MasukShe was hired to stand at the altar. She was never supposed to say I do. Naomi Bridges needed rent money, not a husband. But when a mysterious woman pays her to be a "stand-in bride" for a private ceremony, Naomi asks zero questions and signs every paper put in front of her. Big mistake. Because the ceremony is real. The groom is real. And Adrian Holt, billionaire, is now her very real, very furious husband. With one ancient inheritance clause standing between Adrian and everything his father built, the marriage cannot be dissolved. Not for a year. Not without destroying him. So she moves into his mansion, survives his ice-cold mother, outlasts his beautiful ex and quietly begins to wonder why a photograph of her dead mother sits in a Holt family box dated twenty years ago. Then the real bride turns up dead. And someone sends Adrian a video that points directly at his wife. Naomi came for rent money. She stayed for answers. But the deeper she digs, the clearer it becomes that she wasn't chosen by accident... She was chosen because of who she really is. Some marriages are mistakes. Some mistakes are destiny.
Lihat lebih banyakAdrian's POVI turned back to the room.This was the plan. She walks. I stay. The room observes both of these things and draws the conclusions it is designed to draw. I remain present and functional for the remainder of the evening because a man who has publicly dismissed his accidental wife and is unaffected by her departure is a man whose marriage is exactly as contractual and temporary as the room has always suspected.I turned back to the room and I began doing the thing I am very good at.Being present in the functional sense while processing something significant in the interior sense. These two activities do not conflict when you have been doing both simultaneously for long enough that the skill of separating them is no longer something you have to think about. You simply occupy the room with everything your social machinery requires and you let the other thing happen in the place where it happens and you do not let either interfere with the other.I had done this the morning a
Naomi's POVThe car arrived at seven-thirty exactly.I was ready at seven twenty-five, which was not like me. I am usually precisely on time rather than early, a habit developed from years of scheduling that left no margin. But tonight I had been ready for five minutes before the car came and I had spent those five minutes standing at the window in the burgundy dress looking at the manor grounds in the dark and doing the specific breathing of someone who is preparing for something difficult.Not afraid.Prepared. There is a difference.Adrian was in the entrance hall when I came downstairs. Dark suit. White shirt. The particular version of himself he deployed for significant evenings, the one that occupied a room before he said a word in it. He looked up when I reached the bottom of the stairs.He did not say anything.He did not need to. He had already said it in a corridor three days ago with three words that I had not stopped carrying since.We got in the car.---The gala was at a
Naomi's POVThe box arrived on a Wednesday morning.Lily brought it up, which required two trips because Helen had apparently packed it with the specific thoroughness of a woman who understood that something transported badly was something that arrived wrong. The dress box was large and flat and tied with dark ribbon and inside it, wrapped in layers of tissue that opened like the pages of something, was the gown.I sent Lily away before I opened it.Not unkindly. I just needed to be alone for this particular moment in a way I could not fully explain and did not try to.I closed the door.I sat on the edge of the bed with the box on my lap and the tissue paper parted and I looked at what Helen had made.---The colour was the first thing.Deep burgundy. Not the safe dark colour I had spent years choosing because dark colours were what you chose when you had been taught that your job in a room was to minimise. Not that. This was deliberate. This was a colour that announced itself and
Naomi's POVWe did not go back to the manor immediately.We sat in the car outside the hospital for twenty minutes first because there were things that needed to be decided before we returned to a house that had ears we had not fully identified and walls that apparently did not hold sound as well as they should.Adrian outlined the broad structure of the plan. I listened. I asked questions. We refined it between us the way we had been refining things for the last two weeks, neither of us deferring when we disagreed, neither of us pushing past the point where the other's objection had merit.By the time we reached the manor we had the skeleton of something.It needed flesh and timing and the specific detail that separated a convincing performance from a visible one. That required the temporary office and a closed door and a conversation with Darius about what Celeste could be trusted to see.We had all of that by ten o'clock that evening.---The temporary office had become a familiar






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