LOGINENZO's POV
I have watched her for six months. Every step. Every gesture. Every fleeting expression that crosses her face when she thinks no one is looking. It began with a photograph, sent to me with no sender, no signature. A simple note: Nina Nyx. Principal dancer. Daughter of Marco Santoro. Marco Santoro. The man responsible for everything I lost. My mother. My father? Long gone. Burned out. Broken. The information should have meant nothing to me at first. Just a lead, another intelligence thread. A potential trap. But I couldn’t look away. I told myself it was reconnaissance. Watching a target. Studying an enemy. That was the story I clung to in the daylight. But at night, when I sat in the shadows of the theater, the truth was darker. Watching her was like watching the sun. Too bright. Too hot. Too consuming. She moved like no one else I had ever seen, every line of her body deliberate, every gesture perfect. Ballet was her language, and I could read it all. The way her hands trembled before a leap. The subtle shift of her weight before she landed. The arch of her neck when she realized she had conquered a difficult movement. I memorized it. I repeated it in my head until the image burned into my memory. I wanted to touch her. I wanted to destroy her. I wanted to punish her. I wanted to make her mine. I hated that I wanted both at the same time. Bruno, my consigliere, watches too, in his quiet, patient way. He notices when I cancel meetings to attend her performances. He notices when I leave envelopes unopened and phones unanswered. “You’ve been watching her for six months,” he said once, leaning against the doorway of my office. “You’re letting her become a distraction.” “She’s not a distraction,” I said. Bruno didn’t argue. He never argued when I was like this. He just nodded once, sharp, precise, like the motion itself could slice through my thoughts. “Not a distraction. Dangerous.” I don’t disagree. Every night, after the theater empties and the streets fall silent, I watch her on my monitors. The cameras in the alley where she walks. The ones outside her apartment. The one in her bedroom. Only she doesn’t know. She believes she’s alone. That her world is hers. I know better. I see everything. I sent two men after her the night she saw them, during the execution. A simple arrangement. Two shadows moving ahead of the other gang, a precaution. She didn’t even notice them. They followed silently, making sure she returned home safely, unseen, untouched. She ran through the streets like a phantom, ballet legs carrying her farther than anyone could keep pace. I watched every step. Every heartbeat. Every ragged breath. I could have reached her at that moment. I didn’t. I wanted her to survive. I wanted her alive. And yet, I wanted to break her. I sit in my office, the city of Milan laid out below me, lights twinkling like embers in the night, and I can’t move. My gaze is drawn back to the screens. There she is. Knees tucked to her chest. Hands trembling. The room was silent except for the soft whine of the air conditioning. I should act. I should be rational. This is the moment I take control. But I don’t. Not yet. Bruno watches from behind me, arms crossed. “She’s restless,” he says softly. “Shaking. Confused. You need to do something.” I shake my head. “Not yet. Let her exist here, in this moment. Let her see that I am watching. Let her feel it.” “She’s terrified,” he points out. “And rightly so. You could have her destroyed in an instant.” I know. That’s the problem. I don’t want instant. I want every second of this. Every glance she throws over her shoulder when she thinks I am not there. Every tiny misstep that betrays her control. Every sigh. Every flinch. Every beat of her heart I can’t hear but know exists. I switch camera feeds. The one in the hallway outside her door. The one showing the terrace she sometimes goes to when she needs air. The one in the kitchen where she drinks water, hands shaking. I watch her move from room to room, her movements slow, cautious, deliberate. Every action a dance of survival. I know her routines. I know her habits. I know when she sleeps and when she wakes. When she goes for a walk, when she rehearses alone, when she eats. Every moment mapped, memorized. My obsession has become a map of her life. And yet, it’s not enough. I want her to know I am here. I want her to feel it. To be aware that there is no corner, no shadow, no private moment where I am not watching. Bruno clears his throat. “Boss… she’s becoming restless. You need to decide what you want from this.” I turn, finally, and meet his gaze. “I want her to want me without knowing why. I want her to feel that pull she cannot explain. I want her terrified and enthralled in the same breath. I want her alive. I want her broken. I want her.” He doesn’t blink. He nods. “Then you’ll have to act.” I don’t respond. Instead, I return to the screens. There she is now, pacing the small confines of her apartment. Shoulders tight. Fingers curling and uncurling. Eyes darting toward the door. Toward the window. She doesn’t know what to do with herself. She doesn’t know who is after her, who is protecting her, who is deciding her fate from a thousand miles away. The image freezes for a moment. She has stopped moving. Knees tucked to chest. Head bowed. I can almost feel her heartbeat from here. I can almost hear the whisper of fear in her lungs. Bruno clears his throat again. “You’re losing yourself.” “Not yet,” I murmur. I can’t look away. I won’t. She is all I see. She is all I think about. She is the contradiction I cannot resolve. Fragile and strong. Innocent and deadly. The blood of my enemy running through her veins. Every time I look at her, I want to destroy her and protect her, both at once. I lean back in my chair. The leather creaks beneath me. I glance at the clock. Another hour lost. Another hour of her existing, unaware that I am there, that I am orchestrating her every move. That every man who might touch her, every threat, every shadow in her path, is under my command. I watch her drink water. Small movements. Small, precise. Perfect. I would never admit it, but I live for these moments. Bruno finally breaks the silence. “Boss… you have to stop watching her like this. It will drive you mad.” I smile faintly. “Madness is part of the plan. Patience is part of the plan. Obsession is part of the plan. You wouldn’t understand, Bruno. You’re too rational.” He says nothing, but the tension in the room is palpable. He knows I am beyond reason. He has known it for months. I switch the feed again. A different angle now. Her bedroom. She moves to the window. Hands pressed against the glass. Fingers splayed. Shoulders trembling. I see everything. I lean forward. I touch the screen. My fingers hover just above her reflection. She looks like she could shatter at any moment. Like glass under pressure. I don’t look away. I can’t. This is what I wanted. All this time, even before I knew her name, before I knew her face, before I knew she existed. I wanted to see her. Always. Every movement, every breath, every second of her life laid bare before me. And now, I have her.Nina’s POVI stayed still, letting the quiet stretch between us.His gaze had lingered too long, the weight of it pressing against my skin long after he’d spoken. The words—“I won’t touch you… but I’ll make you ask for it”—echoed in my ears, unrelenting.And then he was gone.The gentle click of the door shutting echoed louder than a gunshot in the silence.I exhaled shakily, my back against the wall, feeling the cold marble bite through the thin fabric of my dress. My pulse hammered in my ears. My fingers trembled, and I told myself it was the sedative, not him.But I knew better.The room felt larger now that he was gone. The lamp in the corner cast long shadows across the walls. Everything was too clean. Too deliberate. A bed. A chair. A desk. That couch where he’d sat like he owned not just the room, but me.I hated it.I walked to the bed and ran my hand over the sheets. Smooth. Cold. Unfamiliar.My eyes went to the door.I had to know.My bare feet made no sound against the floo
ENZO's POV I have watched her for six months. Every step. Every gesture. Every fleeting expression that crosses her face when she thinks no one is looking. It began with a photograph, sent to me with no sender, no signature. A simple note: Nina Nyx. Principal dancer. Daughter of Marco Santoro. Marco Santoro. The man responsible for everything I lost. My mother. My father? Long gone. Burned out. Broken. The information should have meant nothing to me at first. Just a lead, another intelligence thread. A potential trap. But I couldn’t look away. I told myself it was reconnaissance. Watching a target. Studying an enemy. That was the story I clung to in the daylight. But at night, when I sat in the shadows of the theater, the truth was darker. Watching her was like watching the sun. Too bright. Too hot. Too consuming. She moved like no one else I had ever seen, every line of her body deliberate, every gesture perfect. Ballet was her language, and I could read it all. The way her han
I woke up slowly. Not all at once. It came in pieces. The weight of my body against something soft. A low hum in my ears. The dull ache behind my eyes. I blinked. The room was dim. Not dark, but not bright either. A single lamp cast a low glow, just enough to make out shapes. The walls were unfamiliar. The ceiling too high. Immediately I realised this was not my apartment. Panic surged through me and I pushed myself upright, breath coming fast. The bed dipped under my movement. My head spun and I grabbed the sheets to steady myself. “You’re awake.” The voice came from the corner. I froze. It was calm. Male. Unhurried. My eyes strained toward the sound. A couch sat against the far wall, half swallowed by shadow. Someone was sitting there, one arm draped over the back, posture relaxed like this was his living room. “Don’t move too fast,” the voice continued. “You were sedated.” My heart pounded. “Where am I?” “In my house.” I swung my legs over the side of
I pushed myself to my feet and crossed the apartment, turning on every light as I went. Bedroom. Bathroom. Kitchen. I checked every corner, every shadow, even though I knew I was alone. I grabbed my phone from my bag. My fingers hovered over the screen. Call the police. The thought barely formed before panic crashed over it. What would I even say? That I saw a murder? That the man who did it was connected to someone at the theater? That I recognized him from nights I had danced? That he recognized me. My chest tightened. Calling the police would not save me. It would make it worse. I had just watched a man get executed for talking. What would they do to someone who went to the authorities? No. No police. I tossed the phone onto the couch like it had burned me. I went to the kitchen and opened the fridge, grabbed a bottle of water with hands that still would not stop shaking. The plast
Nina's POVThe lights were burning hot against my skin, but I barely noticed anymore. My body moved through the steps without thinking. Turn. Extend. I’d done this dance a hundred times. Maybe more. It was muscle memory now. But tonight was different. Tonight, I could feel him watching me. I didn’t need to look at Box Five to know he was there. I felt it the second I walked on stage. That pull. Like someone had reached across the theater and touched me even though we were fifty feet apart. He’d been coming to my shows for six months now. Always in the same spot. Always with those men in suits standing behind him like guards. And always, always staring at me like nobody else existed. I only know his name. Didn’t know anything about him. But I danced, maybe part of me was dancing for him anyway. The music swelled and I went into my solo. Thirty-two turns, one after another. My vision blurred. My ankle screamed. But I kept going. Because he was watching. When I finall







