ログインI was never supposed to end up here. One moment I was a college student with a normal life. The next, I was standing in a courtroom while a stranger decided my fate with a voice too calm for what he was doing to me. They called it justice. I call it a lie. Now I’m trapped on an island prison surrounded by endless ocean, where no one speaks my language and every mistake costs more than I can afford. In here, survival isn’t about strength. It’s about control. About knowing when to stay silent, when to be seen, and when to let them believe they own you. I learned fast. I learned how to read men who think I’m powerless. I learned how to turn attention into protection. I learned how to trade pieces of myself just to make it through another day. But nothing prepared me for him. The Keeper of the Tower. He watches everything. He knows more than he should. And when his eyes find me, it feels like being chosen and hunted at the same time. He says he wants me. Not as a prisoner. Not as a servant. Something worse. Something I might not survive. I have a plan to escape this place. I’ve mapped every guard, every weakness, every second between freedom and drowning. I just didn’t plan for him. And I definitely didn’t plan for the way my body betrays me when he’s close. If I stay, I lose myself. If I run, I lose the only man who’s ever looked at me like I’m more than something to break. Either way… I don’t leave this island unchanged.
もっと見るPOV Red
The courtroom smells like old wood, sweat, and something sharp that makes my stomach twist. I stand with my hands clasped together, trying to look innocent while my whole body shakes. I count the faces in the gallery to keep from screaming. Forty-three. I count them again. Not one of them looks at me like they believe I'm innocent.
My roommate Becca is in the fourth row, her hand over her mouth, tears streaming down her face. She's the only one who still believes in me, but her faith can't save me. I learned that six days ago when the bail hearing went to hell.
"Murder in the first degree." The prosecutor's voice cuts through the room. "Premeditated. Calculated." He paints a picture of me I don't recognize—a monster who planned and executed the death of another human being. He talks about evidence, about motive, about how I carefully covered my tracks for months.
My chest feels hollow, like someone reached inside and ripped everything out.
I'm twenty-two. I'm a junior at Tulane studying art history. The worst thing I've ever done was cheat on a freshman art history exam. Now they're saying I killed someone.
My lawyer leans close, his breath hot against my ear. "Keep your face still. Don't show any emotion."
"I'm not feeling anything," I whisper back, though my heart is hammering against my ribs. "I don't understand how this is happening."
He doesn't answer, which tells me everything.
"Rosemary Jensen."
The judge speaks, and the room goes dead silent.
Harlan Knox. Fifty-three years old with silver temples and eyes that don't just look at you—they see right through you. My lawyer couldn't find anything useful in his clean public record, but looking at him now, I see things records don't capture.
I hold his gaze. Looking away feels like admitting guilt, and I didn't do this. His eyes are a pale grey-blue, and I can't tell exactly where he's looking, but I know he's focused only on me. The room blurs around us. There's just his face, mine, and thirty feet of charged air between us.
"The court finds the defendant guilty on all charges."
Becca gasps. My lawyer's hand tightens on my arm. Someone in the gallery cries out.
These sounds are distant, underwater.
My throat closes up. I breathe through my nose and count the wood panels behind Knox's head, telling myself my knees won't buckle because I won't let them.
Knox continues, his voice measured and severe, until he reaches my name again. Something changes in his tone then—a slight shift, a crack in his composure that I can't name yet.
"Rosemary Jensen is hereby sentenced to transportation to the Ile de Couverture penal colony, under joint French and Spanish colonial jurisdiction, for a period of no less than fifteen years."
"No!" Becca's voice cracks across the room. "No, that's wrong. She didn't do this. She couldn't have done this."
"Order in the court." Knox's voice is instantly composed again. "Bailiff, remove that woman if she cannot remain silent."
A murmur ripples through the gallery. Someone shushes her.
I don't turn around.
Fifteen years. The number sits in my chest like a stone, too heavy to comprehend. My lawyer is already whispering about appeals.
"We file tomorrow morning," he says under his breath, his fingers digging into my arm. "This isn't over."
"It feels over," I say, my voice trembling.
"It's not," he insists. "The evidence was circumstantial. We'll get this reversed, Rosie. I swear it."
"Don't swear things you can't guarantee," I say, my voice shaking. "Just file the appeal."
Knox brings the gavel down.
The sound echoes like a closing tomb. As the room erupts into the low roar of forty-three people who got exactly what they expected, Knox doesn't look at the gallery or the clerks. He stays on me.
A clerk leans in, whispering something to him, and the connection snaps. I'm suddenly just a convict again, a body in handcuffs being steered toward a door of no return.
Becca's voice cuts through the chaos, raw and breaking. "Rosie. Rosie, I'm going to fix this. I promise you, I'm going to fix this."
I want to scream that promises mean nothing, but the words won't come out. My throat won't open around them.
I don't look back. I can't.
This is a mistake, I tell myself. Someone will fix this. There are systems for this. Someone will find the truth and I'll go back to my textbooks and my ordinary life.
I tell myself this as the courtroom door clicks shut behind me.
The hallway hits me with fluorescent light that makes my eyes ache. Guards flank me on both sides. The air out here is different—no wood, no dread, just concrete and recycled nothing, and somehow that's worse.
I don't think about the evidence.
I think of Knox's eyes. The way they lingered a beat past the gavel. The way his voice changed when he said my name, just slightly, just enough.
I don't have a name for what I saw there.
I will.
POV: RedThey come for Nadia at dawn.I hear it before I see it. The particular quality of footsteps that aren't patrol footsteps, the count of them, the pace, and the way the cell block goes from its usual dense silence to a different kind of silence entirely. I'm already sitting up by the time the light comes through the corridor.Four guards. Pellerin in front.Nadia is awake. I know she is awake because she has been awake the same way I have been awake, both of us lying in our bunks with our eyes open in the dark for the past two hours because this island telegraphs things in the bone before it bothers with words. My first degree murder charge, my fifteen-year sentence, feels like a ghost in the room with us.She sits up when the lock turns.The charges take three minutes to read. Pellerin reads them from a paper he holds very flat and level, his voice carrying the practiced neutrality of a man performing a bureaucratic function and finding it neither interesting nor troubling. My
They lock us in our cells for two days. No yard hour. No workshop. Food pushed through the door slot by guards who don't make eye contact and don't answer questions. The facility has gone into the specific tense quiet of a place that is deciding what version of itself it's going to be on the other side of something bad. My first degree murder charge, my fifteen-year sentence, feels heavier than ever in the suffocating silence.Nadia and I don't talk much. There isn't much to say that isn't just fear dressed up as conversation and we're both past performing for each other.I lie on my bunk and stare at the ceiling and think about Masson on the laundry room floor and think about Girard's eyes in the yard and think about the fact that I have spent six weeks building a careful architecture of small protections and in one night it developed a crack I don't know how to repair yet.On the third morning they let us out.He comes down from the tower at nine in the morning.I know it's signific
Masson finds me on a Wednesday.I've been watching it coming. The way he moves through my section of the yard now has a different quality to it, slower, more deliberate, like a man who thinks he owns something and wants everyone to notice. During count his eyes find me with this little flicker of satisfaction that makes my stomach turn. He has something on me and he knows it and now he wants more. He knows I'm in here for first degree murder, fifteen years, and he thinks that makes me desperate. Easy.He catches me in the corridor outside the workshop during the afternoon overlap. He doesn't grab me. That's not his style and we both know it. He just steps into my path and stops and looks at me and tilts his head toward the laundry room. The invitation is clear in his eyes, a dark promise of what happens in closed doors.I hold his gaze and let the silence stretch just long enough to make him feel like I'm considering it. Like it's my choice."Pas maintenant," I say. Not now. I touch m
POV RedThe dark here has weight to it. Back home in New Orleans, dark meant the orange bleed of streetlights through cheap blinds and the muffled comfort of a neighbor's television through the wall. Here it's stone and salt air and the sound of women trying not to be heard. A silence that isn't silence at all.I've been staring at the underside of the top bunk for two hours."You not sleeping," Nadia says from the shadows."Neither are you."I hear her shift, turning toward me across the narrow gap. I can't see her face but I've learned to read her by the quality of her stillness."Qué piensas," she says. "What you are thinking about?"I consider lying. I don't. "The evidence," I say. "I keep going back to it."First degree murder. Fifteen years. The prosecutor had a voice like calm water and he used it to describe a crime so brutal, so meticulously planned, that the jury had no choice but to see me as a monster. He painted a picture of a woman who lured a man to his death, a woman w
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