LOGINVERA'S POVGarrett Cole meets me at a coffee shop two blocks from the training facility at eight in the morning. He's bigger in person than on camera — broad-shouldered, quiet-eyed, the kind of man who takes up space without trying.He orders black coffee and looks at me across the table like he's deciding something."Cole vouches for you," he says."I know.""That means something to me. Just so you understand where I'm starting from.""Understood."He wraps both hands around his mug. "What do you need?"I put my recorder on the table. He looks at it, then nods once."Three budget meetings," I say. "February, June, and October two years ago. Facility maintenance contracts that ran through a company called Northgate Operational Services. You signed the approval forms.""I did.""Did anyone explain what Northgate was?""Theo told me it was a preferred vendor. Pre-approved by ownership." He pauses. "I asked once why we were using an external contractor for work our facilities team could
COLE'S POVPaulson is in his office after practice, door half open, game tape running on his laptop with the sound low. He's been coaching for twenty-two years and he watches tape the way other men read — constantly, quietly, like it's where he goes to think.I knock once and he waves me in without looking up."Close the door," he says.I do. He lets the tape run for another thirty seconds then pauses it and leans back."I wondered when you were coming," he says.I sit down across from him. "You knew I would?""You've been distracted for three weeks. Different kind of distracted than usual." He folds his arms. "What's going on Cole."I've run this conversation in my head a dozen times. Every version starts with careful framing and controlled information and protecting the parts that don't need to be exposed yet. I sit in his office and look at the man who pulled me off the ice at twenty-two after a game where I played angry and told me privately that the best players use pain as fuel
VERA'S POVDinner is lamb and roasted vegetables and Richard Harrington asking Cole about the upcoming season with the particular interest of a man who owns a piece of every answer.I sit across from Cole and mildly tolerate him exactly as instructed.My mother talks about the garden. Richard listens to her with genuine warmth and I watch him do it and think about the youth foundation and the four years of architecture underneath this family and the way a man can love his wife and still burn everything around her without hesitation."Vera," Richard says, turning to me. "How's the piece coming along? The one your editor has you working on."I cut my lamb. "Slowly. These things take time.""David mentioned he hadn't heard from you today."I look up with a measured smile. "I took a personal day. We just moved in — I thought that was allowed.""Of course." His smile doesn't shift. "He speaks very highly of you. Says you're one of the most tenacious reporters he has.""That's kind of him."
COLE'S POVThe address I send her is a storage unit I've rented under Milo's name for eight months.Not glamorous. Twelve by twelve feet, a folding table, two chairs, a lamp I brought from my apartment, and three locked boxes that contain everything I've been quietly pulling from the organization's internal systems since I realized my father wasn't just cutting corners — he was dismantling something deliberately.I get there an hour before her and unlock everything and spread it out in the order I want her to see it.I'm not nervous. I don't get nervous before games, before press, before my father's interrogations dressed as conversations. But I stand in that room and look at eight months of careful, solitary work laid out on a folding table and something in my chest pulls tight.This is the part where it becomes real for someone other than me.She arrives exactly on time. Knocks twice, which I didn't ask her to do, but it's very her — announcing herself without waiting for permission
VERA'S POV Cole's reply comes in forty seconds."Where are you."Not a question. I type back: *Kitchen. My mother is making eggs. Act normal.*Three minutes later he walks through the back door like he'd been in the garden the whole time, easy and unhurried, and says good morning to my mother in that warm voice he has for her that I've decided I cannot afford to find endearing.She offers him eggs. He accepts. He sits at the island two seats away from me and pours himself coffee and we do not look at each other directly once."David Lorne," I say quietly, under the sound of oil hitting the pan.Cole's hand doesn't move on the mug. "Yes.""My editor. Richard's friend. The man who's been sitting on my investigation for three months telling me to slow down and verify everything twice and not rush the story.""Yes."I stare at the counter. "He assigned me the story.""I know.""He put me on it. Handed it to me specifically." I keep my voice flat and even. "He's been managing me from insi
VERA'S POV Three days pass. We exist in the same house like two people sharing an orbit without touching — close enough to feel the pull, careful enough not to follow it. Meals happen. Conversations happen. My mother floats through all of it happy and warm and completely unaware that the two people sitting at her table are carrying something between them that has no clean name.Cole is good at normal. Dangerously good. He talks to my mother with genuine warmth and sits across from his father with practiced ease and passes the salt when I need it without making it a moment. He is the most composed person I have ever watched operate in a complicated situation and I find it equal parts impressive and exhausting because I cannot tell where the performance ends and the person begins.I think that might be the point.I spent those three days doing two things. Working and watching.The work is the investigation — reorganizing my notes, identifying the gaps, building a cleaner picture of the







