MasukÉlianor
The two weeks that follow are a waking dream, a golden, unreal reverie from which I fear waking at every moment. Raphaël doesn't just keep his promise. He embodies it.
He is everywhere.
The day after our meeting in the park, I return to school, fear in my belly, expecting fresh torment. But at my locker, a wildflower, a cornflower, is slipped into the vent. No note. Just this bright splash of color against the gray metal. My heart leaps.
In the hallway, he walks beside me. He doesn't take my arm, doesn't clasp my hand; his presence alone is a declaration. He speaks, his calm voice covering the whispers.
"Did you finish the book I told you about, Élianor?"
The looks are different. Less contempt, more astonishment. Curiosity. Even jealousy, in the eyes of some girls.
The days pass. The cornflower is replaced by a daisy, then by a small sprig of lilac. Every morning, a silent surprise awaits me. He thwarts all my plans to eat alone, sitting across from me in the cafeteria with his tray. He doesn't even seem to notice the sidelong glances, the stifled laughs that gradually become less frequent.
"Tell me," he says. "Tell me what you think of this poetry."
He listens to me. Truly. His green eyes are fixed on mine, he nods, he smiles at my thoughts. He treats me like an intellectual, like an equal. He speaks of my "eyes full of storms" and the "softness" of my voice. His compliments are lifebuoys I cling to, keeping me above the surface of an ocean of doubt.
Our secret meetings at the old mill become a habit. On evenings when I can slip away, we meet there, sitting on the cold stone, watching the river flow. He moves closer. One evening, his shoulder brushes mine. A shiver runs through me. Another evening, he brushes a strand of hair from my face, his fingers grazing my cheek. I hold my breath.
"You are so different from them, Élianor. So much more... real."
His words are balm on the scars left by "whale" and "fatso." Under his gaze, I begin, timidly, to exist. I catch myself smiling. Even laughing, a forgotten sound, foreign to my own ears. I catch myself forgetting, at times, the weight of my body. He never mentions it. It's as if, for him, this shell doesn't exist. He only sees the inside, the soul he claims to discover.
It's an assiduous, patient, bewitching courtship. He builds around me a glass palace of attention and gentle words. I settle into it, I feel safe there, protected. Loved? Hope, forbidden and crazy, germinates in my wounded heart. What if it were true? What if he, Raphaël, saw what no one else had ever seen?
One night, under the moon, as the song of crickets lulls our silences, he turns to me. His face is so close I can feel his breath on my skin.
"Élianor," he whispers.
He says nothing else. He needs no words. He leans in and brushes his lips against mine. A kiss. Light as a feather, brief as a wingbeat. The first. A spark of pure magic in my night.
When he pulls back, I am petrified, breathless, my lips burning. He smiles, a smile both sad and sweet.
"I have to go. See you tomorrow."
He leaves, leaving me alone, trembling, my heart pounding. I bring my fingers to my lips. The taste of him is still there. The taste of the lie, too, but I am too drunk to recognize it.
I go home that night floating. My sister, Liora, gives me a sidelong glance, contemptuous, but also intrigued.
"You look weird. Did you find another bag of chips to devour?"
I don't answer. I go up to my room, I look at myself in the mirror. My reflection is the same. The shapeless mass, the round face. But for the first time, I think I see, in my gray eyes, a glimmer. A glimmer that Raphaël has lit there.
I lie down, face buried in the pillow, reliving that kiss again and again. It is the most beautiful night of my seventeen years. The sweetest. The cruelest.
I do not yet know that I am dancing on a tightrope, above an abyss. I do not know that every tender look, every flower, every gentle word is a chisel blow that weakens the ice beneath my feet a little more. Raphaël is not my savior.
He is the architect of my ultimate fall. And in two weeks, to the day, he will himself push open the trapdoor.
Maxime, for his part, is sitting on the floor, with Lola on his knees, who is putting pigtails in his hair, who is putting barrettes, elastics, clips, everything she found, everything she could, everything she imagined, to make him beautiful, to make him pretty, to make him loved, to make him alive, to make him true, to make him everything, everything, everything, and he looks at her, he looks at her with his eyes that are his mother's, that are his brother's, that are those of this family we're building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and I see, I see in his eyes the surprise, the astonishment, the emotion, the love, everything one feels when a little girl takes you for her doll, for her toy, for her friend, for her brother, for her life, for her heart, for her soul, everything we have, everything we are, everything we will be, forever, for eternity, for the end of time, for everything we have, everything we don
Élianor The twins, they have no problem with the teenagers, no conflict, no argument, no war, they adore them, they adore them the way one adores one's big brothers, the way one adores those who are bigger, stronger, older, wiser, more experienced, more everything, everything, everything, and who can teach us things, show us things, share things with us, love things with us, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. Léon and Lola run after Mathis and Maxime as soon as they see them, as soon as they spot them, as soon as they hear them, as soon as they sense them, like little dogs, like little cats, like little children, who want attention, affection, love, tenderness, presence, life, everything they can have, everything they can give, everything they can receive, forever, for eternity, for the end of time, for ever
She looks at me, she looks at me with her eyes that are mine, that are those of our children, that are those of Viviane, that are those of this family we're building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and I see, I see in her eyes the fatigue, the exhaustion, the despair, the desire to let everything go, to abandon everything, to leave everything, to forget everything, everything, everything, everything, and I also see, I see in her eyes a smile, a small smile, a timid smile, almost fragile, a smile that says she's tired, but that she hasn't lost hope, that she hasn't lost faith, that she hasn't lost love, that she still believes, that she still hopes, that she still loves, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. "Tempting," she says in a voice that is now only a
Viviane and I look at each other, we look at each other with our eyes that are the same, that are those of this family we're building, stone by stone, day after day, hope after hope, forgiveness after forgiveness, love after love, and we sigh, we sigh the way mothers sigh, with that weariness, that patience, that tenderness, that strength, that will, that love, that allows us to bear the whims, the angers, the revolts, the teenagers, to love them anyway, to want them anyway, to desire them anyway, to keep them anyway, to protect them anyway, to defend them anyway, to save them anyway, to love them anyway, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. "That's enough," I say in a voice I want to be firm, that I want to be calm, that I want to be that of the mother, of the sister, of the family, of life, of the heart, of
ÉlianorThe first week is hell, chaos, war, a storm, everything one can imagine as worst, as most violent, as most destructive, when you put three teenagers who hate each other, despise each other, fear each other, dread each other, loathe each other, in the same middle school, in the same classes, in the same hallways, in the same courtyards, in the same life, forever, for eternity, for the end of time, for everything they have, everything they are, everything they will be, if we want, if we dare, if we believe, if we hope, if we love. Mathis and Maxime, the brothers, the inseparable ones, the two musketeers, the two lovebirds, the two boys who grew up together, who shared everything, lived through everything, endured everything, suffered everything, lost everything, gave everything, sacrificed everything, sold everything, betrayed everything, abandoned everything, left everything, forgot everything, everything, everything, everything, and who can't stand someone
ÉlianorThe middle school is a large gray building, austere, imposing, with its wrought-iron gates, its asphalt courtyards, its buildings that seem to rise like ramparts against the outside world, against life, against love, against everything that isn't school, grades, teachers, the hours of class that tick by, monotonous, interminable, like a rosary recited without believing in it, without thinking about it, without being there, forever, for eternity, for the end of time, for everything we have, everything we don't have, everything we will have, if we want, if we dare, if we believe, if we hope, if we love. We're here, Viviane and I, with Mathis, Maxime, and Liora, the three teenagers, the three brothers and sister, the three strong-willed personalities, the three storms that ignore each other, that seek each other, that find each other, that tear each other apart, that love each other, that hate each other, that build themselves, stone by stone, day after day,







