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Chapter Twelve:

last update publish date: 2026-06-22 21:11:32

"Who gave a reporter access to a deal that was sealed before Sophia was born?"

Alexander is still on the phone with Jennifer when the chapter begins. She has not answered the question yet. The silence on the line is deliberate, not accidental. Jennifer is choosing her words because she does not yet know how much of this Alexander is ready to hear, standing in his own kitchen with Sophia a few feet away.

He repeats the question. "Jennifer. Who gave it to him?"

"I do not know yet," she says. "But I can tell you what I do know so far."

She tells him. The journalist is a freelance reporter named David Okafor. He covers business and corporate history, mostly for financial publications and occasionally for larger outlets when a story has enough weight to warrant it. He has requested comment from Kane Global twice already, with this call being the third attempt. He has documentation, or claims to, that the Hartwell sale twenty-two years ago was not voluntary. Jennifer does not know yet who gave Okafor the documentation or where it came from. She tells Alexander she will pull everything Okafor has sent so far. Every email. Every voicemail. Every piece of correspondence that came through official channels. She will find out who he works for currently and who is funding the piece.

"Move fast," Alexander says.

He hangs up.

He stands at the counter for a full ten seconds without moving. The coffee he poured earlier has gone cold. The morning light is coming through the floor-to-ceiling windows at an angle that turns the marble countertop pale grey. He has spent the entire story being the person who already knows things before they become problems for other people. He anticipates. He prepares. He moves three steps ahead of whatever is coming because that is what thirty years of building Kane Global has required him to do. Hartwell is the first thing in the story that catches him with no preparation at all.

He does not panic. That is not who he is. But there is a visible gap between the speed at which he processed the lawsuit thirty minutes ago and the speed at which he is processing this. The lawsuit was an attack he understood immediately. The mechanics of it. The intent behind it. The response was required. This is different. This is something from his own past that he believed was closed, buried under two decades of other deals and other decisions, surfacing in a form he does not control and cannot yet explain.

Sophia has not moved from the counter. She is still holding her coffee mug with both hands, watching him without asking the question he can see forming behind her eyes. She has learned by this point in the story not to ask questions the moment something happens. To wait and see whether he offers the information on his own. She learned this when he came home after firing Elena, and she read his face before he said anything. She has used it every time since. The pattern is deliberate now. He notices it the way he notices everything about her.

He offers the information.

"The journalist has documentation on a company I acquired twenty-two years ago," he says. "A small manufacturing firm called Hartwell. He is claiming the sale was not voluntary."

"What does that mean?" Sophia asks.

"It means he has something that suggests the seller was coerced into selling. Or that the process was not as clean as it should have been."

He keeps his voice level. The same control he uses with board members, lawyers, and reporters who ask questions designed to trap him into saying something he did not intend to say. But this is costing him more than his usual register costs him. Sophia notices the difference even if she does not yet have language for it. She can see it in the way he grips the edge of the counter. In the way his jaw tightens before he speaks. In the way he looks at her and then away and then back, like he is deciding something in real time.

"What was Hartwell?" she asks.

It is the first time she has heard the name. Alexander gives her the outer shape of the story. But here it feels raw. Less rehearsed. He has not had time to decide how much he is comfortable giving her yet, and that discomfort shows in the way the words come out slower than usual.

"It was a small manufacturing company I acquired early in my career," he says. "Before Kane Global existed in its current form. Before, I had the infrastructure I have now. The sale was documented and closed without incident as far as I have ever known. The paperwork was clean. The seller signed. I signed. It was done."

He says this the way a man recites a fact he has repeated to himself so many times it stops requiring thought. And now, for the first time in twenty-two years, the recitation does not sit easily in his own mouth. He can hear the defensive edge in his own voice, and he does not like it.

Sophia asks the obvious follow-up question. "Was the sale actually clean, or are you only now finding out it was not?"

Alexander does not have an answer yet. This should be uncomfortable for him specifically, since he is a man who is rarely without an answer. He has built his entire professional life on having answers before other people know the questions. He looks at her and tells her honestly.

"I do not know," he says. "And not knowing is the part that is bothering me most."

His phone rings again. Marcus, Alexander picks up and puts it on speakerphone.

"I already started pulling whatever exists in our records on the Hartwell acquisition," Marcus says without preamble. "Old contracts. Filings. Anything archived from that period. I went back to the original hard files we transferred when we digitized everything ten years ago. The paper trail on the company's side looks exactly as clean as you remember it. Standard terms. No red flags. Nothing in the official record suggests coercion or irregularity."

This should not be reassuring. It is not. It is unsettling because it means if something did happen, it happened outside the parts of the process Alexander controlled or ever saw. He says as much out loud.

"If it is not in the record, it means it happened somewhere I was not looking," Alexander says.

"Yes," Marcus says. "Or it means someone is fabricating something that never happened. But we will not know which until we see what Okafor actually has."

There is a pause. Then Marcus raises the obvious next step without being asked.

"If the documentation does not show anything, the only way to find out what actually happened is to talk to someone who was there. Do you know whether Thomas Reyes is still alive or reachable?"

Thomas Reyes. The seller's representative is listed in the original filings. The man who signed the documentation on behalf of Hartwell's owners. Alexander does not know. This is a small but real moment, since Alexander is someone who tends to know things, and this gap in his own history is part of what is unsettling him. He has not thought about Thomas Reyes in over twenty years. He does not know if the man is still alive. Does not know where he went after the sale closed. Does not know anything beyond what was recorded in the filings at the time.

"I do not know," Alexander says.

"I will find out," Marcus says. "Give me until tomorrow. If he is still alive, I will have a location and contact information by the end of the day."

Alexander thanks him and ends the call. He sets the phone down on the counter and looks out the window at the city. Forty-three floors below, the morning is moving forward without any awareness of what is happening in this kitchen. Traffic moves through the grid of streets. Pedestrians crossing at intersections. The ordinary motion of a Tuesday in Manhattan.

Sophia does not push him to decide anything about Reyes tonight. Instead, she asks a quieter question. Something closer to how he is actually doing rather than what he is going to do next.

"Are you okay?" she asks.

He does not have a clean answer for that. For once, he says so plainly instead of redirecting back to logistics and next steps and the tactical response he is already building in the back of his mind.

"I do not know yet," he says. "I thought I had accounted for everything from that period of my life. Every deal. Every decision. Every compromise I made to get from where I started to where I am now. I was wrong. That is not a position I am used to being in."

It is a small but genuine moment of him letting her see him without full composure. This is new for this specific kind of pressure. Up to now, his loss of composure has only ever been shown around Sophia's safety. The night Derek's message came through. The morning of the lawsuit. But never around his own history. Never around something that belongs to him alone. She does not try to fix it or reassure him. She just stands there and receives it the way she has learned to receive things, without filling the silence with noise.

After a moment, he says, "I am going to find Reyes myself."

He says it quietly. Not as an announcement. Not as a plan being presented for approval. Just a decision he has made while standing at the counter looking out at the city. Sophia nods. She does not ask why he would do it himself instead of leaving it to Marcus. She understands without being told that some things, if they are going to be reopened, need to be reopened by the person whose past they belong to.

"Do you want me to come with you?" she asks.

He looks at her. The question surprises him, though it should not. She has been in every room that mattered in recent weeks. This room is no different.

"Not yet," he says. "I need to know what I am walking into before I bring you into it."

She accepts this without argument. She knows the difference now between him protecting her because he thinks she cannot handle something and him protecting her because he does not yet know what the something is. This is the second one.

She goes upstairs a few minutes later. He hears her footsteps on the stairs and then the quiet sound of her bedroom door closing. He stays in the kitchen. Marcus sends the old Hartwell filing ten minutes later. Alexander opens it on his laptop and reads through it for the first time in over two decades.

The language is exactly as he remembers it. Standard acquisition terms. Purchase price. Transfer of assets. Warranties and representations. Clean documentation. Signatures from both parties. Thomas Reyes signed on behalf of the seller. Alexander signed on behalf of the acquiring entity, which at the time was a much smaller operation than Kane Global would eventually become. There is nothing in the document that suggests coercion. Nothing that suggests anything other than a straightforward business transaction between two willing parties.

But someone gave David Okafor documentation that says otherwise. And Alexander needs to know what he has not let himself ask in twenty-two years. Not because Marcus could not find it for him. Because some things, if they are going to be reopened, need to be reopened by his own hand.

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  • OWNED BY MY EX'S GODFATHER   Chapter Fifteen:

    "I do not want to talk about Hartwell, or Derek, or any of it. Not today. Today I want to show you something."Sophia says this to Alexander the morning after Marcus's call about the two-year investigation. They are at the kitchen counter. He is reading something on his phone. She is watching him. When she speaks, he looks up, and the surprise on his face is genuine. After everything that has been building, after two chapters of mystery escalation and threats from directions he cannot yet see, he was not expecting this."Show me what?" he asks."My art," she says. "Not just one drawing. A series I have been working on."She has been quietly working on something for weeks, in the background of everything else. The sketchbook has been a recurring presence throughout the story. Closed when she is unsettled. Open when she is not. The woman with the bricked windows appears again and again. But this is different. This is deliberate. A body of work she has been building piece by piece while

  • OWNED BY MY EX'S GODFATHER   Chapter Fourteen:

    "Mr. Kane. I did not think you would actually call me back."Thomas Reyes says this when Alexander reaches him by phone on a Wednesday afternoon. Alexander is not in the penthouse. He is in the back of the car, parked on a side street in the financial district, looking out at nothing in particular while the city moves past the tinted windows. He tracked Reyes down himself. Not through Marcus this time. Through an old contact from early in his career, someone who owed him a favor from before Kane Global existed. The contact's name does not matter. What matters is that Alexander had to reach into a part of his past the reader has never seen to find this number, and that itself signals there is an entire layer of his history that exists outside anything established so far.It took three calls to get the number. The old contact was reluctant at first, not because of hostility but because people who knew Alexander when he was twenty-five tend to assume he has moved on from needing anything

  • OWNED BY MY EX'S GODFATHER   Chapter Thirteen:

    "You said you would tell me about before. I am not asking for all of it. I am asking about Hartwell."Sophia says this three days after the call from Jennifer. Three days later, Alexander stood at the kitchen counter and read the old filing for the first time in over two decades. The immediate crisis has quieted. The motion to dismiss Derek's lawsuit was filed and is working its way through the system. Marcus is still tracing the journalist's connections. The penthouse has settled into a kind of watchful calm, the kind that comes after one storm when everyone knows another is building somewhere just out of sight.Alexander is calmer now. Not calm. But calmer. Sophia has been watching him and waiting for the right moment. She has learned over the past six weeks that timing matters with him. Push too early and he closes. Wait too long and the moment passes. This is it. He is standing at the counter with his coffee, looking out at the city the way he does every morning, and she is sittin

  • OWNED BY MY EX'S GODFATHER   Chapter Twelve:

    "Who gave a reporter access to a deal that was sealed before Sophia was born?"Alexander is still on the phone with Jennifer when the chapter begins. She has not answered the question yet. The silence on the line is deliberate, not accidental. Jennifer is choosing her words because she does not yet know how much of this Alexander is ready to hear, standing in his own kitchen with Sophia a few feet away.He repeats the question. "Jennifer. Who gave it to him?""I do not know yet," she says. "But I can tell you what I do know so far."She tells him. The journalist is a freelance reporter named David Okafor. He covers business and corporate history, mostly for financial publications and occasionally for larger outlets when a story has enough weight to warrant it. He has requested comment from Kane Global twice already, with this call being the third attempt. He has documentation, or claims to, that the Hartwell sale twenty-two years ago was not voluntary. Jennifer does not know yet who g

  • OWNED BY MY EX'S GODFATHER   Chapter Eleven:

    "Derek's lawyer just filed something, and I need you to read it before I decide how angry to be."Marcus says this over the phone at seven in the morning. Alexander has not had coffee yet. He is standing at the kitchen counter in a t-shirt and sweatpants, which is how he dresses when he has not left the penthouse yet and does not need to perform control for an audience. The tone of Marcus's voice signals immediately that this is a new front opening up. Not a continuation of the Elena situation. Something else entirely."Send it," Alexander says.The file arrives on his phone thirty seconds later. He opens it while Marcus is still on the line. Derek's lawyers have filed a civil suit against Alexander personally. Not against Kane Global. The distinction matters. The claim is alienation and interference, framed in the specific kind of old-money legal language that makes baseless accusations sound like established fact. The filing argues that Alexander used his wealth and influence to man

  • OWNED BY MY EX'S GODFATHER   Chapter Ten:

    "You do not have to tell me tonight. But I need you to know I am not going anywhere while you decide."Sophia says this after Alexander tells her he needs to decide if he is ready to tell her about South Chicago. They are still in the smaller library. The afternoon light has shifted to early-evening grey. The city outside the windows is starting to light up building by building, the way it does every night at this hour. She is sitting on the couch with her sketchbook closed in her lap. He is in the chair across from her, leaning forward with his elbows on his knees, hands clasped loosely between them.She does not push. She has spent her whole life being told things in fragments by people who decided she could not handle the whole picture. Her father did this. Vivienne did this. Derek did this in his own way, feeding her just enough information to keep her where he wanted her without ever giving her the full story. She refuses to do that to him now. She built a folder and held it for

  • OWNED BY MY EX'S GODFATHER   Chapter Nine:

    "I need you to stay in this room until I tell you otherwise. Not a rule. A request."Alexander says this to Sophia in the entrance hall before he leaves for the office. She is standing by the kitchen counter with her coffee, still in the grey cashmere robe she has been wearing every morning since s

  • OWNED BY MY EX'S GODFATHER   Chapter Eight:

    "You already knew it was her, didn't you?"It is not a question. Sophia is watching Alexander's face as she says it, and she can see the answer before he gives it. He did not go still when she started talking about the cocktail reception because the information was new. He went still because she ha

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  • OWNED BY MY EX'S GODFATHER   Chapter Six:

    "Who is messing with your phone, Sophia?"Alexander's grip on her hand at the gallery railing tightens further as he waits for an answer. Her face has already given her away. She knows it and he knows it. She makes a split-second decision and holds the phone out.He reads it. His expression does no

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