로그인Isla's team left at six.
She stayed. There was still the ceiling anchor on the north end that wasn't sitting right — a fraction of a degree off, nothing anyone else would notice, everything she would notice every single time she walked into this room for the next three months. She changed into the old trainers she kept in her bag for late nights, set up the ladder, and got back to work. The twenty second floor was quiet. She liked this part. Always had. Just her and the work and no one asking questions. She was halfway up the ladder, wrench in hand, when she heard footsteps. She knew before she turned around. She had learned his footsteps without meaning to — leather soles, deliberate, the kind that moved through a building like they owned it. Which they did. Which was the point. She finished what she was doing. Came down the ladder. He was standing in the doorway with his jacket off and his tie loosened and his hands in his pockets looking at the north wall. The first time she had seen him look anything other than completely assembled. It was a small difference but it changed something about the room. "You're still here," she said. "So are you." "I'm working." "So am I." He looked at the column. At the preliminary markings she'd made that morning. "The positioning works better than I expected." "I told you it would." "You tell me a lot of things with a lot of confidence." "I'm usually right." Something moved in his expression. "Usually?" "Once in a while I miscalculate the light." She picked up her tape measure. "Do you want something Mr. Cole or are you just standing on my floor?" "Your floor?" "For the next three months. Yes." He looked at her. Then at the wall. Then back at her with the particular attention she had noticed he gave things he found genuinely difficult to look away from. She had been noticing it for days. She had been pretending not to notice it for approximately the same amount of time. "Have you eaten?" She blinked. "Sorry?" "It's seven thirty. Have you eaten." "That's—" She looked at him. "Are you offering to feed me?" A pause that lasted slightly too long. "There's a place downstairs," he said. "The kitchen staff stay late on Thursdays." "The building has a kitchen." "The building has everything." She looked at him for a moment. At the loosened tie. At the man who had spent every single interaction with her being completely controlled and was currently standing on her floor at seven thirty on a Thursday asking if she had eaten like it was a normal thing to say. "Okay," she said. He nodded once. Turned. She followed. She told herself it was just food. The private dining room was small and quiet and completely empty. One table. Good lighting. The kind of room that existed in buildings like this one — not for show, not for impressing clients, just for the people who stayed late enough to need it. A kitchen staff member appeared, took their order without ceremony, and disappeared. Zachary sat across from her with his hands around a glass of water and looked at the table. She looked at the room. "This is nice," she said. "It works." "High praise." Something moved at the corner of his mouth. She picked up the menu even though the kitchen staff had already taken her order. Something to do with her hands. "How long has the building had this?" she asked. "Since I built it." "And you use it—" "When I stay late." "Which is." "Often." She put the menu down. "Do you ever go home before nine?" "Rarely." "Is that by choice or habit?" He looked at her. "Is there a difference?" She considered. "Yes. Choice means you want to be here. Habit means you've forgotten you could be somewhere else." He was quiet for a moment. "Both," he said. She nodded. Didn't push it. The food arrived — simple, good, the kind of meal that required no performance. She ate. He ate. The silence between them was not uncomfortable. It was the kind of silence that existed between people who had run out of professional reasons to fill it and were finding out what was underneath. "Tell me something about County Clare," he said. She looked up. "Something like what?" "Anything." She thought about it. "In October the light changes. Everything goes gold before it goes grey. My mother used to say it was the land saying goodbye to the year." She paused. "I thought that was very dramatic when I was twelve. Now I think she was right." He listened without moving. Without performing the listening — just received it. "Your mother," he said. "Is she still there?" "Yes. She'll never leave." Isla smiled. "She's made of that place. It's made of her." She looked at him. "What about yours?" Something changed in his face. Brief. She saw it. "She died," he said. "When I was nineteen." "I'm sorry." He nodded once. She didn't say anything else about it. Didn't offer something soft or fill the space with sympathy. Just let it be exactly what it was. He looked at her. She looked back. "What?" she said. "Nothing," he said. But it wasn't nothing. She could see it wasn't nothing. She filed it away in the place she kept things she didn't have names for yet, which was becoming a very full place. They finished eating. He paid without discussion. She let him because arguing about it felt like it would break something in the room that she didn't want broken. They walked back through the building to the lobby. His footsteps. Her trainers. The building quiet around them. At the entrance she stopped. Pulled on her jacket. "Thank you," she said. "For the food." "You needed to eat." "That's very practical." "I'm a practical person." She looked at him. At the loosened tie and the jacket over his arm and the man who had just told her about his mother in three words and meant all of them. "Goodnight Mr. Cole." "Goodnight Isla." She walked out into the New York night. She got home at nine thirty. Stood in her Brooklyn apartment without turning the lights on. Looked at the ceiling. Thought about a man who asked one question about Ireland and listened to the answer like it mattered. Who said she died about his mother with the particular economy of someone who has said it enough times to make it small and hasn't managed to make it small at all. Who called her Isla. Not Ms. Simmons. Isla. Without her asking a second time. "Interesting," she said out loud to no one.The file was open on the desk when Reid walked in.He didn't knock. He never knocked. Twenty years and it had never once been discussed because there was nothing to discuss — it was simply how things were between them, the way certain things between certain people became simply true without anyone deciding them.He sat down across from Zachary. Looked at the file. At the name on the tab. Then at Zachary.He didn't say anything immediately."You read it," he said finally."Yes.""All of it.""Yes."Reid was quiet for a moment. "You never read anyone's file.""I read everyone's file.""Not like this." He looked at the desk. "Not at eleven at night."Zachary closed the file and set it to one side. "He called her yesterday. And the day before.""That's her business.""He spent two years—""Zachary." Reid's voice was careful. Even. "What are you going to do with this?"Silence."Nothing," Zachary said."Then why did you read it?"He didn't answer that.Reid looked at him for a long moment.
Isla's team left at six.She stayed.There was still the ceiling anchor on the north end that wasn't sitting right — a fraction of a degree off, nothing anyone else would notice, everything she would notice every single time she walked into this room for the next three months. She changed into the old trainers she kept in her bag for late nights, set up the ladder, and got back to work.The twenty second floor was quiet.She liked this part. Always had. Just her and the work and no one asking questions.She was halfway up the ladder, wrench in hand, when she heard footsteps.She knew before she turned around. She had learned his footsteps without meaning to — leather soles, deliberate, the kind that moved through a building like they owned it. Which they did. Which was the point.She finished what she was doing. Came down the ladder.He was standing in the doorway with his jacket off and his tie loosened and his hands in his pockets looking at the north wall. The first time she had
Theo's message came at 8:14 a.m.“Reid mentioned you're working in the Cole Global building. I have a consultation there Tuesday. Lunch after?”Isla read it on the subway, one hand on the overhead rail.She smiled and typed back.Tuesday works.I'll find you, he replied.I'll be on the fourteenth floor.I design buildings. I don't get lost.She laughed out loud that the he man beside her shifted slightly.She put her phone away still smiling and finished her coffee and thought that Theo Winslow was genuinely the easiest person she'd met since moving to New York. No performance. No agenda. Just — easy. Like breathing.She hadn't realised how much she'd missed easy until she found it again.The twenty second floor was empty when she arrived.She liked it like this. Before her team. Before the noise. Just her and the space and the particular silence of a room that hadn't become anything yet.She was standing in the centre of the floor, arms crossed, head tilted, thinking about the north
Reid's dinner parties were never actually dinner parties.Isla figured that out within the first ten minutes.The food was real — properly cooked, properly served, the kind of meal that required actual effort — but the people were too carefully chosen for it to be casual. Everyone in the room knew someone who knew someone and the conversations moved the way conversations moved when nobody was really relaxing.She almost hadn't come.Caden had invited her three days ago by saying Reid's doing a dinner thing Friday. You should come. You know Reid and you know me. Zachary will be there but don't let that put you off — he's fine once you get used to him.But the real reason she had come was because she was tired of going home to her Brooklyn apartment and eating pasta alone and calling it a social life.She was standing near the window with a glass of water looking out at the city when Caden appeared at her elbow."You're doing the window thing," he said."What window thing?""The sta
She arrived at 8:58 am.Zachary's PA, a composed woman named Diana who had worked for him for seven years and prided herself on being unshockable, did a very subtle double take when Isla Simmons stepped out of the elevator — portfolio under one arm, slightly windswept from the New York morning, looking around the fortieth floor with the particular expression of someone trying very hard to appear less intimidated than they were."Isla Simmons," Isla said. "I have a nine o'clock appointment with Mr. Cole."Diana checked her screen. Looked up. "He's expecting you. I'll let him know you're here."Isla nodded and stood by the window and looked out at the city below and told herself to breathe.Diana's phone buzzed almost immediately."You can go in."His office was exactly what she expected and nothing like what she expected simultaneously.The space was vast — floor to ceiling windows on two sides, the whole city spread out below like something he'd ordered specifically. Clean lines. Dark
Isla was on her knees on the fourteenth floor, unpacking the last crate of framed prints, when her phone rang.She almost didn't answer. Her hands were full and her hair was in her face and she had seventeen things left to do before the afternoon walkthrough with the building's events coordinator.She answered anyway."Isla." It was Marcus, her boss at Hartwell Creative. His voice had that particular energy it got when something unexpected had happened — not bad unexpected. The other kind. "Are you sitting down?""I'm on the floor actually.""Close enough." A pause. "Cole Global just contacted us. They want to extend the installation contract. Three more months. Full rate."Isla sat back on her heels. "Sorry?""Three months, Isla. Full rate. They want additional work done — expanded installation across two more floors apparently. The request came directly from the executive office."She looked around the fourteenth floor gallery space. At the work she'd spent four days carefully han







