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CHAPTER TWELVE: THE CELLAR BENEATH VILLA CORVO

Author: Jenny reeds
last update publish date: 2026-08-15 13:24:59

VIENNA

The east guest room isn’t a cellar, not literally, but it might as well be one for all the good the silk curtains and the gilded mirror do me. There’s a bed big enough for four people and a window that looks out over the same vineyard I climbed through hours ago, and neither of those things changes the fact that the door locks from the outside and I can hear two men breathing on the other side of it if I stand close enough and hold very still.

I do a slow circuit of the room the second t
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  • The Widow's Reckoning    CHAPTER FIFTEEN: TERMS OF AN UNEASY TRUCE

    VIENNAI don’t tell him everything. Not that first night — some doors don’t open all the way just because one lock finally gave, and nine years of training isn’t undone by a single ledger and a man’s tired, honest face across a small table.But I tell him enough. The fire. The man who knelt beside me on cobblestones I can still feel under my knees if I let myself remember too hard. The Nest, the folder, the sixteen names, the years of drills that turned a grieving girl into something Voss could point at a target and trust to fire true.Matteo listens without interrupting, which surprises me more than it should. Every man I’ve ever reported to has needed to fill silence with his own voice, correcting, directing, shaping the story into something more useful to him. Matteo just listens, elbows on his knees, dark eyes steady on my face like the story itself is the only thing in the room worth his attention. Somewhere outside, a bird starts up its ordinary morning noise against the vineyar

  • The Widow's Reckoning    CHAPTER FOURTEEN: WHAT THE LEDGER SAYS

    MATTEOShe’s sitting exactly where I expect to find her when I finally let myself go up — on the edge of the bed, spine straight, watching the door like she’s been counting the seconds since it last opened.The tray Isolde left is untouched on the table by the window, and I notice it the way I notice most things about this room now, cataloguing details I have no real right to be cataloguing about a woman who was pointing a gun at my head a few hours ago. Her hair has dried in loose waves she clearly hasn’t bothered to fix. There’s a shallow scrape along one knuckle I don’t remember seeing in the study, something she must have picked up scaling the eastern wall, and some part of me wants, absurdly, to ask if it hurts.“You came back,” she says, and there’s something careful in it, like she hasn’t decided yet whether that’s good news.“I told you I would.” I set the ledger down on the small table between us, thick, leather-bound, the pages inside marked with nine years of a family’s wor

  • The Widow's Reckoning    CHAPTER THIRTEEN: ROCCO'S OBJECTION

    ROCCOI find him exactly where I expect to — standing at the same window he’s been standing at since the radio went dark, glass in hand, storm finally thinning to a grey drizzle over the vineyard rows.I’ve known this man since we were both young enough to think the family business was something out of a story, back before either of us understood what it actually cost to keep a name like Romano standing upright in a city built to grind names like it down to nothing. I know his tells better than I know my own. Right now, watching the set of his shoulders, I know he’s already braced for this exact argument, which means some part of him expected me to disagree before I ever opened my mouth.“You want to explain to me,” I say, not bothering to soften it, “why the woman who’s spent nine years gutting this family is currently sleeping in the east guest room instead of a hole in the ground.”“She’s not sleeping. I doubt she’s slept at all.”“That’s not what I asked.”Matteo turns from the wi

  • The Widow's Reckoning    CHAPTER TWELVE: THE CELLAR BENEATH VILLA CORVO

    VIENNAThe east guest room isn’t a cellar, not literally, but it might as well be one for all the good the silk curtains and the gilded mirror do me. There’s a bed big enough for four people and a window that looks out over the same vineyard I climbed through hours ago, and neither of those things changes the fact that the door locks from the outside and I can hear two men breathing on the other side of it if I stand close enough and hold very still.I do a slow circuit of the room the second the lock clicks, the way I was trained to — windows, vents, the seam where the wall meets the closet, anywhere a door might hide that isn’t the one they walked me through. The window doesn’t open more than a hand’s width, stopped by a metal bracket bolted into the frame recently enough that the paint around the screws hasn’t had time to yellow. Someone anticipated this exact scenario before I ever set foot on this property. Someone in this house is more careful than the file Voss built ever gave

  • The Widow's Reckoning    CHAPTER ELEVEN: HELD, NOT KILLED

    MATTEOThe door doesn’t open slow this time.Rocco comes through it the way he’s come through every door in this house since we were boys — fast, certain, gun already up before his eyes finish adjusting to the lamplight — and for one full second I watch the entire rest of my life balance on whatever his hands decide to do next.“Don’t,” I say, and step, without thinking about it, directly into the line between his gun and her.“Matteo, move.”“I said don’t.”Rocco’s eyes go from me to Vienna to the gun still loose in her hand and back to me again, and I watch him do the math a soldier does in situations like this — threat, distance, angle, cost — and none of the numbers are landing where he wants them to. “That’s her. That’s the Widow. She’s standing in your study with a weapon and you’re shielding her.”“She hasn’t used it.”“She had ninety seconds to put a bullet in your skull and I want to believe that means something, but I need you to step out of the way so I can finish what she

  • The Widow's Reckoning    CHAPTER TEN: IF YOU WANTED ME DEAD

    MATTEOShe asks it like the question costs her something, and I understand, watching her hand finally start to shake around the grip of a gun that’s been perfectly steady for the last two minutes, that it probably does — more than she’s willing to let me see.“I don’t know,” I say, honest, because honesty is the only currency I have left in a room where she’s holding all the power that matters. “I’ve spent five years watching my own people die and finding no thread to follow back to whoever’s pulling it. If you’ve spent nine years being told it was me, then someone built that story on purpose, and building a story like that on purpose takes patience most people don’t have.”“Someone I trust,” she says, and it isn’t a question, more like she’s saying it out loud to see if it survives being spoken.“Probably.” I keep my hands visible, keep my voice level, the way you’d talk down anyone standing at the edge of something they haven’t decided yet whether to jump from. “Nobody builds a weap

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