she is‌ given a brut⁠al ch‍oice: sell her‌ freedom to save his le⁠gacy. ⁠Kaelan Sterling is a billionaire fortress of ice and ambit‍ion. To secu⁠re a cruc‌ial merger and shield his empire from a l‌urking threat, he needs‍ one thing: the per⁠fect, unto⁠uchable wife. He doesn't want lo‌ve; he wants a business‍ pa‍rtner. Bound by a cold, clinical contract, they a⁠re‌ enemies from‍ the start. He sees her as a chaotic liability. She sees him as a heartless tycoon. Their for‌ced proximity is a battle of‌ will‍s, fi⁠lled⁠ with sha‌rp word‌s and eve‌n sharper attra‍ction. Bu‍t in t‍he gilded cag⁠es of penthouses⁠ a‌nd high‌-society ga‍la⁠s, a dangerou‍s fire ignites. As a c‍ommon en‍emy closes in, their fa⁠ke r⁠elationship begins to feel terrifyingly real. The lines between strategy and surrender b‍lur. But when hi‍dden truths surface and old‍ wounds are ripped open, their fragile trus⁠t shatt⁠ers. Now, El⁠ara must‌ decide if the man behind th‍e fortune‌ i‍s worth the ultimate risk, and Kaelan must learn that some bonds are too powerful to be broken-even by a billion-dollar contract.