LOGINFive years ago, Vienna Castellano stopped living for herself. At seventeen, she watched her family burn. The man who dragged her from the wreckage gave her someone to blame, then spent the next four years teaching her how to make them pay. Sixteen names. Sixteen kills. One family: the Romanos. Tonight, only Matteo Romano remains. With her gun trained on him, Vienna expects fear. Instead, Matteo barely reacts. He tells her something that shakes the foundation of everything she believes: if she wanted him dead, she would have pulled the trigger already. He's right. And she doesn't know why. Then Matteo swears he never ordered the attack that destroyed her family. Worse, Vienna believes him. Someone turned a grieving girl into a weapon and pointed her at Matteo, one death at a time. Now enemies who should want each other dead must work together to uncover the truth. But Matteo doesn't share—not his city, his secrets, or her. Vienna refuses to belong to anyone after spending years controlled by another man. When they find the person who trained her, the truth is worse than they imagined. He smiles. “You still don't understand. I didn't start this war. Your parents did.”
View MoreMATTEORocco doesn't knock. He never has, not since we were boys and knocking was a formality reserved for people who didn’t already know they’d be let in, and tonight he doesn’t bother pretending otherwise, shoving my study door open hard enough that it cracks against the wall.“Ferrara’s dead.”I don’t look up from the ledger in front of me right away, because in this family you learn early that the first reaction is the one people remember, and mine needs to look like control even when it isn’t. “When.”“Last night. His housekeeper found him this morning. Single shot, close range, back of the skull. No forced entry, no witnesses, no prints — which means whoever did it walked into a house with three men on the payroll to guard it and walked back out again without any of them noticing until they were already cleaning blood off a Caravaggio.”I set the pen down. My hand stays steady. It has to. “That makes eight.”“Fifteen, if you count the ones we didn’t bury with the family name on
VIENNAThe file arrives at 9 a.m., exactly when Voss said it would, because if there’s one thing nine years has taught me about the man, it’s that his promises about timing are the only promises he never breaks.I open it standing up, coffee going cold on the counter, and for a full three seconds the photograph doesn’t make sense to me — not because I don’t recognize the face, but because I do, and the recognition arrives faster than my mind can build a reason for it.Matteo Romano.The Don himself. Not a lawyer, not a lieutenant, not one more careful man who signed things he could pretend not to understand — the man at the very top of the family that burned my house down with my parents still inside it.My hand goes unsteady around the coffee cup. I set it down before it can betray me.I call Voss instead of texting, which I never do, because some things need a voice attached to them or they don’t feel real.“It’s him,” I say, when he picks up. “The last one is Romano himself.”“It w
VIENNAThe Nest looked like a hunting lodge from the road, which was the entire point. Stone walls, cedar shutters, smoke curling from a chimney like something out of a postcard. Nobody driving past ever slowed down to wonder why a hunting lodge needed a firing range in the basement, or why the girls who came and went never seemed to age past nineteen before they simply stopped coming back.I was there four years before Voss let me collect a single name.“Again,” says a voice behind me, and I don’t need to turn around to know it’s Kestrel — nobody at the Nest used the names they’d arrived with, mine included, so for two years I was simply Widow-in-training and she was the girl with hair the color of a struck match, sharp-mouthed, competitive in a way that felt less like cruelty and more like the only kind of friendship either of us had left the vocabulary for.I reset the blade in my palm, and the memory folds itself neatly over the present, the way it always does when I let myself th
VIENNAThe safehouse smells like bleach and cheap coffee, which is how I know I’m home, if home is a word that still applies to a room with no photographs in it.I peel off gloves stiff with drying blood and drop them in the sink to burn later. My hands are shaking. They always do, after — not from fear, Voss says, just adrenaline leaving the body the only way it knows how. I used to believe that too. Tonight I stand at the sink and watch my own fingers tremble and wonder, for the first time in longer than I want to admit, whether adrenaline is supposed to still be arriving nine years in, or whether some other, smaller word might fit better.I light a cigarette I don’t really want, just to have something to do with my hands, and the smell of the match catches me somewhere under the ribs before I can brace for it.Smoke. Not cigarette smoke — the other kind. The kind that gets into your hair and doesn’t come out no matter how many times you wash it, because your hair isn’t what’s holdi
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