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Seven: Wren

last update آخر تحديث: 2025-12-10 12:08:23

I claw my way back to the surface in a tangle of sweat-soaked sheets and the relentless thud of my own heart, which feels too big and too fast for the cage of my ribs. The fever’s not just heat now—it’s kinetic, a storm of muscle spasms and twitches that jerk my limbs in every direction at once. My arm bangs against the wall, a raw bolt of pain reminding me the wounds should be open, bleeding. Should be, but aren’t.

I manage to kick free of the blanket, rolling half off the mattress and onto the warped floorboards. The shock of cold against my skin jars me, makes the world snap into focus for a split second—long enough to see that my right arm isn’t dripping blood, but bound up in the same ugly strips of bedsheet I remember. I flex my hand, expecting agony. There’s pain, yeah, but it’s a dull echo, nothing like the bone-deep misery from before.

I drag myself upright, teeth chattering with the leftover charge of fever. My body feels hollowed out and refilled with something sharp, electric. I tug at the makeshift bandage with my left hand, unspooling it clumsily. It sticks to the scabbed-over wound, rips the new skin, and I brace myself for the red bloom of blood. There is some, but only a smear—no fresh torrent, no pulsing leak. Just a bite mark, pink and ugly, the edges already puckering together. It’s hot to the touch, but not festering. Healing. Too fast.

I stare, dumb, for a few seconds, then scrape my nails along the line of punctures. The sensation makes me shudder—not pain, but something deeper, a thrill that goes bone-deep and leaves my hands trembling.

Another sound cuts the air—closer this time, right at the edge of the buildings, maybe even inside the courtyard behind my apartment. A wolf, the same voice as before, but now I can hear the texture of it: the inhale before the note, the low rumble under the howl, the shape of the mouth that made it. My own mouth opens in response, and before I know what I’m doing, I let out a sound—not a howl, not a scream, just a weird, choked yelp that catches in my throat and dies in the air.

It’s ridiculous. It’s mortifying. I laugh, half out of shock, but the sound is wet and animal.

I curl forward, hands on my knees, trying to get control. Instead of normalcy, I get a rush of sensation: the faintest trace of every smell in the apartment, the stink of old coffee, the rotten fruit in the garbage, the iron tang of blood clinging to my skin. And underneath it all, the pine. The living, sap-dense, cold-breathing forest. It seeps in from the window and coats the inside of my head. My vision flickers and for a second, the trees are there again, crowding the edges of the room, branches scraping the walls, the moon pressed hard against the glass.

I squeeze my eyes shut and focus. It’s a trick I used to ground myself after panic attacks: name five things you can see, four you can touch, three you can hear, two you can smell, one you can taste. I try it now, but every answer is wrong. The apartment’s real, but layered underneath is the ghost of the woods, the sense that I’m not alone in here, that something’s pacing just out of sight, waiting for me to drop my guard.

There’s a sharp, sour taste in my mouth—blood and spit and something chemical. I run my tongue along my teeth and feel them all, whole and unbroken, but the canines are longer than I remember, pressing against the inside of my lip.

“Stop it,” I say, willing my brain to shut up, to let the weirdness go. But it doesn’t. If anything, the sensations crowd closer. I can hear my neighbor, three doors down, singing along with the radio. I can hear a mouse in the wall, chewing on insulation. I can hear the wolf in the courtyard, breathing. Waiting.

The fever breaks as abruptly as it started. One minute I’m burning up, the next I’m icy clear, mind sharp as a razor. I sit back on the mattress, or what’s left of it, and flex my hands. The wounds are already closing, skin shiny and new, as if the bite was days old instead of hours.

I should be terrified, but what I feel is a shaky, uncertain awe. I’ve never healed from anything this fast—hell, my last paper cut took a week. I poke at the scab again, and this time, it doesn’t even hurt.

The moonlight in the window is fading, replaced by the muddy blue of almost-morning. I stand, legs uncertain under me, and hobble to the bathroom. The face in the mirror looks like me, but not. The skin is pale, the eyes sunken, but there’s a brightness to them, a weird intensity that I’ve never seen before. I lean in closer, inspecting the iris. For a second—just a flicker—they catch the light and flash silver, the same cold shimmer as the wolf’s eyes in the woods.

I jerk back, heart hammering, then force myself to look again. Just brown now, plain and tired and unremarkable.

But I know what I saw.

I stagger back to the bed, wrap myself in the least disgusting blanket, and curl into a ball. I stare at the wall and wait for fear to settle in, for the panic to catch up to what just happened.

Instead, I feel…hungry. And restless. And weirdly, impossibly alive.

I close my eyes, willing sleep to take me, but it’s a long time before I drift off. Even then, I dream of forests and silver eyes and a pulse that’s no longer just mine.

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  • The Stray Moon   Thirty-Seven: Wren

    The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.

  • The Stray Moon   Thirty-Six: Wren

    For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces

  • The Stray Moon   Thirty-Five: Wren

    The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua

  • The Stray Moon   Thirty-Four: Wren

    I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching

  • The Stray Moon   Thirty-Three: Wren

    Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner

  • The Stray Moon   Thirty-Two: Wren

    The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit

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