Tauriel Teaches Typing

Power struggles are a big problem in the Burg family. Theodor, the family's first grandson, has been appointed CEO and heir to his grandfather, the owner of the Burg Corporation. However, his uncle, who is the owner's youngest son, does not accept this and tries hard to usurp the heirship. While the internal conflict rages, Johnny Knight, the owner of Knight Corporation, sees an opportunity to take advantage. He plans to push Burg Corporation out of the international market and make his company number one in the world. In the midst of this chaos, Theodor, who has never tasted love, meets Frisilia, a beautiful and cheerful woman who teaches him about love. But Theodor's happiness is short-lived when his first love is threatened by Jason Knight, the only son of Johnny Knight. Will Theodor be able to overcome all these problems? And will he lose his rights as heir to the Burg Corporation?

In the coastal quiet of Baler, a studio is born—not of architecture, but of intention.* Founded by Yam, a poet whose words cradle pain gently, and Franc, an artist who paints tenderness into walls, the studio becomes a refuge for those learning to stay—with grief, love, longing, and themselves. As visitors arrive, they leave behind more than footprints: a sigh recorded in bamboo, a poem tucked into the “Found Letters” shelf, a mural painted in crooked lines. Through zines, tea, silence, and sketchbooks, the studio teaches softness as revolution. Ren creates the *Window of Soft Returns*, an installation of anonymous voice recordings—each whisper forming a community of echoes. Drew builds the *Staircase With No Wrong Turns*, inviting people to walk through emotions without shame. Franc offers brushstrokes as brave work, and Yam curates writing circles that map healing in half sentences. Together, they host festivals that feel like hugs, and they begin traveling their archive, letting softness cross oceans. Even those who once left—like Miguel—return, discovering that some doors never truly close. Others, like Tala, capture the studio’s sound and turn it into a podcast of breath and becoming. Over seventy chapters, the studio transforms into something larger than itself: a mural of memory, a sanctuary for second chances, a place where return is sacred and voice is proof of survival. In the final bloom, the studio stands not as a monument—but as a reminder: > *“Staying isn’t easy. > But chosen together, > it becomes home.”*

“He pressed me to the wall with one hand tight around my throat, the other sliding beneath the thin silk clinging to my skin. I should’ve been begging for help. Instead, my knees went weak when he leaned in, his mouth hot against my ear. ‘Does it hurt, darling?’ he whispered. I shook my head, even as his fingers left bruises. ‘Good. I like it when you take it.’ God, I hated him. God, I wanted him to never let go.” A DARK, EROTIC TALE OF OBSESSION, HUMILIATION, AND HUNGER. They called him the Devil, a sadist with a crooked smile and hands built for breaking men. In the underworld’s most perverse auction, Luca Ruelle is nothing but trembling prey, sold for a price no soul should fetch. Silk-wrapped, bare, choking on shame and smoke, he should be praying for rescue. But Kain Astor doesn’t rescue. He claims, corrupts, and devours. He teaches Luca how it feels to be owned. How pain can bloom where fear lives. How pleasure is just another kind of cruelty. Every command is a dare, every punishment a promise. Under Kain’s hands, Luca learns the exquisite agony of surrender, and the terror of how badly he needs it. He should be fighting for his life. Instead, he’s sinking to his knees, eyes glazed, lips parted, whispering the one word that seals his fate— “Please.”

Yasmin spent her entire life in the church as a nun. Her father was a well respected and over zealous priest and she was as silent and quiet as an empty chapel. But all that changed the day she met Jacob West, a dominant billionaire bad boy and every girl's dream lover. She learns things about herself that she never knew. He engages her mind and body and teaches her pleasure and pain, a different kind of pain than the one her father inflicted on her for tiny mistakes. Her entire world changes, she knows too much. Will her father ever forgive her? Maybe she was just not cut out to be a nun after all.

In Black Salt, love is a sickness you can’t hide—a slow gnawing beneath the skin that leaves you hollowed, grayed, and eventually gone. No one stays long enough to see it through; they leave before the rot finishes its work. It’s what the town teaches you: when it starts, you run. You look away. You survive by pretending not to feel. But Atlas is tired of pretending. The halls of Black Salt High are full of kids pretending they don’t see each other’s bruised hearts, pretending their bones aren’t already whispering warnings. Still, he can’t forget the weight of a father who stayed—not out of love, but because he never felt it deep enough to decay. That truth lingers in Atlas like a second shadow. And then there’s Nova—the outsider with a storm in her bones. And Wren, all sharpness and fight. Milo, who cracks jokes to keep the silence at bay. Luce, who wears her thorns like jewelry. Together, they don’t know how to stop the rot. But they’re learning how to sit with it, how to name it, how to refuse the small, hollow deaths of pretending not to care. In a town where love is a death sentence, staying might be the bravest thing of all.