تسجيل الدخولChapter 162: Pier NineMarried to the Devil of ValtieriPier Nine stood at the far end of the Genoese container port, where thelights ran out.It was a long concrete finger thrust into black water, lined withrusting cranes and stacked with steel boxes the color of old blood. Asingle sodium lamp burned at the landward end. A thin cold rain wasfalling. The wind smelled of diesel and brine, and somewhere out inthe dark a ship's horn gave a long low groan, like an animal in pain.Isla walked down the length of it alone.She carried the second Book in a canvas satchel on her shoulder.She wore a plain dark coat, and flat shoes, and her hair tied back witha piece of string. She did not look to left or right. Her heart wasbeating very slowly, and very hard, with a heaviness that sherecognized from twelve years of audits: the strange, flat calm thatcomes in the last minute before a ledger either balances or does not.At the end of the pier, under a gantry, the ship was waiting.She w
Chapter 161: The Lying VerseMarried to the Devil of ValtieriThe kitchen of the Moretti villa had never held so many people at onetable, or so little hope.They had been at it since nine. Dante sat at the head with a bag ofice pressed to his eye, and the blue blanket lay folded in front of himlike something he had been told not to touch. Marco paced. Serafina,who had arrived at ten, gray with fury, with her crutches under onearm and a dozen Bureau agents she could still trust waiting in the yard,kept saying the same sentence in different words: they could not go tothe pier. It was a trap. It was always going to be a trap."Of course it is a trap," said Isabella Duarte. She sat at the far endof the table in her ruined gray silk, with her silver pistol beside herteacup and her pearls still blown crooked over one shoulder. "Mybrother-in-law has never in his life made an offer that was not one.The question is not whether to walk into it. The question is which doorwe leave ope
The cradle was empty again.She stood in the doorway of the nursery with her hand pressed over her mouth. The yellow curtains lay in a heap on the floor. The painted rabbits on the wall had been splashed with something wet. A small wooden chair was overturned. And the blue blanket, her daughter's blanket, the one that had been Dante's, lay crumpled on the rug in a pool of lamplight."No," she said. It was hardly a sound."Isla."It was Dante.He was on his knees beside the wall. His face was gray and bloody. A great purple bruise had swollen shut one eye. His shirt was torn from collar to waist, and he was holding his side with one hand, and he was trying, with the other, to push himself up.She was across the room in two strides."Where is she? Where's the baby?""They took her.""Who?""Four men." His voice was a rasp. "I never heard them. Mirelle was in the kitchen with the boy. Serafina had gone to the garage. I was at the desk." He coughed. "They came through the cellar. Through
She had seen the glint.It was a tiny thing, a flash of sunlight on a lens, from the roof of the gardener's cottage across the lawn. Ten seconds earlier, she had not noticed it. Ten seconds earlier she had been thinking about a letter. But some small, cold, clicking part of her mind had been counting the shadows ever since she crossed the threshold, and it noticed what did not belong."Down!"She hit the marble. A bullet cracked past her ear. The long window shattered in a spray of glittering fragments. Isabella went down beside her, without a sound, with the ease of a woman who has done it before, and a second shot tore through the canary's cage and sent a flurry of yellow feathers across the table."Rodrigo's men," whispered Isabella."How many?""Four. Perhaps five. He has a security firm in Genoa." Her face was calm. "It seems I was less important than he said.""They followed me.""They followed us both. He would have known you were coming." Her mouth curved. "My brother-in-law h
The villa at Portofino was the color of cream.It stood on the headland above the harbor, in a garden of cypress and bougainvillea, behind a pair of tall iron gates. A butler in white gloves opened the door. He did not ask her name. He bowed, and took her coat, and led her through a hall of cool white marble and a long gallery of shuttered windows, to a loggia that looked out over the bay.A table had been laid for two.It was a small round table, under a canopy of jasmine, with a lace cloth and a silver tea service. A plate of tiny sandwiches sat in the center. A bowl of white roses stood beside it. And in a wicker chair, in a gray silk dress, with her silver hair brushed smooth and her hands folded in her lap, sat Isabella Duarte."Mrs. Moretti," she said. "How kind of you.""You invited me.""I did not think you would come.""Everybody says that.""Do they?" A faint, dry smile. "How very tiresome for you. Sit down. Do you take milk?"They drank tea. It was a grotesquely civilized a
The number was four hundred and eleven million euros.It was printed on the second page, in a neat black column, under the heading Total Outstanding Obligations. Isla read it three times. Then she laid the paper down on the kitchen table, very carefully, and put her hands flat on either side of it, as though to stop it from leaping up and biting her."It can't be right.""It is perfectly right," said Van Hoek, miserably. He had gone through every page. His white hair stood on end, and his small neat face was gray. "I have checked it against the registry. I checked it twice.""How?""Giovanni borrowed it. Over fifteen years. From a series of shell companies in Panama, Liechtenstein, the Cayman Islands." He took off his spectacles. "They looked unconnected. They were not. Every one was owned by a trust. And every trust, as it turns out, was owned by the Banco Duarte.""Why would he borrow from his brother's wife?""He did not know." Van Hoek's voice was low. "That is the whole point. He







