LOGINÉlianor is a young woman whose existence has been a long suffering. Due to her weight, she was the target of mockery her entire life, both within her family and throughout the city. The walls of the school became the stage for her daily and relentless harassment. Her torment reached its peak during a public humiliation, so cruel and violently orchestrated that she found herself covered in an indelible disgrace in the eyes of all. Broken and consumed by shame, she had no choice but to flee this city that had become a hell. Her exile was marked by an additional drama: she left, carrying a child whose paternity she did not know, possibly the result of ultimate violence or a desperate relationship. Five years later, Élianor returns. The timid and wounded girl has disappeared. In her place stands a woman of breathtaking beauty, slim and radiant, possessing a power and authority that cannot be contested. She returns to the land of her former nightmare with a single obsession: to take revenge with cold methodical precision on all those who broke her, and to make the entire city pay the price for its indifference and cruelty.
View MoreÉlianor
The mirror in the entryway is my first enemy of the day. I lower my eyes too late. I've already seen the shapeless mass, the face too round, the beige sweater that bulges in all the places I'd like to hide. I'm seventeen years old, and my reflection is that of a shadow, thick and ill-defined.
A grunt behind me.
"You're blocking the way, Élianor. Can't even move around in our own house because of you."
My sister Liora's voice is a cleaver. She slips past me, thin and mean as a snake, her high school athlete's body gliding through the space without effort. Her gaze looks me up and down, a sneer of disgust on her lips.
"Seriously, try to stand up straight. You look like a sack of potatoes. And that sweater... what's it supposed to hide, exactly? The shame?"
I clench my teeth, my heart pounding fit to burst. Each word is a sting, precise and familiar. I shrink against the wall, the cold paint through the fabric, wishing I could disappear into the wallpaper flowers. I'm in my own home, and yet, I'm in the way. An awkward piece of furniture.
At the table, breakfast is another minefield. The smell of toasted bread, which should be comforting, smells like judgment. My mother heaves a theatrical sigh when she sees me take a slice.
"More bread, dear? You know, with your... constitution, maybe you should think about fruit. An apple is so refreshing."
She says "constitution" like one might say "shameful disease." She never really looks me in the face; her gaze slides over me like a persistent stain.
My father, behind his newspaper, chimes in without even looking up. His voice is an edict, distant and without appeal.
"She's right, Élianor. Obesity is a disease. It takes discipline. Willpower. Look at your sister."
Liora, right on cue, snickers, spreading a generous layer of butter and jam on her own toast.
"Discipline, she doesn't know. The only thing she's good at is filling her plate. And even then, half the time, she misses it."
Her shrill laugh pierces the room. I lower my head, cheeks burning. The toast I'm chewing tastes like ashes and guilt. Each bite is a sin, each chew damning proof of my lack of willpower. I am their designated scapegoat, the manufacturing defect in this family that considers itself perfect. Their contempt is a lead weight that crushes me a little more each day, burying me a little deeper.
The street leading to the high school is an ordeal I walk every morning, my stomach in knots. I'm seventeen, and I should be dreaming of freedom, first kisses, the future. Instead, I dream of invisibility. The glances of passersby slide over me, look away with cruel indifference or poorly concealed amusement. Whispers that crackle like a fire of twigs. Stifled laughs that sting the back of my neck. I recognize some faces. Former classmates who pretend not to see me. Neighbors who nod with false pity.
"Watch out, here it comes," murmurs a voice from a doorway.
"Move it, the boat's coming into port," shouts another, louder, from across the street.
I stare at the sidewalk in front of my feet, the cracked asphalt, the squashed gum. I try to make my body smaller, less visible, to hunch my shoulders, to suck in my stomach. In vain. My very existence is an inconvenience, an anomaly in the orderly, clean landscape of this small provincial town. I am the fat one. Fat Élianor. The one they laugh at between classes. The one they pity, sometimes, with a furtive glance quickly averted, before turning back to join in the general mockery.
I walk, head down, carrying the weight of their stares. Carrying the weight of my family. Carrying the weight of my own flesh, become a prison from which I don't know how to escape. Each step is an humiliation. Each breath, a shame. At seventeen, I am already a ruin, and the day has barely begun. The worst, I know, awaits me behind the high school doors.
ÉlianorFour years.Time hasn't flowed. It has solidified, poured into a new, indestructible form. It has melded into the walls of this house, into the rhythm of the seasons in the garden, into the twin and perfectly synchronized growth of what we have built.I am standing at the French window of the study, the one that opens onto the west terrace. My hands, once clenched in fists of rage or fear, rest flat on the oak frame. They are calm. They have learned to caress, to hold, to build. To embrace two small bodies at once.Behind me, in the vast, book-lined space, reigns a silence that is in no way hereditary. It's a chosen silence, active, charged with the presence of two beings born from the same breath, who absorb the world in mirror image.I turn around.On the immense Persian rug, where the afternoon light draws a rectangle of gold, they sit side by side. Léon. Lilou.My twins.They are four years old. Two halves of the same whole, yet already so distinct. Léon is bent over a woo
ÉlianorThe silence envelops me, but here, it's not the purchased silence of a hotel. It's an hereditary silence. It's woven into the heavy silk drapes, embedded in the dark woodwork, muffled by the Oriental rugs that swallow every footstep. It reigns in this dwelling that isn't a rental, but a return.Martha's house.I understand upon entering. The elderly man who greets us at the threshold isn't a hired butler. His eyes glisten when they meet Martha's gaze."Madame Martha. Welcome home."His voice trembles slightly. "Everything has been prepared according to your instructions. The rooms on the first floor, as in the old days."Martha places a hand on his forearm, a gesture of striking intimacy. "Thank you, Charles. We've missed you."We enter. The immense entrance hall isn't just vast and bright; it's populated by elegant ghosts. Portraits in gilded frames follow our progression. I recognize Martha's piercing gaze, younger, in one of them. A man with a gray mustache, her father, in
SabrinaHe leaves his sentence hanging, but the implication is clear. If someone starts digging into the past, our plans risk collapsing like a house of cards. And worse yet."I… I never thought of that," I admitted, my voice weak. "The accident… it was before. Long before I started… to envision all this. It was a fact. A tragedy. A period.""Nothing is ever a period, Sabrina. Everything is a comma in a long sentence. And that sentence is our life. Our future."He comes back to sit across from me, calmer, but more threatening in his very calmness."We need to speed things up. We need to take back control. The girl… if you refuse to kill her, we must at least be certain she will never again pose a threat. We have to find her. Check her condition. Make sure she's truly incapable of harming us. And him… the father… we need to move the date up. We can't wait any longer.""Move the date up? Kill him now? But the suspicion…""The suspicion will be the same in a month or in a week. But in a
SabrinaHis finger traces absent patterns on the Formica table of the hotel room, different from the last time. This one smells of mold and cheap despair. The carnal pleasure of our last encounter has vanished, leaving behind an atmosphere of funereal conspiracy. The tension is no longer sexual—it is financial. And murderous."It's dragging, Sabrina. It's dragging too much."His voice is a flat thread, without anger this time, but with a dangerous weariness. He doesn't look at me; he looks at his own hands as if they already bore the weight of the gold we covet."I know," I say, trying to keep my own voice steady. "But things have to appear natural. One disappearance, then another... That attracts attention.""Attention?" He finally looks up. His eyes are cold, calculating. "We've already attracted attention when the fat one disappeared. Your daughter noticed, didn't she? The husband? No one comes knocking at your door? No. Because she was garbage. No one mourns garbage. But him... th


















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