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Élianor
The mirror in the entryway is my first enemy of the day. I lower my eyes too late. I've already seen the shapeless mass, the face too round, the beige sweater that bulges in all the places I'd like to hide. I'm seventeen years old, and my reflection is that of a shadow, thick and ill-defined.
A grunt behind me.
"You're blocking the way, Élianor. Can't even move around in our own house because of you."
My sister Liora's voice is a cleaver. She slips past me, thin and mean as a snake, her high school athlete's body gliding through the space without effort. Her gaze looks me up and down, a sneer of disgust on her lips.
"Seriously, try to stand up straight. You look like a sack of potatoes. And that sweater... what's it supposed to hide, exactly? The shame?"
I clench my teeth, my heart pounding fit to burst. Each word is a sting, precise and familiar. I shrink against the wall, the cold paint through the fabric, wishing I could disappear into the wallpaper flowers. I'm in my own home, and yet, I'm in the way. An awkward piece of furniture.
At the table, breakfast is another minefield. The smell of toasted bread, which should be comforting, smells like judgment. My mother heaves a theatrical sigh when she sees me take a slice.
"More bread, dear? You know, with your... constitution, maybe you should think about fruit. An apple is so refreshing."
She says "constitution" like one might say "shameful disease." She never really looks me in the face; her gaze slides over me like a persistent stain.
My father, behind his newspaper, chimes in without even looking up. His voice is an edict, distant and without appeal.
"She's right, Élianor. Obesity is a disease. It takes discipline. Willpower. Look at your sister."
Liora, right on cue, snickers, spreading a generous layer of butter and jam on her own toast.
"Discipline, she doesn't know. The only thing she's good at is filling her plate. And even then, half the time, she misses it."
Her shrill laugh pierces the room. I lower my head, cheeks burning. The toast I'm chewing tastes like ashes and guilt. Each bite is a sin, each chew damning proof of my lack of willpower. I am their designated scapegoat, the manufacturing defect in this family that considers itself perfect. Their contempt is a lead weight that crushes me a little more each day, burying me a little deeper.
The street leading to the high school is an ordeal I walk every morning, my stomach in knots. I'm seventeen, and I should be dreaming of freedom, first kisses, the future. Instead, I dream of invisibility. The glances of passersby slide over me, look away with cruel indifference or poorly concealed amusement. Whispers that crackle like a fire of twigs. Stifled laughs that sting the back of my neck. I recognize some faces. Former classmates who pretend not to see me. Neighbors who nod with false pity.
"Watch out, here it comes," murmurs a voice from a doorway.
"Move it, the boat's coming into port," shouts another, louder, from across the street.
I stare at the sidewalk in front of my feet, the cracked asphalt, the squashed gum. I try to make my body smaller, less visible, to hunch my shoulders, to suck in my stomach. In vain. My very existence is an inconvenience, an anomaly in the orderly, clean landscape of this small provincial town. I am the fat one. Fat Élianor. The one they laugh at between classes. The one they pity, sometimes, with a furtive glance quickly averted, before turning back to join in the general mockery.
I walk, head down, carrying the weight of their stares. Carrying the weight of my family. Carrying the weight of my own flesh, become a prison from which I don't know how to escape. Each step is an humiliation. Each breath, a shame. At seventeen, I am already a ruin, and the day has barely begun. The worst, I know, awaits me behind the high school doors.
Maxime, for his part, is sitting on the floor, with Lola on his knees, who is putting pigtails in his hair, who is putting barrettes, elastics, clips, everything she found, everything she could, everything she imagined, to make him beautiful, to make him pretty, to make him loved, to make him alive, to make him true, to make him everything, everything, everything, and he looks at her, he looks at her with his eyes that are his mother's, that are his brother's, that are those of this family we're building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and I see, I see in his eyes the surprise, the astonishment, the emotion, the love, everything one feels when a little girl takes you for her doll, for her toy, for her friend, for her brother, for her life, for her heart, for her soul, everything we have, everything we are, everything we will be, forever, for eternity, for the end of time, for everything we have, everything we don
Élianor The twins, they have no problem with the teenagers, no conflict, no argument, no war, they adore them, they adore them the way one adores one's big brothers, the way one adores those who are bigger, stronger, older, wiser, more experienced, more everything, everything, everything, and who can teach us things, show us things, share things with us, love things with us, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. Léon and Lola run after Mathis and Maxime as soon as they see them, as soon as they spot them, as soon as they hear them, as soon as they sense them, like little dogs, like little cats, like little children, who want attention, affection, love, tenderness, presence, life, everything they can have, everything they can give, everything they can receive, forever, for eternity, for the end of time, for ever
She looks at me, she looks at me with her eyes that are mine, that are those of our children, that are those of Viviane, that are those of this family we're building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and I see, I see in her eyes the fatigue, the exhaustion, the despair, the desire to let everything go, to abandon everything, to leave everything, to forget everything, everything, everything, everything, and I also see, I see in her eyes a smile, a small smile, a timid smile, almost fragile, a smile that says she's tired, but that she hasn't lost hope, that she hasn't lost faith, that she hasn't lost love, that she still believes, that she still hopes, that she still loves, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. "Tempting," she says in a voice that is now only a
Viviane and I look at each other, we look at each other with our eyes that are the same, that are those of this family we're building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and we sigh, we sigh the way mothers sigh, with that weariness, that patience, that tenderness, that strength, that will, that love, that allows us to bear the whims, the angers, the revolts, the teenagers, to love them anyway, to want them anyway, to desire them anyway, to keep them anyway, to protect them anyway, to defend them anyway, to save them anyway, to love them anyway, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. "That's enough," I say in a voice I want to be firm, that I want to be calm, that I want to be that of the mother, of the sister, of the family, of life, of the heart, of
ÉlianorThe first week is hell, chaos, war, a storm, everything one can imagine as worst, as most violent, as most destructive, when you put three teenagers who hate each other, despise each other, fear each other, dread each other, loathe each other, in the same middle school, in the same classes, in the same hallways, in the same courtyards, in the same life, forever, for eternity, for the end of time, for everything they have, everything they are, everything they will be, if we want, if we dare, if we believe, if we hope, if we love. Mathis and Maxime, the brothers, the inseparable ones, the two musketeers, the two lovebirds, the two boys who grew up together, who shared everything, lived through everything, endured everything, suffered everything, lost everything, gave everything, sacrificed everything, sold everything, betrayed everything, abandoned everything, left everything, forgot everything, everything, everything, everything, and who can't stand someone
ÉlianorThe middle school is a large gray building, austere, imposing, with its wrought-iron gates, its asphalt courtyards, its buildings that seem to rise like ramparts against the outside world, against life, against love, against everything that isn't school, grades, teachers, the hours of class that tick by, monotonous, interminable, like a rosary recited without believing in it, without thinking about it, without being there, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. We're here, Viviane and I, with Mathis, Maxime, and Liora, the three teenagers, the three brothers and sister, the three strong-willed personalities, the three storms that ignore each other, that seek each other, that find each other, that tear each other apart, that love each other, that hate each other, that build themselves, stone by stone, day after day,







