LOGIN♥ AZALEA'S POV ♥
Dario cheers first.
"Finally!" He throws both fists in the air like Elias just won something. "About damn time, man!"
The sound of it hits me before the words even land — blood draining out of my face so fast the room tilts sideways. I open my mouth. Nothing comes out. There's nothing left in me to say.
Elias leans in close, close enough that I can smell the alcohol and someone else's perfume on his skin.
"Accept it," he says, low, only for me. "Stop clinging to a bond you can't even feel anymore. We both know it's dead."
I can't answer him. My throat has closed around every word I own.
Around us, the rooftop erupts — cheers, murmurs, someone whistling long and low like this is a show worth applauding. Elias's smile stretches wider with every sound of it, feeding on the crowd the way he's always fed on attention.
Then my sister's voice cuts through all of it.
"Took him long enough," Zinnia says, loud enough to carry, phone still raised. "Guess even fate has limits on how much weight it can carry."
The pun lands, approved by the crowd as laughter ripples.
Laughter ripples outward. My own sister, standing there with her phone pointed at my humiliation, has just turned my body into the punchline. She has always been a bit mean but never this way.
The words hit somewhere colder than my chest — somewhere underneath it, some place I didn't know could still freeze.
I turn back to Elias.
And for the first time in eleven years, I actually see him. Not the boy the bond told me to love. Not the future I begged his father to grant me. Just him — glassy-eyed, lipstick-stained, laughing at my expense in front of a hundred people, and I understand, with a clarity that feels almost peaceful, that he never cared for me. Not once. Not for a single day of it.
"Elias, man, that's enough—" Tobias's voice, somewhere to the side, tight with something like embarrassment.
Elias doesn't even look at him.
I don't wait to hear the rest.
"I accept your rejection," I say. My voice comes out steadier than I feel, steadier than I have any right to sound. "You're free.”
I turn and walk before the tears can catch up to my face.
Behind me, Elias whoops, arms thrown wide. "Drinks!" he shouts, to no one and everyone. "Round on me! Freedom party, let's go!"
The crowd cheers with him like I've already stopped existing.
I don't remember crossing the rest of the rooftop. I don't remember the elevator doors opening. I only come back to myself standing inside it, watching the numbers count down, my reflection warped and small in the brushed steel doors, vision starting to swim at the edges.
‘Goddess, please.’ The thought comes on its own, small and frightened. ‘Don't forsake me tonight. Not like this.’
A rejection can kill the weaker mate. I've heard the stories my whole life — mates who withered within days of being cast off, hearts that simply stopped remembering how to beat without the bond feeding them. I don't know which one I am yet. I don't know if I'm about to find out in a hotel elevator with broth still drying on my shoes.
The doors open on the lobby and the cold marble floor doesn't help the spinning at all.
I feel eyes before I see them — a cluster of wolves near the front desk, phones already in hand, already watching something on their screens. One of them looks up at me, then back down, then nudges the woman beside her. Someone snickers. Someone else doesn't even bother hiding it.
It's already everywhere. Of course it is.
I keep walking. One foot, then the other, chin up out of pure muscle memory.
The revolving door spits me out into the night air, and for a second the cold almost helps — sharpens the edges of the spinning, gives me something to hold onto besides my own pulse roaring in my ears.
I don't make it more than a few steps.
My legs go first, some fundamental agreement between my body and the ground simply dissolves, and I pitch forward into a fall I don't have the strength left to catch.
Arms close around me before I hit the pavement.
"Hey — whoa. Hey." A deep voice, closer than I expect, steadying me upright with a grip that doesn't waver. "Are you okay?"
I try to answer.
I want to answer. My mouth opens and nothing comes out but a breath, and the last thing I register is the stranger's face swimming above me, worried, before the night folds in on itself and everything goes dark.
♥ AZALEA'S POV ♥I wake up smiling.It takes me a second to remember why. Then it all comes back—the restaurant, Jasmine's chatter, the drive home, Raymond's voice in the dark saying: 'I forgot to believe it.'I catch myself grinning at the ceiling like an idiot and immediately feel ridiculous."Stop it," I mutter, pressing my palms against my face. "You're thirty-two years old."The door creaks open.Martha stands there, arms crossed, already dressed, already judging."You're awake," she says. "And smiling. At the ceiling.""I'm not smiling.""You're literally smiling right now."I press my lips together. Too late.Martha crosses the room and drops onto the edge of my bed like she's settling in for a trial. "Spill. Everything. Did he hold your hand? Compliment you? Kiss you?""No.""Liar.""I'm not lying." I sit up, pulling the blanket with me. "It wasn't a date, Martha. I went because Jasmine wanted to see me. That's all.""Right. Because Raymond couldn't possibly have sent someone
♥ AZALEA'S POV ♥7pm couldn't come any quicker.After putting the address he sent on maps, I was standing in front of the restaurant at the outskirts of town. I looked down at my outfit. A plain black crop tee and high waist jeans. I let out a deep sigh then walked into the restaurant.It didn't take me long to spot them. Far corner, tucked into a booth, Jasmine waving both arms like she was flagging down a rescue plane. Raymond sat beside her, and when he turned and found me across the room, something in his expression softened.I crossed the floor, suddenly too aware of my own body, of the years I'd spent making myself small in rooms full of people. But nobody here looked twice. A few heads turned, glanced, moved on."YOU CAME!" Jasmine practically climbed over the table. "I told Raymond you wouldn't come. I said she's probably busy and she has a life and she doesn't want to hang out with a twelve-year-old—""And I told her she was being dramatic," Raymond said, standing to pull out
♥ AZALEA'S POV ♥Martha was waiting at the door before I'd even made it up the steps."Where have you been?" She grabs my shoulders, eyes scanning me like she's checking for injuries. "You said you were going for a walk. A walk, Azalea. Not a marathon through a sandstorm."I look down at myself. Sand clings to my sweater, my hair, the inside of my shoes. I can feel grit in places I don't want to think about."I got chased by a dog.""A dog." Her eyebrow arches. "A dog did that to you?""A big dog. Scary dog. I ran.""Into the beach, apparently." She pulls me inside, brushing sand off my shoulders with aggressive maternal energy. "Sit. Tell me everything. And I mean everything."I sink onto the edge of the bed while Martha grabs two glasses of water from the kitchenette. I tell her about the dog, the running, the fence.And Raymond."Oh." Martha sets her glass down slowly. "Oh, I see. The handsome hospital man followed you to the middle of nowhere.""He transferred schools. For work. I
♥ RAYMOND'S POV ♥The taxi pulls up to the lodge and I step out, suitcase in hand, the sea air hitting me like a cold slap.I stand there for a moment, looking up at the building. It's smaller than I expected—weathered grey wood, a sagging porch, windows that have seen better decades. The sea stretches out beyond it, grey and restless, the sky the same colour as the water."This is it," I mutter to myself, dragging my suitcase toward the entrance.The lodge is simple inside. A narrow bed. A desk. A kitchenette that looks like it's been used maybe twice in the last ten years. I drop my suitcase by the door, stretch my arms over my head, and decide I need to move. Stretch my legs. Clear my head.I've been thinking about this moment for weeks—the transfer, the proximity, the chance to see her again. I told myself it was strategic. Practical. She needed someone watching out for her, and I happened to be in a position to do it.I'm a terrible liar.The path behind the lodge winds along the
♥ ELIAS'S POV ♥"I don't understand why she's still in the capital."My mother's sharp voice cuts through the dining room like a blade, the way she speaks about everything that displeases her. She's seated across from me at the long mahogany table, her posture perfect, her silver hair swept back in the elegant knot she's worn my entire life. The chandelier above us catches the diamonds at her throat, scattering light across the room like tiny, indifferent stars."She should have been sent to that school already," she continues, lifting her wine glass with fingers that never tremble. "The longer she lingers, the more the pack talks. Do you understand how embarrassing this is for your father? For me?"I don't answer. I'm pushing food around my plate, the roast beef growing cold beneath my fork, my appetite having abandoned me somewhere between the first course and the second."Elias." Her voice sharpens. "Are you even listening to me?""Yes, Mother." The words come out flat, automatic.
♥ AZALEA'S POV ♥The teacher's lodge is smaller than I expected.Not cruel, exactly. Just... nothing. A single room with a narrow bed, a desk pushed against the wall, a kitchenette that looks like it's seen maybe three occupants in the last decade. The window faces a stretch of grey sea, the sky heavy with clouds that match the weight in my chest.My father didn't even step inside. He pulled up, cut the engine, and said, "This is where you'll be staying. The school's expecting you in two months. Don't contact the family until the scandal dies down."Then he drove away.I'm standing in the middle of the room, still in the clothes I was discharged in—a pair of sweatpants Martha found for me, an oversized sweater that smells like hospital laundry. The IV port is still taped to my arm. I haven't had the strength to remove it."I ought to kill him," Martha says from behind me, her voice tight and controlled in the way that means she's genuinely furious. "I'm going to—""Martha." I turn to







