Mag-log inThe trail is sloppy—amateur, almost—but there’s no mistaking it. The snow is scored with tracks, prints deep and wide apart, each stride a lunge, not a trot. Branches hang low where something crashed through, shedding ice crystals in lazy, glittering sheets. The woods are loud with moonlight, every shadow edged in silver, and the wind combs the treetops like fingers through brittle hair.
We move in formation, the others fanned out and silent, all eyes on the ground or the horizon. The only sound is the distant hush of the river and the occasional snap of a twig when Erik, predictably, misses his step. I motion for a halt and crouch at the print in front of me. It’s bigger than it should be, but I recognize the gait—human struggling against a body gone wrong.
“Here,” I say, tracing a finger through the trampled powder. There’s blood, bright and sharp, spraying in a fine arc from the heel. A limp, then—classic for the first night. Tessa closes in, nostrils flaring.
“She’s hurt,” Tessa says, and for a split second, I see pity in the way she kneels. She masks it fast, glances to me for orders.
“She’s alive,” I say. “And moving fast.”
We press on. The woods swallow sound, and even the scouts have to work to keep pace. Every so often, I catch a flicker of movement at my periphery—animal, not human, a fox or a shadow. I let my senses open, taste the air for the iron tang of blood and the animal stench that means one of us. It’s stronger than before, and now there’s a top note I don’t expect: fear, sure, but something floral under it, something almost sweet.
My hands clench, involuntary. I should be immune to the newness of this—first shifts, panic, the way a human tries to fight the beast and always loses. I remember my own, the cold stone at my back and my father’s voice outside the cell, counting the seconds. He said it would be like drowning. He wasn’t wrong.
We pick up speed, the path winding tighter, the prints overlapping as if the runner started to double back, then thought better of it. Luka signals from the flank: a torn scrap of flannel caught on a branch. I take it, press it to my nose, and breathe deep. Sweat, mostly, and a note of whiskey—bar rot and regret, seeping out of the pores.
A low whistle—pack sign, not the wind. I freeze, hand up, and the team locks in behind me. The scout is ahead, barely visible against the trunk of a fallen pine, crouched and motionless. I ease forward, low to the ground, and join him at the edge of a shallow ravine.
The snow down there is a crime scene. Tufts of gray fur, spatters of blood, a groove where a body landed hard and skidded before clawing its way up the other side. The scout points. Halfway up the bank, the wolf must’ve tried to stand—two sets of tracks, human and animal, wrestling for dominance until the animal wins. It always does.
I stand and let the moon hit my face, breath fogging out in a cloud. The clearing reeks of confusion, panic, and—this time I’m certain—something that makes the hair at the base of my neck bristle. It’s not just animal. It’s not just prey. It’s like catching your own reflection in a window and seeing, for an instant, a stranger.
I shake it off. The law is the law. The animal doesn’t get a say.
“Scouts, take the high ground,” I whisper. “Betas, with me. We flush her to the river, cut her off before the bridge.”
They nod as one. Tessa gives me a long look, searching for anything in my face that isn’t command. She finds nothing, just the mask I’ve worn since I was old enough to bury the first body.
We descend into the ravine, boots sliding, the chill wetting my calves through the fabric. At the bottom, the tracks are fresher, blood darker and still wet on the ice. I touch it, smear it between thumb and finger. It’s hot—impossibly so—and I flinch from the contact.
“She’s disoriented,” I say, not bothering to whisper. “Running on instinct.”
Behind me, Luka and Tessa exchange a look. I hear it in the way their breath hitches—a silent question, maybe a judgment. I said she, not it. I shouldn’t have, but it’s out now.
We climb the other side, and the world opens up: a wide swath of forest sloping toward the valley, moonlight flooding every crease. The wind is at our backs, which means the wolf ahead can smell us coming. I test the air, searching for the next clue. It’s there, barely, a ribbon of scent dancing above the noise—close enough to taste, not close enough to see.
I glance up at the moon. It’s swollen, heavy, ready to drop. For a second, the idea creeps in that this is all a mistake—that there’s another way to handle the law, something my father never let himself consider. The thought disgusts me, and I shove it down.
I motion forward, and we move as one.
The hunt is all that matters. The rest is just noise.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







