Love Me Then Destroy Me
can develop into the kind of quiet, in-depth narrative that gradually gains weight.
I was unable to remain still, so I got up and began to pace.
Evaluate the exposure. Strengthen the story. Get back in.
When a situation called for restructuring rather than reaction, the three steps came naturally, as they always did.
Get back in.
I was halted in my tracks by the phrase.
She had not shut the door all the way. We're not done, she had said. Even though the gap was small and on her terms, it was still noticeable. There was room to work in a gap. Prior to this, I had worked in shorter intervals and managed to get through.
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