LOGINÉlianor
The two weeks that follow are a waking dream, a golden, unreal reverie from which I fear waking at every moment. Raphaël doesn't just keep his promise. He embodies it.
He is everywhere.
The day after our meeting in the park, I return to school, fear in my belly, expecting fresh torment. But at my locker, a wildflower, a cornflower, is slipped into the vent. No note. Just this bright splash of color against the gray metal. My heart leaps.
In the hallway, he walks beside me. He doesn't take my arm, doesn't clasp my hand; his presence alone is a declaration. He speaks, his calm voice covering the whispers.
"Did you finish the book I told you about, Élianor?"
The looks are different. Less contempt, more astonishment. Curiosity. Even jealousy, in the eyes of some girls.
The days pass. The cornflower is replaced by a daisy, then by a small sprig of lilac. Every morning, a silent surprise awaits me. He thwarts all my plans to eat alone, sitting across from me in the cafeteria with his tray. He doesn't even seem to notice the sidelong glances, the stifled laughs that gradually become less frequent.
"Tell me," he says. "Tell me what you think of this poetry."
He listens to me. Truly. His green eyes are fixed on mine, he nods, he smiles at my thoughts. He treats me like an intellectual, like an equal. He speaks of my "eyes full of storms" and the "softness" of my voice. His compliments are lifebuoys I cling to, keeping me above the surface of an ocean of doubt.
Our secret meetings at the old mill become a habit. On evenings when I can slip away, we meet there, sitting on the cold stone, watching the river flow. He moves closer. One evening, his shoulder brushes mine. A shiver runs through me. Another evening, he brushes a strand of hair from my face, his fingers grazing my cheek. I hold my breath.
"You are so different from them, Élianor. So much more... real."
His words are balm on the scars left by "whale" and "fatso." Under his gaze, I begin, timidly, to exist. I catch myself smiling. Even laughing, a forgotten sound, foreign to my own ears. I catch myself forgetting, at times, the weight of my body. He never mentions it. It's as if, for him, this shell doesn't exist. He only sees the inside, the soul he claims to discover.
It's an assiduous, patient, bewitching courtship. He builds around me a glass palace of attention and gentle words. I settle into it, I feel safe there, protected. Loved? Hope, forbidden and crazy, germinates in my wounded heart. What if it were true? What if he, Raphaël, saw what no one else had ever seen?
One night, under the moon, as the song of crickets lulls our silences, he turns to me. His face is so close I can feel his breath on my skin.
"Élianor," he whispers.
He says nothing else. He needs no words. He leans in and brushes his lips against mine. A kiss. Light as a feather, brief as a wingbeat. The first. A spark of pure magic in my night.
When he pulls back, I am petrified, breathless, my lips burning. He smiles, a smile both sad and sweet.
"I have to go. See you tomorrow."
He leaves, leaving me alone, trembling, my heart pounding. I bring my fingers to my lips. The taste of him is still there. The taste of the lie, too, but I am too drunk to recognize it.
I go home that night floating. My sister, Liora, gives me a sidelong glance, contemptuous, but also intrigued.
"You look weird. Did you find another bag of chips to devour?"
I don't answer. I go up to my room, I look at myself in the mirror. My reflection is the same. The shapeless mass, the round face. But for the first time, I think I see, in my gray eyes, a glimmer. A glimmer that Raphaël has lit there.
I lie down, face buried in the pillow, reliving that kiss again and again. It is the most beautiful night of my seventeen years. The sweetest. The cruelest.
I do not yet know that I am dancing on a tightrope, above an abyss. I do not know that every tender look, every flower, every gentle word is a chisel blow that weakens the ice beneath my feet a little more. Raphaël is not my savior.
He is the architect of my ultimate fall. And in two weeks, to the day, he will himself push open the trapdoor.
I look at him, I look at him with his eyes that are his, that are Marcus's, that are Viviane's, that are this family's we are building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and I say to him, in a voice I want to be soft, I want to be tender, I want to be that of the mother, of the one who reassures, who protects, who defends, who keeps, who saves, a voice that does not tremble, that does not crack, that does not break, a voice that says that everything is fine, that everything will be fine, that everything is good, because I am here, because Marcus is here, because Matha is here, because Liora is here, because we are here, together, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love:— A little, my darling, a little, I cried a little, but they were tears of joy, tears of happiness, tears of love, be
ÉlianorWe go home, Marcus drives, I look out the window, I look at the streets, the buildings, the people, everything that is there, everything that lives, everything that exists, without knowing, without understanding, without imagining, that I have met my mother, my real mother, the one who carried me, brought me into the world, held me in her arms, the one who loved me, who lost me, who looked for me, who found me, who loved me, and that everything has changed, that everything has shifted, that everything has been rebuilt, loved, forgiven, saved, perhaps, one day, if I want, if I can, if I still can, after all these years, after all these lies, after all these fears, after all these flights, if I want to be her daughter, if she wants to be my mother, if we want to be a family, if we want to find each other, talk to each other, love each other, live, finally, after all these years, after all these lies, after all these fears, after all these flights, together, for good, forever, wh
— So? I ask in a voice I want to be calm, I want to be composed, I want to be the one who supports, who reassures, who protects, who defends, who keeps, who saves, but which trembles, which cracks, which breaks, because it's too much, too much waiting, too much hope, too much fear, too much of everything, so, Élianor, so, how did it go, what did she say to you, what did you say to her, what did you do, what did you experience, what did you love, tell me, tell me everything, tell me what happened, tell me what you feel, tell me what you think, tell me what you want, tell me what you hope for, tell me what you believe, tell me what you love, tell me, Élianor, tell me.She stops in front of me, she looks at me, she looks at me for a long time, a very long time, with her eyes that are mine, that are our children's, that are Viviane's, that are this family's we are building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and she says to me,
— Not yet, she says in a voice that is nothing more than a whisper, a voice that comes from somewhere inside her she had never explored, a child's voice, a voice that is afraid, a voice that hurts, a voice that hopes, a voice that believes, a voice that loves, a voice that says "not yet, Mom, not yet, I am not ready, I haven't had time to prepare myself, to reflect, to accept, to forgive, to love, not yet, Mom, not yet, I need time, time for myself, time for you, time for us, time to learn to be your daughter, to be your family, to be your life, your heart, your soul, everything you have, everything you are, everything you will be, not yet, Mom, not yet, but soon, soon, I promise you, soon, you will be able to meet them, to see them, to touch them, to feel them, to love them, you will be able to take them in your arms, hold them against you, tell them that you are their grandmother, that you love them, that you will always love them, whatever happens, whatever they do, whatever they s
VivianeI look at her, I look at her with my eyes that are hers, that are her children's, that are Marcus's, that are this family's we are building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and I feel, I feel that it's the moment, that it's the instant, that it's now, now to speak to her about her children, about my grandchildren, about these beings I have never seen, I have never touched, I have never loved, but whom I love, whom I already love, without knowing them, without ever having seen them, without ever having touched them, without ever having loved them, but by loving them, because they are her daughter, her son, her blood, her flesh, her life, her heart, her soul, everything she has, everything she is, everything she will be, and because they are my grandchildren, because I am their grandmother, because that's what it is, a grandmother, grandchildren, something that cannot be erased, cannot be forgotten, cannot be betray
ÉlianorViviane takes a deep breath, she closes her eyes, she opens them, she looks at me, she looks at me with her eyes that are mine, that are my children's, that are Marcus's, that are this family's we are building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and she continues, she continues to recount, to say, to share, to give, to offer, to love, everything she lived, everything she endured, everything she suffered, everything she lost, everything she gave, everything she sacrificed, everything she sold, everything she betrayed, everything she abandoned, everything she left, everything she forgot, everything, everything, everything.— Sabrina was my friend, she says in a voice that trembles, that cracks, that breaks, a voice that comes from somewhere inside her she had never explored, a child's voice, a voice that is afraid, a voice that hurts, a voice that hopes, a voice that believes, a voice that loves, a voice that tells the







