LOGINOn the morning of our wedding, when Ethan Green came to pick me up, my bridesmaid Tessa stopped him at the door with three questions. "What mark on the bride's body would let you recognize the woman you love at a glance?" Ethan didn't even have to think. "A crescent moon on her right shoulder." The whole room went silent. Tessa gave an awkward cough and glanced at me on the edge of the bed. Because I didn't have a birthmark anywhere. The one with the crescent-moon birthmark on her right shoulder was my twin sister, Celina Linden, who'd stormed off to Paris four years ago. From age seven to 22, they were known all over New York for their love-hate relationship. During their worst fight, my sister dumped red wine over his head, and he smashed her favorite cello. The very next day, he scoured auction houses around the world for an identical one. They loved each other fiercely, but they were both wild and stubborn. Neither would back down. Four years ago, my sister left without a word to chase her freedom. To punish her for leaving him, Ethan proposed to me, the one who'd always carried messages between them. He said, "Then you marry me, Aria." For four years, I clung to that stolen marriage and made myself small. I learned to drink his espresso without sugar. I learned to iron every crease out of his shirts. Ethan snapped out of it and saw how pale I'd gone. He frowned and reached out to ruffle my hair. "Sorry, slip of the tongue. Aria, you've always been so understanding. Don't make a scene today of all days." I didn't throw a fit. I just smiled and set my bouquet back on the vanity. Ten minutes earlier, a flight from Paris had landed, and my sister had sent a message to the family group chat. "I'm back." What he didn't know was that I'd sent my suitcases to London by air the night before.
View MoreA man was leaning against the car door.I hadn't seen Ethan in more than half a year, and he was so thin he barely looked like himself. His once handsome, proud face was hollow, and his black trench coat hung loose on him. He didn't have an umbrella. He just let the fine rain fall on his hair and shoulders.When he saw me come out, he didn't charge at me like last time.He just stood there like a kid who'd done something wrong, watching me carefully, as if one step forward might shatter the vision in front of him.I stopped about ten feet away from him."Can I help you, Mr. Green?"When he heard me call him "Mr. Green," he flinched hard.He slowly pulled a manila envelope out of his pocket and held it out with both hands. His voice was barely above a whisper. "Aria, I'm not here to make you come back to New York."I didn't take it. "What is this?""It's the transfer agreement for the Green Group's art foundation, and... a statement from St. Patrick's Cathedral," he said with difficulty
Everyone was stunned.Even Arthur was taken aback for a moment. Then he tactfully stepped back half a pace.I shook out my stinging hand and faced Ethan. His head was still turned from the slap."Ethan Green, don't judge everyone else by your own filthy mind." My voice was steady. "Four years ago, you married me to get back at Celina. Four years later, you chased me to London to feed your pathetic need to own something. From start to finish, you've only ever seen women as trophies with a price tag."A clear red handprint rose on Ethan's cheek. He didn't argue. He didn't even move. He just stared at me blankly as the color slowly drained from his face."You want to know why I won't go back?" I pointed at my painting of the Thames at dawn on the wall. "Because here, I'm Aria Linden, a painter. At the Green estate, I was only a substitute living in Celina's shadow."I spent four years paying off what the Linden family owed you. From the moment you described Celina's birthmark when someone
The Saatchi Gallery's young artists' show opened on Friday evening.The gallery was in Chelsea. Its high-ceilinged white rooms were packed with well-known guests, and the air smelled of champagne and lilies.My two studies hung in the second-floor gallery.One was an empty spiral staircase in a rainstorm, all dark gray except for a faint warm light on the banister. The other was the Thames at dawn, wide sweeps of cold blue and pale violet woven together, the brushstrokes bold and open.Professor Carter came over with two glasses of champagne and handed me one. "Congratulations, Aria. A Swiss collector just bought the first painting for £20,000."I was stunned. "£20,000?""For a first-year master's student who's only just started, that's an amazing beginning," the professor said with a wink. "And someone's made a big offer on the other one too. The buyer's a little unusual, though.""Unusual?""A young English aristocrat. Lord Arthur Howard, a director at the Greenwich Foundation." The
Aria's POV:Three days later, London got its first cold rain of the winter.The Royal College of Art's old red-brick building in Kensington looked quiet and solemn in the misty rain.Bundled up in a heavy black tweed coat, I carried the turpentine and linseed oil I'd just bought at the art supply store down a cobblestone path covered in wet leaves.The London air was cold and damp, smelling of earth and grass, but every breath of it was free.No sharp citrus scent. No custom suits to iron every morning. And no man always watching me with that critical look.My new advisor was Professor Carter, a renowned contemporary figurative expressionist painter.When I walked into the warm studio, students from around the world were mixing paint at their easels, absorbed in their work."Aria, there's real tension in today's still life," Professor Carter said, coming over with a cup of hot tea and glancing at my canvas. "Especially the way you handle light and shadow. There's a restraint in it, som
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