INICIAR SESIÓNIsabella POV
The gas is a sweet, cloying fog. It smells like rotting lilies. I know this scent. It is a high-end incapacitant. My lungs burn. I pull my silk sleeve over my mouth.
Julian speaks through the vents. His voice sounds thin and manic.
"Give me the offshore codes. Or we all sleep here forever."
I look at Eleanor. My mother leans against the bedframe. Her fingers twitch around the pistol. She looks at me. I see her pride. She refuses to fall. She thinks she owns the air in this room.
"You will get nothing," she rasps at the ceiling.
I drop to the floor. The air is thinner near the marble. My heart beats against my ribs. I am afraid. I am a Vane. We hide fear behind math. I count the seconds between my breaths.
The door stays sealed.
A loud thud echoes from the balcony. The metal shutters groan. They rip outward. A shadow enters the room through the smoke.
Liam.
He wears a tactical respirator. He looks at me. He does not look at my mother. He moves with purpose. He is a predator in a burning house.
"Mask."
He presses the rubber to my face. I breathe. The oxygen is cold. It clears the fog in my brain. He pulls me up. His hand is a solid weight on my waist.
"We must go."
"Wait." I point to the suitcase on the floor. "The blueprints are in there. And my mother has the sapphire."
"Take the case." Liam kicks the leather bag toward me.
He pries the stone from Eleanor's limp fingers. He looks at her. He hates her. His pride wants to leave her here. He wants justice for his mother.
The wall pulses red.
"Thermal sensors," I whisper. "Julian is burning the house."
Liam POV
The mansion is a tomb. Fire climbs the walls. Julian is a coward. He chose fire because he lacks the courage to face me.
I carry Isabella. She grips the suitcase. She is stubborn. She is a Vane. She keeps her leverage even while she chokes.
I feel a pang of insecurity. Does she want me? Or does she want the man who can save her assets? I push the thought away.
"The back exit is blocked," Felix reports through the earbud.
"The wine cellar," Isabella directs. "There is a tunnel."
We run. The floor is hot through my boots. We reach the cellar. The air smells of oak. Isabella pulls a specific bottle of Bordeaux. The wall swivels.
"Isabella." I stop her.
I pull her mask off for a second. I look at her eyes.
"If we leave, you are dead to the world. No more empire. No more Vane."
I want her to choose me over the money.
"I am a ghost."
I kiss her. She tastes like smoke.
We enter the tunnel. It is damp. The ceiling rumbles. The house is collapsing above us. We reach the boathouse. The night air is cold.
Julian stands on the dock.
He holds a flare gun. His clothes are scorched. He looks small. He looks broken.
"Julian. Put it down."
"The suitcase!" Julian screams. "Throw it in the water!"
I step in front of Isabella. My hand goes to my belt. I do not have a weapon. I have only my body.
Isabella steps around me.
"The suitcase is empty."
She opens the latches. Old ledgers fall out.
"I switched them while the gas filled the room," she explains. "The blueprints are ash."
Julian stares at the paper. His face goes blank. He is a man who lost his only map.
I lunge.
Julian steps back. He trips on the slick wood. The flare gun fires.
The orange light hits the fuel tank of a jet ski.
The explosion throws us back. Julian vanishes into the dark water. He does not resurface.
"Liam. The boat!" Isabella pulls my arm.
We jump onto the deck. I start the engines. We roar away. The Vane estate is a pillar of fire behind us.
Isabella POV
The sky is orange. I sit in the passenger seat. I look at the fire.
Everything I knew is gone. My bed. My books. My name.
I feel a sense of shame. I let Liam see me like this. I am a girl in a scorched white dress.
I reach into my pocket. I pull out a crumpled piece of paper.
"What is that?" Liam asks.
"The real codes. I memorized them."
I look at the ink. I look at the water.
I drop the paper. It disappears in the wake of the boat.
"Everything is gone."
Liam takes my hand. His skin is rough.
"Not everything."
We drive for hours after reaching the shore. We reach a cabin in the woods. It is quiet. Liam starts a fire. He gives me a blanket and a glass of wine.
"Why did you do it?" I ask.
Liam kneels. He looks at my hands.
"Because you were brave enough to throw it all away."
I feel a spark of hope. I move closer. I want to believe him.
A knock echoes on the door.
Three sharp strikes.
Liam reaches for his gun. He looks through the small window. His face goes pale. He loses his breath.
"Liam. Who is it?"
He opens the door.
A girl stands on the porch. She is wet from the rain. She shivers.
She wears a red dress.
She looks exactly like me. She has my eyes. She has my height.
"Isabella."
Her voice is my voice.
"Mother told me you were dead. She told me I was the only one left."
I look at her hands. She holds a tablet.
The screen shows a map. A blue dot pulses at our exact coordinates.
"There are two of us," she states.
She smiles. It is a sharp smile. It is the smile of a predator.
I see the screen change.
"The Medusa core is active."
She points the tablet at Liam.
"Kill him. Or I delete the world."
POV: LiamThe architecture of a trap is rarely made of steel. It is made of paper. Clauses. Sub-sections. Contingencies.I stepped into my penthouse, the air still smelling of the rain she had brought in earlier. The silence was heavy. It was a vacuum left behind by a specific frequency—I cut the thought. I moved to the window.The red dot on my chest wasn't there. I checked my reflection in the dark glass. Nothing. I had seen the feed Sarah showed Isabella in the alleyway. I knew the threat was real, but I also knew Sarah. She was a middleman. She wouldn't pull a trigger; she would only buy the person who did.The phone in my pocket vibrated. A private line. Not the one Isabella had. This was the line for the vultures."Sterling," I said."Mr. Sterling. This is Harrison Miller, from Miller & Associates. We represent the Eleanor Vane Legacy Trust."I sat at my desk. I didn't turn on the lights. I watched the grid of the city. Everything had a price. Every light was a bill bei
POV: IsabellaThe penthouse was a cage with a better view. Liam’s view.I stood in the center of the living room. The floor was polished stone. Cold. It reflected the recessed lighting like a dark lake. Outside the floor-to-ceiling windows, Manhattan was a grid of electric fire."The security is proprietary," Liam said. He was standing by the door, coat still on. He didn't come in. He hovered. "Encrypted biometric entry. No one gets in without my authorization. Not even the board.""I am not a board member," I said."You're a Vane.""That’s why I’m leaving."I set my bag on the marble counter. It made a soft thud. It was the only thing I owned that hadn't been searched by the DOJ or charred by the lighthouse fire. Inside was a change of clothes and the master drive."Isabella, the street is a mess," Liam said. His voice was tight. He moved with a slight hitch in his shoulder—a structural flaw I had caused. "The press is camped out at your father’s place. They’re at the office. This is
POV: LiamThe sun is a cold, flat coin over the city. It doesn’t provide heat. It just makes the glass of the Sterling Tower look sharper.I haven’t slept. My eyes feel like they’ve been rubbed with sand.I sat at my desk. The screen in front of me was a wall of scrolling text. White on black. The raw data dump from the house in New Jersey. Isabella’s "mirror."Every time a line of code flashed, I saw her face. The way she looked in the kitchen. The way she asked about the math.Interrupt the thought. Delete it.Reputation is a fragile structure. It’s built on the assumption of control. The moment the market smells a leak, the structure begins to groan."Liam."Felix didn't knock. He never knocks when the world is ending. He was holding a physical tablet. His hand was shaking."It’s out," Felix said."What’s out?""The Medusa specs. Not all of them. But enough."He slid the tablet across the desk.It was a blog. A high-traffic tech site that thrives on corporate blood. The headline wa
Isabella's POV The Vane Tower is an ivory cage. Glass and steel. It feels like it’s humming. A low, electric vibration in the floorboards.The DOJ is in the lobby. I can see them on the monitors. Men in windbreakers. They carry boxes. They look like movers, but they move like soldiers. They are here for the hard drives. They are here for my father.Arthur is in his office. The door is mahogany. It’s thick. I can still hear him screaming at a lawyer. The sound is muffled. Like a dog barking in a neighbor's yard.I sat in the corridor. I didn't hide. I sat on a bench meant for waiting.My phone buzzed.L.S.I didn't answer. I looked at the screen until it went dark. Then it buzzed again.I picked up. I didn't say hello."The service elevator," Liam said. His voice was tight. "The freight entrance on 48th. My team has the bypass.""I have the data," I said."Leave it. Just get out.""I can't leave it.""Isabella. Now."I stood up. My legs felt heavy. I went to the server r
Liam's POV The green line on the Bloomberg terminal is vertical. It doesn’t look like a trend. It looks like a needle.Sterling Tech (STK) up 12% in the first hour. Then 18%. The volume is high—institutional buyers, not retail. They saw the interview. They didn’t see a victim; they saw a Vane taking a side. In this market, certainty is more valuable than ethics.I watched the numbers flicker. My reflection was ghosted over the screen. Dark circles under my eyes. The bandage on my shoulder felt like a hot iron."The shorts are being squeezed," Felix said. He was pacing the length of my office. "Henderson is losing his shirt. He bet on your removal. Now he’s scrambling to buy back in before the price hits the ceiling.""It’s not a ceiling," I said. "It’s a bluff.""A profitable one. Isabella gave you the win, Liam. She validated your position. She told the world the merger was logical. That means the tech is real.""She told the world what she needed to tell them to stay alive."
Isabella's POV The room is gray. Padded walls. No windows. It is designed to make people talk. Silence in a room like this feels like a vacuum. It pulls the truth out of you just to fill the space.I sat in the middle. My hands were flat on the cold metal table. My father stood in the corner, a shadow in a three-thousand-dollar suit. He was checking his reflection in the two-way mirror."You look like a victim, Isabella," Arthur said. "That’s good. Keep the shoulders tight. Don't look at the lens. Look at the floor.""I am not a victim," I said."To the public, you are. Victims are profitable. Victims get sympathy. Sympathy buys us the time we need to finalize the Sterling acquisition."I didn't answer. I looked at the grain of the metal table. Small scratches. Probably from someone’s wedding ring. Or a pen."The journalist is a shark," Arthur continued. "Sarah Jenkins. She’ll try to bait you. She’ll ask about the fire. She’ll ask about the Sterling boy. You tell her you were







