FAZER LOGINSebastian's POV
"She was staring at you, sir."
"People stare, Lucas."
"Not like this." He sets my coffee on the desk and doesn't leave. That alone tells me he has decided this matters more than my schedule. "She wasn't impressed. Wasn't nervous. She was watching you like she already knew something about you that you don't know yourself."
I look up.
Lucas is standing with his hands folded and his face carefully blank, the face he wears when he thinks he is telling me something I need to hear. In four years, I have learned that his instincts about people are rarely wrong.
Almost.
"Where?" I ask.
"Coffee shop on Meridian. This morning. You walked past her table, and she looked up." He pauses. "Not at your name. Not at your suit. At you. Like she was reading something the rest of the room couldn't see."
I pick up my coffee and say nothing.
I remember the coffee shop. I walked through it this morning with my mind three meetings ahead and cataloged the room the way I always do: exits, faces, and anything that doesn't fit. I registered nothing unusual.
That bothers me.
I don't miss people. It is not a skill; it is a condition. My brain files every face, every detail, every wrong note in a room full of right ones. It has never failed me across forty-two countries, hostile boardrooms, and conversations with men who built empires on the backs of better men.
It failed me this morning. Over coffee.
"What did she look like?" I keep my voice even.
"Brown skin. Dark eyes. Sitting very straight. " He pauses again. "She had a sketchbook on the table. Closed it the second you walked past."
I put my coffee down.
"She closed it when I walked past?"
"Right as you passed her table. Yes."
That detail sits differently from everything else. Not a reflex, a decision. Someone who suddenly needed both hands free to think. Who gave me her full attention without any of the usual performance people reach for when they realize who I am?
No phone. No adjusting posture. No, trying to be seen.
Just still. Watchful. Already decided about something.
"Did you get her name?"
Lucas blinks. In four years, I have never asked him for a woman's name. I watch him process that and deliberately not make it a moment.
"No," he says carefully. "Should I have?"
"Forget it."
He leaves.
I stare at the document in front of me and read the same line three times without absorbing a word. Then I stand and walk to the window.
Reed Global moves two hundred million through three markets before noon on a slow day. I have a board meeting in ninety minutes. A board member shifting alliances, my legal team flagged last week. I have been trying to cancel for three weeks because my father's former business partner will be there, and that man has never sat across from me without trying to extract something from me.
I am standing here thinking about a woman closing a sketchbook; I press one hand against the glass. The city below moves predictably. Usually, that resets something. Not today.
Lucas knocks once and walks in without waiting. "Cross Media Group confirmed for Friday," he says. "Damien Cross plus one."
"Fine."
"The plus one is Aurora Sinclair."
I turn from the window.
The name lands somewhere specific. Not recognition; I have never heard it before. Something else. Something that feels less like hearing a name and more like a lock turning that I didn't know was there.
"Pull her file," I say.
"She doesn't have one. Fashion design student. Damien Cross's girlfriend." A pause. "That's everything."
"Then start one."
Three seconds of silence.
"Starting a file," Lucas says, voice carefully flat, "on a fashion student dating our Friday dinner guest."
"Is there a question in that sentence?"
"No, sir. None at all."
He leaves. I stay at the window.
I have sat across from heads of state. I have faced hostile takeovers without blinking. I have never started a file on someone who is neither a threat nor an asset to anything I own.
Aurora Sinclair is a student with no known connection to Reed Global.
And I just started a file on her.
My phone buzzes in my pocket. I pull it out, expecting Lucas with the board meeting prep, unknown number. One message.
*She is more connected to you than you know, Sebastian. Ask your uncle about the Sinclair name. Ask him why he flinches when he hears it.*
I read it twice.
My uncle.
Vincent Reed.
I lower the phone slowly and stare at it.
Vincent has been on my board for fifteen years. He manages legacy accounts that predate my parents' death. He has been a quiet, steady, reliable presence in the background of everything I have built, the one family member I have never had reason to question.
Until seven seconds ago.
I look at the name on my phone.
Aurora Sinclair. Then I look at the message again. Ask him why he flinches. I turn from the window and walk to my desk and press the intercom.
"Lucas."
"Sir?"
"Friday's dinner. I need the full guest list on my desk in ten minutes. Every name. Every connection. Every plus one."
A beat of silence. "All of them, sir?"
"All of them," I sit down.
The sketchbook. The name. The message. My uncle. Four things that should have nothing to do with each other. I am starting to think they have everything to do with each other.
Sebastian Reed just received a message connecting Aurora Sinclair to his own family and to the uncle he has never had a reason to question.
Until now.
Friday's dinner is no longer a social obligation. It just became the most important room Sebastian Reed has ever walked into.
Aurora’s POV“What did you just say?”I don’t recognize my own voice. The room has gone so quiet I can hear the faint electrical buzz from the screens on the wall. No one on the board speaks. No one in the study moves.Catherine doesn’t look at me. She looks at Nadia and says it again. “Because she was my husband’s daughter.”Nadia goes pale, not shocked pale. Worse than that. The kind that starts somewhere deep and works its way up until even breathing looks difficult.Sebastian doesn’t look at anyone. He stares at Catherine like she just reached into his chest and pulled out the last thing he still wanted to believe about his father and held it up for the whole room to see.Vincent says, “Enough.” It is the first time tonight the word sounds like it came from a man losing the shape of the room.Catherine turns her head slightly toward him. “No. Not enough. Not after all this time.” The board screens are still live. Every face is still there, watching. Good. Let them watch. Let them
Sebastian’s POV“Let her go.”My voice comes out flat, not loud, not emotional; it still cuts through the room.Vincent has one hand locked around Nadia’s wrist and the other braced at her shoulder, angling her just enough toward the window to make the threat believable. He doesn’t need a weapon. Not yet. He has always preferred people as leverage when paper stops working.The board screens are still live. Good, let them see him like this.Aurora sees it too. Her eyes flick once toward the monitor wall, then back to Vincent. She still has the bag. The pages. The evidence. Her face gives away nothing. Good girl.Vincent’s voice stays low. “Page one.”Nadia doesn’t fight him.That catches my attention. Not because she’s giving in. Because she’s thinking. Her body has gone very still in that dangerous way people do when panic would cost them more than pain.Arthur says, “You’ve already lost.”Vincent doesn’t look at him. “No. I’ve just run out of polite ways to win.” The woman on the cen
Aurora’s POV“Who authorized this session?”The voice blasts through the boardroom speakers before any of us move. Another screen lights up.Then another, men in suits. One woman with silver hair and sharp eyes. Faces arranged in neat little squares across the wall, all of them wearing the same expression: irritation first, confusion second.Then one of them sees the name at the top of the call.ADRIAN REEDAnd everything changes.“Adrian?” an older man says sharply. “What kind of sick joke is this?” No one in the room breathes.Sebastian is still in the chair. One hand on the table. Jaw is hard. Eyes fixed on the screens like he can force the room to obey if he stares long enough.Arthur moves first. He takes one slow step forward and says, “No joke. But if you disconnect in the next thirty seconds, Vincent Reed takes this company somewhere it does not come back from.”That gets them not trust, but attention. On the middle screen, the silver-haired woman leans in. “Arthur?” “Yes.” “W
Sebastian’s POV“What board call?”The question leaves my mouth before anyone else moves.Arthur’s voice comes through the speaker again, thinner now, rougher. “Emergency board session. Founder clause. If Vincent gets the vote before sunrise, he freezes every Foundation record and locks you out of the company system.”That lands exactly where it should, not in the room. I knew, of course, he would do it this way, not with blood. With bylaws, not by running. By making sure the truth cannot outlive the morning.Vincent smiles at that. Small. Controlled. Back in his hands now that the fight has moved onto ground he understands better than any of us. “I told you,” he says. “Paper changes empires.”Aurora lifts the gun a little higher, not at his head, but at his chest. “Then let's see how much yours changes when you miss the call.” For one second, even I stop and look at her. She is pale. Tired. Bruised. Her hand should be shaking more than it is; it isn’t. Good.Vincent sees it too. Inte
Aurora’s POV“Give me the page.”Vincent says it like the whole house still belongs to him.I’m on my knees on the stair, page one crushed in my fist; Victoria is on the floor behind me, Megan is sobbing somewhere to my left, and Sebastian is half crouched beside me, ready to move.And Vincent is smiling. I hate that smile. “No,” I say. He tilts his head slightly. “You’re running out of ways to say that and stay alive.” “Then I’ll start repeating myself.”Sebastian moves one step down, enough to put more of himself between Vincent and me. “You should leave.”Vincent’s eyes flick to him. “You’re still confused about who gives orders in this house.” “No,” Sebastian says. “I’m clearer than I’ve ever been.”Lucas is already moving Victoria away from the gun. Nadia comes up the stairs fast, stops when she sees Vincent, and goes completely still. Good. Let him see her. Let him look at the girl he spent twenty-six years trying to erase and understand she is still here.Vincent sees her. Some
Aurora’s POV“Turn around.”Sebastian says it before I do.Lucas has already started to. Good, because if I had to say it myself, it would sound too much like panic. And I am not panicking, not yet. Megan stayed with page one. Inside a room Vincent had already prepared to break.That was not an accident; that was a choice, and choices matter more than blood in families like this.The car turns hard at the end of the street. Nadia braces one hand against the back of my seat, still coughing slightly but steadier now. “She could be dead,” Nadia says. “No,” I say too quickly.Sebastian looks at me. I hear it too, too quick, too sure. So I force myself to say it again properly.“No. If Vincent wanted Megan dead, he had years to make it happen quietly.” I stare ahead. “He wants control. Not bodies. Bodies are messy.”Nadia is silent. Good. Let her think through that. Let all of us think through it.The windows of Reed House are dark now. Too dark. The kind of darkness that doesn’t mean slee







