Rosalie's POV She came in on a Tuesday afternoon in July, when the gallery was quiet. I was in the back office, going over the timeline for the commission, back on track after the extended deadline, and Delia was at the front desk, doing the filing she always did on Tuesdays. I heard the door open, Delia's greeting, and the response, a young woman's voice, then I turned back to the calendar. Ten minutes later, Delia appeared in the office doorway. "There's someone asking about the work," she said. "She's been standing in front of The Return for a while. She wants to know if you're available." I was seven months pregnant and had been sitting for two hours, and getting up was its own little project. I got up anyway and went out. She was standing exactly where Delia had said, in front of The Return, with that particular quality of someone who wasn't pretending to look. She was really looking. There was a difference, and I'd learned to see it, the difference between a gallery v
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