MasukThe fever comes back in pulses, like a second heartbeat under my skin. I pace the length of my apartment—six strides from the warped door to the bathroom, five if I avoid the spot where the floor sags. Every lap, I catch a different angle of myself in the sliver of hallway mirror, and every time I look, my eyes seem stranger than before. The iris gone flat, pupil so wide it’s swallowing the brown, eating it alive.
I can feel the moon. I can fucking feel it, heavy and ripe, even before it scrapes the horizon. The air is blue with dusk, and every surface in my place is sweating condensation, like the building knows it’s about to be gutted and wants to get a head start. I strip off my hoodie, then the thermal, but my skin is crawling underneath. It’s not a metaphor—it’s literal, every hair follicle tingling, nerves misfiring so bad I can barely stand to touch myself.
The fever should have burned itself out by now. If this was flu or staph, I’d be on the mend, or at least delirious enough not to care. Instead, I’m locked in: clear-headed and twitchy, every muscle in my body set to vibrate. I try to ground myself. I check the windows: locked, duct-taped at the corners, the kind of job you do when you’re broke and paranoid. I deadbolt the front door and wedge a chair under the knob. I open the fridge and stare at the contents—half a pizza, three beers, a brick of cheddar that smells like old socks—and close it again, because the light is too bright and the hunger is a different animal tonight.
I make myself count the steps again. I even wipe down the counter, the act of cleaning giving my hands something to do besides shake. I grab the remote and flick the TV on. Static. I punch it off, the silence louder than the noise. The only real sound is the steady drip from the bathroom faucet, and it’s so rhythmic, so insistent, that it might as well be Morse code. My skin crawls with every drop.
Another pulse of fever hits. I grab the counter and hold on, knuckles going white, the laminate beneath my hand buzzing like it’s hooked to a generator. I breathe deep, but it’s no use—the apartment reeks of sweat and something darker, a spicy, animal stench that clings to the furniture and the thrift-store carpet. It’s me, I know it’s me, but the smell registers as not-me, and that’s almost worse.
I go to the window. I peel back the blind, just enough to see the slice of sky above the rooftops. It’s purple-black, with a fat sliver of moon bulging over the pines. I feel a twist in my gut—a hook, deep and insistent. I drop the blind, stumble back, and catch my shoulder on the edge of the kitchen table. The pain is sharp, but it only makes my nerves fizz harder.
I duck into the bathroom and flip on the light. I don’t want to look, but I have to. The mirror is clouded with steam from my own body. I wipe it with my wrist and stare.
The face that stares back is raw and unfamiliar. Lips gone pale, cheeks hollow, eyes so dark they look inked. My hair is plastered to my skull, and my skin is shiny with sweat. I open my mouth, half-expecting to see fangs or something just as bad, but it’s just teeth. My canines are long, though. Sharp enough that I have to run my tongue over them to be sure they’re not fake.
I blink, and for a second, the eyes in the mirror flash silver. I jerk back, hit the wall, and nearly slide down to the floor. The air in here is syrup-thick, loaded with the scent of bleach and mildew and the iron tang of blood. I can still taste it in the back of my throat, old and metallic.
I make it to the sink and run cold water over my wrists. It helps, but only for a second. The next wave is coming, I can feel it—a tidal force rising in my bones, pressure building in every joint. I press my forehead to the mirror, eyes squeezed shut, and try to breathe through it.
The first bolt of pain comes from nowhere. It doubles me over, white-hot and needle-fine, running the length of my spine. I gag, bile flooding my mouth. The pain keeps going, sharp as a crowbar, splitting through ribs and hips and knees. I crumple, hands scrabbling at the tile for something—anything—to hold on to.
Moonlight slides through the cracked window and pools across the floor, a pale smear that glows brighter with every passing second. It lights up the mildewed ceiling, the spiderweb crack that runs from the fan to the peeling paint above the tub. It lights up my hands, too, fingers splayed against the tile, the skin over my knuckles gone paper-thin and trembling.
I try to stand, but my knees give out. The next hit of pain is deeper, a twisting, grinding sensation that makes my jaw snap shut so hard I taste blood. I want to scream, but I can’t. My lungs are locked. Every muscle is locked. I can only ride it, each wave hotter and harder than the last.
My temperature spikes. Sweat beads on my chest and runs down my sides, but the air in the apartment is freezing cold. I can see my breath, little ghosts of vapor curling in the air each time I manage to suck in a gasp. The sweat doesn’t cool me—it just slides over my skin and soaks into the waistband of my underwear, pooling under my back when I finally collapse onto the bathroom floor.
The world is made of noise now: the thunder of the faucet, the rattle of my teeth, the bass drum of my own pulse. I can smell everything—the old cigarettes in the drywall, the disinfectant in the mop bucket, the layer of funk from a hundred late nights at the bar. Underneath it all, there’s a cleaner note: pine sap and the faint, medicinal sweetness of snow.
The pain fractures, then coalesces in my hands. I stare as the joints swell, fingers thickening and curling. The nails go black at the tips, lengthening into curved points. I try to flex them, but the tendons are too tight, the muscles ballooning underneath the skin. I rake them across the tile and leave deep gouges, little ribbons of linoleum curling up in the wake.
I roll onto my side, sweat pooling around my face, and try to hold onto a single thought. Just one. I don’t want to die here, I think. I don’t want to be alone when it happens. But the wolf in my chest doesn’t care about want or need—it only cares about the moon, and the wild, and the rip of muscle through skin.
I drag myself back to the hallway, hand over hand, nails scratching the wood with every crawl. My vision doubles, then triples, then tunnels down to a single point of light. The apartment is a haunted house, every shape warped and monstrous, the shadows crawling with things I don’t want to name.
The next wave of pain starts in my jaw. My teeth are too big for my mouth, crowding against the bone, shifting in the gums. I bite down, but the pressure is too much—something cracks, and the taste of blood goes from memory to fresh, hot reality.
I look up, and the hallway mirror is right there. My reflection is a smear of sweat, eyes blown wide and rimmed with silver. My lips pull back in a snarl, and the teeth behind them are animal. The pupils are huge, swallowing the iris, ringed with a flickering light that isn’t human.
The world tilts. The moon rises. The fever breaks, and I break with it.
The last thing I remember is the sound of my own bones, shifting under the skin—like the world’s worst knuckle crack, drawn out forever.
Then everything goes white.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







